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Soft Machine - Orange Skin Food CD Cover Art
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Soft Machine Orange Skin Food CD - Import

 Soft Machine Discography of CDs

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20-track double disc compilation. Ambitions label.
Orange Skin Food Music


Detailed Orange Skin Food Music Information



List Price $22.97 (You save $1.68)
Category Rock/Pop Albums, Rock CDs
Label Phantom
Orig Year 2005
CD Universe Part number 7003528
Discs 2
Release Date Nov 14, 2005
Mono/Stereo Stereo
Additional Info Import
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With Adam Lambert, American Idol finally got a finalist who was completely, utterly contemporary, aware of what's hip in music and culture and aware of how music is made and consumed in 2009, never seeming to try to follow fads or set trends, just embodying the time. Mercifully, he came in second to Kris Allen, for if he came in first he may have had to tame his self-styled glamazon ways. A second place finish allowed Lambert to come out of the closet and indulge in his penchant for theater on his debut, For Your Entertainment -- which isn't quite the same thing as camp, for if Adam Lambert is anything, he's earnest about his dress-up, never winking at the audience because he doesn't think there's much funny about his glitter and mascara: that's just what pop stars are supposed to do. He's learned that by listening to his stacks of Queen and Bowie records, from watching old MTV videos on YouTube, from living in a present that always competes with the ever-present past, so he takes it all at face value, mixing up arena rock guitars, new wave, disco, operatic overdubs with a constant electro pulse, glassy modern R&B, and the vague Euro strains of new ...
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Digitally remastered by Toby Mountain (Northeastern Digital Recording). No single compilation could fairly represent the breadth of Alphonso's career -- so often did he record as a solo artist, bandleader, band member, and session musician. This, however, is an excellent 20-song retrospective of vintage sides from 1958-68 released largely under his own name; if they weren't, they were by groups in which Alphonso was the leader or principal player. Actually, he recorded in a staggering variety of guises, and this anthology includes cuts that were billed to Roland Alphonso & the Alley Cats, Roland Alphonso & the Studio One Orchestra, Roland Alphonso & the Soul Brothers, just the Soul Brothers, Rolando & His Group, Soul Vendors, Clue J & His Blues Blasters, Rolando & the Sharks, and so on... you get the picture. The important thing is that these are exciting, seminal ska and reggae instrumentals, with styles traversing ska roots to rock steady and soul-influenced reggae. There's more variety to be heard here than with almost any other single-artist ska compilation -- from ska takes on spy movie themes and witty novelties like "Rollie Pollie" to the cooking "Do It Good" (which is as close to early American funk-soul as it is to reggae). Alphonso plays imaginative, jazzy sax throughout, and unlike many of the ska brassmen, was not prone to a wobbly or out-of-tune squeak. Among the dozens of other musicians heard ...
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Lightning Bolt's 2003 album Wonderful Rainbow just kept getting bigger and bigger, like a 16-ton amplifier falling out of the noon sky. Its bass tone squashed round heads into wrecked ellipses, and the drums chattered away as if on a chain drive. The album was the opposite of Excedrin, a tension headache in ten movements. Lightning Bolt have done it again with 2005's Hypermagic Mountain. It's hard to say this is accessible; besides, if you did say that, no one would hear it anyway. But bassist Brian Gibson and drummer/default vocalist Brian Chippendal build an addictive structure into the manic pulse of "Captain Caveman," and "Riffwraiths" -- musicians' biggest fear next to unreliable drummers -- sounds like a song's break extended ...
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