| 1. Impromptus (4) for piano, D. 899 (Op. 90): No. 1 in C minor (23:25) |
| Common Name | Impromptus For Piano |
| Catalog No. | D 899 |
| Composer | Franz Schubert (1797 - 1828) |
| Performer | Artur Schnabel (Piano) |
| Genre | Impromptu / Romantic Period |
| Date Written | ?1827 |
| Period | Romantic |
| Country | Austria |
| Venue | EMI Abbey Road Studio 3; London |
| Recording Date | 06/06/1950 |
| 2. Impromptus (4) for piano, D. 899 (Op. 90): No. 2 in E flat (32:03) |
| Common Name | Impromptus For Piano |
| Catalog No. | D 935 |
| Composer | Franz Schubert (1797 - 1828) |
| Performer | Artur Schnabel (Piano) |
| Genre | Impromptu / Romantic Period |
| Date Written | 12/1827 |
| Period | Romantic |
| Venue | EMI Abbey Road Studio 3; London |
| Notes | EMI Abbey Road Studio 3; London (06/08/1950-06/09/1950) |
| 3. Impromptus (4) for piano, D. 899 (Op. 90): No. 3 in G flat (4:54) |
| Common Name | Allegretto For Piano |
| Catalog No. | D 915 |
| Composer | Franz Schubert (1797 - 1828) |
| Performer | Artur Schnabel (Piano) |
| Genre | Character Piece / Romantic Period |
| Date Written | 05/24/1827 |
| Period | Romantic |
| Country | Austria |
| Venue | EMI Abbey Road Studio 3; London |
| Recording Date | 01/25/1939 |
| 4. Impromptus (4) for piano, D. 899 (Op. 90): No. 4 in A flat (3:21) |
| Common Name | March For Piano |
| Catalog No. | D 606 |
| Composer | Franz Schubert (1797 - 1828) |
| Performer | Artur Schnabel (Piano) |
| Genre | March / Romantic Period |
| Date Written | 1818 |
| Period | Romantic |
| Country | Austria |
| Venue | EMI Abbey Road Studio 3; London |
| Recording Date | 01/27/1939 |
| 5. Impromptus (4) for piano, D. 935 (Op. posth. 142): No. 1 in F minor (23:11) |
| Common Name | Moments Musicaux For Piano |
| Catalog No. | D 780 |
| Composer | Franz Schubert (1797 - 1828) |
| Performer | Artur Schnabel (Piano) |
| Genre | Romantic Period |
| Date Written | ?1823-28 |
| Period | Romantic |
| Country | Austria |
| Venue | EMI Abbey Road Studio 3; London |
| Notes | EMI Abbey Road Studio 3; London (11/02/1937/11/12/1937) |
| 6. Impromptus (4) for piano, D. 935 (Op. posth. 142): No. 2 in A flat (37:13) |
| Common Name | Gasteiner Piano, Piano Sonata 17 |
| Catalog No. | D 850 |
| Composer | Franz Schubert (1797 - 1828) |
| Performer | Artur Schnabel (Piano) |
| Genre | Romantic Period / Sonata |
| Date Written | 08/1825 |
| Period | Romantic |
| Country | Austria |
| Venue | EMI Abbey Road Studio 3; London |
| Notes | EMI Abbey Road Studio 3; London (01/26/1939-01/27/1939) |
| 7. Impromptus (4) for piano, D. 935 (Op. posth. 142): No. 3 in B flat (34:10) |
| Common Name | Piano Sonata 20 |
| Catalog No. | D 959 |
| Composer | Franz Schubert (1797 - 1828) |
| Performer | Artur Schnabel (Piano) |
| Genre | Romantic Period / Sonata |
| Date Written | 09/1828 |
| Period | Romantic |
| Venue | EMI Abbey Road Studio 3; London |
| Notes | EMI Abbey Road Studio 3; London (01/14/1937-01/15/1937) |
| 8. Impromptus (4) for piano, D. 935 (Op. posth. 142): No. 4 in F minor (36:06) |
| Common Name | Piano Sonata 21 |
| Catalog No. | D 960 |
| Composer | Franz Schubert (1797 - 1828) |
| Performer | Artur Schnabel (Piano) |
| Genre | Romantic Period / Sonata |
| Date Written | 09/1828 |
