| | Spice 1 Thug In Me CD Spice 1 Discography of CDs
 (1 Customer Review)
Purchase Thug In Me CD To buy, Click on price to add to cart | Wu-Tang Clan - The W: Volume 1 DVD (2001)
Thug In Me album
 $8.39
| | Spice 1 Dyin' 2 Ball CD (2005)
Thug In Me CD music
 $13.85
| | Spice 1 Truth CD (2005)
Thug In Me music CDs
$14.55 
| | Spice 1 Keep It Gangsta CD (2006) Parental Advisory
Thug In Me songs
$15.05 
| | Project Pat Crook By Da Book: The Fed Story CD (2006)
Thug In Me album
$8.99  
This is a DualDisc, which contains a CD on one side of the disc and a DVD on the other.
Fans waiting four years since his last full-length can celebrate: the long ...
| | Spice 1 Thug Association CD (2007)
Thug In Me CD music
$12.85
| | Gospel Classics CD (1994) Import
Thug In Me music CDs
$13.25 
| | Kevin Aviance Box Of Chocolates CD (1999)
Thug In Me songs
$11.49
Kevin Aviance's first full-length album, including all of ...
| | J T The Bigga Figga Project Poetry CD (2003) Bonus DVD
Thug In Me album
$12.49
| | Remixes, Vol. 4: Olav Basoski CD (2005)
Thug In Me CD music
$24.09
This dance music compilation includes 12 tracks by producer/DJ Olav Basoski. Tracks include remixed versions of songs by such artists ...
| | Dave Ghetto Love Life CD (2005)
Thug In Me music CDs
$11.39
| | Spanky Wilson I'm Thankful CD (2006)
Thug In Me songs
$13.39
It was much to soul singer Spanky Wilson's surprise -- she didn't realize she had had such an impact -- when British multi-instrumentalist/producer Will Holland contacted her in her Los Angeles home in 2004, professing his love of her music and wondering if she'd collaborate with him. Still, she agreed to go the studio, and together they did two songs, "Don't Joke with a Hungry Man" and "When You're Through," for Holland's solo project, Quantic, on the album Mishaps Happening. That collaboration worked out so well that they decided to make an entire record together, this time with Holland's full band, the Quantic Soul Orchestra. Wilson's lovely voice is the centerpiece of I'm Thankful, and it does show a bit of its age, but only in the best of ways, deepening it and giving it an added measure of credibility and authenticity while still preserving its expressiveness and strength. Attesting to Wilson's tremendous ability is the fact that the record is very intimately and sparsely produced, making it seem as if the singer is almost in the room right with the you, the sometimes raspy and breathy line endings audible in that professional, practiced way. The band, which plays J.B.'s-inspired tight funk riffs, occasionally branching into modern jazz horn solos or even wah-wahed guitars, often uses a modern dancefloor-esque beat (in both versions of "Don't Joke with a Hungry Man," for example, which are different from the Quantic one), which makes sense as Holland is an able electronica producer as well as composer (besides the cover of Bo Diddley's "You Can't Judge a Book by Its Cover," all the pieces on the album are completely written and arranged by him). But the music here is still funk, horns and all, and since the drums are always live, there's still a nice organic sense about it. The neo-soul "That's How It Was," which reflects upon Hurricane Katrina, is touching and affecting, and as Wilson sings, "Now people are talking 'bout a need for a change/Hoping and fighting for power exchange/Thank heavens for life, but not for the pain/Thousands of tears just washed away in that rain," there's a real emotion and tenderness in her voice that comes through clearly and honestly. Because I'm Thankful is about clarity and avoiding pretension, it's about rhythm and groove, it's about playing soul music for its own sake, which makes it a very successful album, a great melding of two talented artists -- and an introduction to Spanky Wilson for many who haven't heard her before, and need to -- and a lot of fun. ~ Marisa Brown
Liner Note Author: Willie Holland.
Recording information: Joey's Place, Hollywood, CA; Kiln ...
| | Tim Gearan Moving Day CD (2007)
Thug In Me album
$20.25
Tim spent his childhood years in New York, traveling back an forth from NYC to the suburbs. In Tim’s home growing up, there was always a guitar handy to hack around with, and so he was inspired to pick it up at a young age. Tim started to take his practice more seriously in his teen years by learning to sing and play like his heroes; The Beatles and The Stones, of course, and subsequently many of their influences (Chuck Berry, Muddy Waters, Bo Diddly, Bob Dylan) to name just a few. For a long time after that, Tim was a real nose to the grind stone blues student. While learning the ins and outs of traditional blues, he always had one iron in the songwriting fire.By the time Tim was in his twenty’s he was playing for audiences and creating a style of his own. Since then he has made a living playing music in New Orleans, Los Angeles, Martha's Vineyard and has been in Boston since the 1980's. Around 1992, Tim began playing guitar with and writing songs for W.C. Handy nominee Toni Lynn Washington. During that time, Tim toured clubs and festivals in Europe and the U.S. The release of his debut cd, “Back Home” has allowed Tim to reveal his enormous creative range and delightfully understated song writing, exposing the emergence of a talent to watch. Along with playing his music for crowded rooms around Boston at venues such as Club Passim, Johnny D’s, the Regent Theater and others, Tim has enjoyed about a 10 year residency on Monday nights at TOAD in Porter Sq. Cambridge. Tim’s Monday night gig has been called “one of the premier hangs of the Boston music scene.” At the 2004 Boston Music awards, Tim bashfully received a Gibson Guitar “Unsung Hero Award” presented by long time supporter Billy Conway (Treat Her Right, Morphine).Tim's wide range of writing styles is a reflection of the music he loves to listen to, with influences ranging from Randy Newman, and J. J. Cale to Ray Charles and The Band. Comparisons have also been made ...
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