Bravo Fucking Bravo II CD

II Music

List Price	$13.97 (You save $0.68)
Category	Rock/Pop Albums, Rock CDs, Heavy Metal
Label	MSI Music
Orig Year	2005
All Time Sales Rank	506869
CD Universe Part number	7002289
Catalog number	72
Discs	1
Release Date	Nov 08, 2005
Mono/Stereo	Stereo

Bravo Fucking Bravo II Songs

	1.	We Fight With Swords
	2.	The Vixens
	3.	Denelonette
	4.	Feed The Motherfuckers To The Sharks
	5.	Jean-Claude God Damn
	6.	Part Two
	7.	Friends With All The Dead Kids
	8.	Doctor Hot Shit
	9.	The New Testament
	10.	Making Machines Out Of Water

II Review

Guidelines
Remember to focus your comments on Bravo Fucking Bravo II CD - Import.
Check our review guidelines for specific details regarding customer review policy.

To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days.

Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.

To buy, Click on price to add to cart

Also Bought

Kiss Sonic Boom CDs (2009)

II album

$16.09

When SONIC BOOM was released, it had been over a decade since the last Kiss studio album, so expectations were understandably high. In addition, the intervening period had seen the band fire two of its founding members for the second time, only to replace them with sidemen wearing Ace Frehley and Peter Criss's iconic makeup. Luckily, the new additions, unlike some of Kiss's "un-masked years" members, have a good feel for classic Kiss. That fact, matched with Paul Stanley's assumption of production duties, makes SONIC BOOM one of the most consistent and thoroughly Kiss-sounding albums since the group's `70s heyday. That said, the New York City unit manages to branch out a bit; alongside very ROCK & ROLL OVER/LOVE GUN-esque tracks such as the Gene Simmons-sung rockers "Yes I Know (Nobody's Perfect)" and "Russian Roulette," sit ambitious pieces such as "Stand," which employs a Motown-influenced chorus melody, sophisticated arrangement, and Beach Boys-style harmonies, and "All For the Glory" and "Lightning Strikes," which are vocal showcases from new guys Eric Singer and Tommy Thayer ...

Also Bought

Rammstein Liebe Ist Fur Alle Da CDs (2009) Bonus Tracks; Deluxe Edition; Digipak

II CD music

$17.59

Anyone familiar with the industrial-metal band's dark sense of irony should take one look at the title of Rammstein's 2009 album LIEBE IST FUR ALLE DA ("Love Is There For Everyone") and conclude that this one is a mean monster. Combining the tightness and punch of their 1998 album SEHNSUCHT with the musicianship and elaborate textures of their later work, LIEBE IST is a grand achievement, skillfully dividing its time between razor sharp metal rockers like "B********" or the opening theme song "Rammlied" and nostalgic, cabaret pieces that conjure the spirits of Weil and Brecht at a goth club. Best of the latter is the naked and haunting closer "Roter Sand" but little touches of a sinister yesteryear are everywhere, like the fake vaudeville music in "Haifisch" or the soundtrack strings of "Wiener Blut" which are eventually overcome by a guitar crunching juggernaut. This strange mix of styles is more effective here than it has been for about a decade, and there's no threat of the album becoming ponderous either as the economical tracklist and purposeful songs wipe away the sins of their previous album, 2005's ROSENROT. The group's loyal fans have remained with them through the '00s and have braved all the difficult ...

Also Bought

Judas Priest Concert Classics CD (2009) Reissue

II music CDs

$11.89

There was a time when British Steel was the hottest, hardest, and most awesome substance on the planet. On Judas Priest "Concert Classics", here it is, in its most appropriate circumstances: live, ...

Also Bought

Dream Theater Octavarium CD (2005)

II songs

$10.59

As the sole major-label progressive-metal act, Dream Theater invariably set the standard as the flagship band of the genre. With the numerically themed OCTAVARIUM (including eight tracks signifying the band's eighth release) the shred-rock quintet continues to challenge themselves creatively. Opening track "The Root Of All Evil" picks up the thread that began with "The Glass Prison" (SIX DEGREES OF INNER TURBULENCE) and carried forward to "This Dying Soul" (TRAIN OF THOUGHT). Drummer Mike Portnoy's lyrics for these songs read like a set of deeply personal journal entries documenting his painful recovery experience, further disclosed by a footnote nod to Alcoholics Anonymous co-founder Bill Wilson. OCTAVARIUM chiefly finds Dream Theater stepping back from elaborate fretboard acrobatics, focusing on vocal-based, ...

Also Bought

Black Sabbath Volume 4 CD (1972)

II album

$8.65

A pair of long and winding epics open and close VOL. 4.: "Wheels of Confusion/The Straightener" and "Under the Sun/Everything Comes and Goes," each consisting of two separate sections. ...

Also Bought

Pain Of Salvation Linoleum EP CD (2009) (Import) Import; Extended Play

II CD music

$20.99

Dali's Dilemma Manifesto For Futurism CD (1999)

II music CDs

$14.65

U F O Force It CD (1975) Japan; Remastered

II songs

$27.05

Freak Kitchen Spanking Hour CD (1996) (Import) Japan

II album

$38.19

Desert Song/New Moon CD (2002) Remastered

II CD music

$13.95

Music composed by Sigmund Romberg. Lyrics written by Oscar Hammerstein II and Otto Harbach. Recorded on March 13-14, 1944 & February 18, 1953. Originally released on Decca 10" LPs (7000) & (5472). Includes liner notes by Eric Myers. This CD reissue combines two studio-cast recordings of 1920s operettas composed by Sigmund Romberg that were made decades after the original stage productions. Decca Records pioneered the original Broadway cast album with its successful release of recordings from Oklahoma! in 1943, and it was only a short time before the label was also re-creating older musicals in the studio. One of the earliest such sessions, recorded in March 1944, combined Kitty Carlisle, Wilbur Evans (then appearing on Broadway in Cole Porter's Mexican Hayride), and Felix Knight in a set of songs from the 1926 show The Desert Song. The intention may have been to take advantage of the just-released film adaptation starring Dennis Morgan, though the album wasn't released for 18 months. When it did appear, however, it was the most complete version of the score yet issued and proved very well sung. Decca had less of an excuse for recording a studio version of the 1928 show The New Moon in 1953, perhaps just the show's 25th anniversary. But all its rivals -- Columbia, RCA Victor, and Capitol -- had their own studio-cast recordings in print, while an earlier Decca one made in 1940 may have seemed in need of replacing for the LP era. The cast of Thomas Hayward, Jane Wilson, and Lee Sweetland was not particularly distinguished, and while adequate, didn't really compare with the 1950 ones with Gordon MacRae on Capitol, and with Nelson Eddy on Columbia. Though the ...