| Period | Romantic |
| Country | Austria |
| Venue | EMI Abbey Road Studio 3; London |
| Notes | EMI Abbey Road Studio 3; London (01/25/1939-01/26/1939) |
| 9. Allegretto for piano in C minor, D. 915 (33:36) |
| Common Name | Trout Quintet, Quintet For Piano Violin Viola Cello & Double Bass |
| Catalog No. | D 667 |
| Composer | Franz Schubert (1797 - 1828) |
| Performer | Claude Hobday (Double Bass) Alphonse Onnou (Violin) Germain Prevost (Viola) Artur Schnabel (Piano) Robert Maas (Cello) |
| Genre | Quintet / Romantic Period |
| Date Written | 1819 |
| Period | Romantic |
| Venue | EMI Abbey Road Studio 3; London |
| Recording Date | 11/16/1935 |
| 10. March for piano in E major, D. 606 (4:15) |
| Common Name | Schwanengesang Swan Song For Voice & Piano |
| Catalog No. | D 957 |
| Composer | Franz Schubert (1797 - 1828) |
| Performer | Artur Schnabel (Piano) |
| Genre | Romantic Period / Song Cycle |
| Date Written | 1828 |
| Period | Romantic |
| Country | Austria |
| Venue | EMI Abbey Road Studio 3; London |
| Recording Date | 11/16/1932 |
| 11. Quintet for piano, violin, viola, cello & double bass in A major ("Trout"), D. 667 (Op. posth. 114): (3:36) |
| Common Name | Schwanengesang Swan Song For Voice & Piano |
| Catalog No. | D 957 |
| Composer | Franz Schubert (1797 - 1828) |
| Performer | Artur Schnabel (Piano) |
| Genre | Romantic Period / Song Cycle |
| Date Written | 1828 |
| Period | Romantic |
| Country | Austria |
| Venue | EMI Abbey Road Studio 3; London |
| Recording Date | 11/16/1932 |
| 12. Quintet for piano, violin, viola, cello & double bass in A major ("Trout"), D. 667 (Op. posth. 114): (3:34) |
| Catalog No. | D 583 |
| Composer | Franz Schubert (1797 - 1828) |
| Performer | Artur Schnabel (Piano) |
| Genre | Romantic Period / Song |
| Date Written | 09/1817 |
| Period | Romantic |
| Venue | EMI Abbey Road Studio 3; London |
| Recording Date | 11/16/1932 |
| Notes | Composition written: 09/1817.
Composition revised: Germany. |
| 13. Quintet for piano, violin, viola, cello & double bass in A major ("Trout"), D. 667 (Op. posth. 114): (4:11) |
| Catalog No. | D 932 |
| Composer | Franz Schubert (1797 - 1828) |
| Performer | Artur Schnabel (Piano) |
| Genre | Romantic Period / Song |
| Date Written | 11/1827 |
| Period | Romantic |
| Venue | EMI Abbey Road Studio 3; London |
| Recording Date | 11/16/1932 |
| 14. Quintet for piano, violin, viola, cello & double bass in A major ("Trout"), D. 667 (Op. posth. 114): (2:01) |
| Catalog No. | D 905 |
| Composer | Franz Schubert (1797 - 1828) |
| Performer | Artur Schnabel (Piano) |
| Genre | Romantic Period |
| Date Written | 1827 |
| Period | Romantic |
| Country | Austria |
| Venue | EMI Abbey Road Studio 3; London |
| Recording Date | 11/16/1932 |
| 15. Quintet for piano, violin, viola, cello & double bass in A major ("Trout"), D. 667 (Op. posth. 114): (2:08) |
| Common Name | Landler & Ecossaises 2 For Piano |
| Catalog No. | D 734 |
| Composer | Franz Schubert (1797 - 1828) |
| Performer | Artur Schnabel (Piano) |
| Genre | Romantic Period |
| Date Written | circa 1822 |
| Period | Romantic |
| Venue | EMI Abbey Road Studio 3; London |
| Recording Date | 11/16/1932 |
| Notes | Composition written: Circa 1822.
Composition revised: Germany. |
| 16. Schwanengesang (Swan Song), song cycle for voice & piano, D. 957: 13. Der Dopplegänger (5:09) |
| Common Name | Wer Reitet So Spat Erlkonig, Erlkonig For Voice & Piano |
| Catalog No. | D 328 |
| Composer | Franz Schubert (1797 - 1828) |
| Performer | Artur Schnabel (Piano) |
| Genre | Romantic Period / Song |
| Date Written | 1815 |
| Period | Romantic |
| Venue | EMI Abbey Road Studio 3; London |
| Recording Date | 11/16/1932 |
| 17. Schwanengesang (Swan Song), song cycle for voice & piano, D. 957: 11. Die Stadt (11:31) |
| Common Name | Marches Militaires For Piano 4 Hands |
| Catalog No. | D 733 |
| Composer | Franz Schubert (1797 - 1828) |
| Performer | Artur Schnabel (Piano) Karl Ulrich Schnabel (Piano) |
| Genre | March / Romantic Period |
| Date Written | circa 1822 |
| Period | Romantic |
| Venue | EMI Abbey Road Studio 3; London |
| Recording Date | 10/29/1937 |
| 18. Gruppe aus dem Tartarus II ("Horch, wie Murmeln"), song for voice & piano, D. 583 (Op. 24/1) (31:37) |
| Catalog No. | D 818 |
| Composer | Franz Schubert (1797 - 1828) |
| Performer | Artur Schnabel (Piano) Karl Ulrich Schnabel (Piano) |
| Genre | Romantic Period |
| Date Written | ?1824 |
| Period | Romantic |
| Venue | EMI Abbey Road Studio 3; London |
| Notes | EMI Abbey Road Studio 3; London (10/28/1937-10/29/1937) |
| 19. Der Kreuzzug ("Ein Münich steht in seiner Zell'"), song for voice & piano, D. 932 (4:11) |
| Common Name | Grandes Marches Marches, Marches For Piano 4 Hands |
| Catalog No. | D 819 |
| Composer | Franz Schubert (1797 - 1828) |
| Performer | Artur Schnabel (Piano) Karl Ulrich Schnabel (Piano) |
| Genre | March / Romantic Period |
| Date Written | 10/1824 |
| Period | Romantic |
| Venue | EMI Abbey Road Studio 3; London |
| Recording Date | 10/29/1937 |
| 20. An die Laute ("Leiser, leiser, kleine Laute"), song for voice & piano, D. 905 (Op. 81/2) (7:54) |
| Common Name | Grandes Marches Marches, Marches For Piano 4 Hands |
| Catalog No. | D 819 |
| Composer | Franz Schubert (1797 - 1828) |
| Performer | Artur Schnabel (Piano) Karl Ulrich Schnabel (Piano) |
| Genre | March / Romantic Period |
| Date Written | 10/1824 |
| Period | Romantic |
| Venue | EMI Abbey Road Studio 3; London |
| Recording Date | 10/29/1937 |
| 21. Ländler (16) & Écossaises (2) for piano (Wiener Damen-Ländler), D. 734 (Op. 67): Der Musensohn, Op. (7:47) |
| Common Name | A La Francaise Divertissement, Divertissement For Piano 4 Hands |
| Catalog No. | D 823 |
| Composer | Franz Schubert (1797 - 1828) |
| Performer | Artur Schnabel (Piano) Karl Ulrich Schnabel (Piano) |
| Genre | Romantic Period |
| Date Written | circa 1825 |
| Period | Romantic |
| Country | France |
| Venue | EMI Abbey Road Studio 3; London |
| Notes | EMI Abbey Road Studio 3; London (10/28/1937-10/29/1937) |
| 22. Erlkönig ("Wer reitet so spät"), song for voice & piano, D. 328 (Op. 1) (12:25) |
| Common Name | Allegro For Piano 4 Hands |
| Catalog No. | D 947 |
| Composer | Franz Schubert (1797 - 1828) |
| Performer | Artur Schnabel (Piano) Karl Ulrich Schnabel (Piano) |
| Genre | Romantic Period |
| Date Written | 05/1828 |
| Period | Romantic |
| Country | Austria |
| Venue | EMI Abbey Road Studio 3; London |
| Recording Date | 10/29/1937 |
| 23. Marches Militaires (3) for piano, 4 hands, D. 733 (Op. 51): No. 1 in D (10:29) |
| Catalog No. | D 951 |
| Composer | Franz Schubert (1797 - 1828) |
| Performer | Artur Schnabel (Piano) Karl Ulrich Schnabel (Piano) |
| Genre | Romantic Period / Rondo |
| Date Written | 06/1828 |
| Period | Romantic |
| Country | Austria |
| Venue | EMI Abbey Road Studio 3; London |
| Notes | EMI Abbey Road Studio 3; London (10/28/1937-10/29/1937) |