Fela Kuti Roforofo Fight/Fela Singles CD

2 LPs on 1 CD: ROFOROFO FIGHT (1972)/THE FELA SINGS (Previously Unreleased).
Producer: Fela Kuti
Reissue producer: Jean-Pierre Haie
Includes liner notes by Jacqueline Grandchamp-Thiam, Rikki Stein and Mabinuori Kayode Idowu.
Digitally remastered by Pompon (Translab Paris, Paris, France).
Liner Note Authors: Mabinuori Idowu; Jacqueline Grandchamp-Thiam; Rikki Stein.
Recording information: 1972.
Photographer: Bernard Matussiere.
This is essentially a CD reissue of Fela Kuti's 1972 album Roforofo Fight, with the addition of two previously unreleased tracks from the same era. It's true that Kuti's early-'70s records tend to blur together with their similar groupings of four lengthy Afro-funk jazz cuts. In their defense, it must be said that while few artists can pull off similar approaches time after time and continue to make it sound fresh, Kuti is one of them. Each of the four songs on Roforofo Fight clocks in at 12 to 17 minutes, and there's a slight slide toward more '70s-sounding rhythms in the happy-feet beats of the title track, and the varied, yet rock-solid drums in "Go Slow." There's just a hint of reggae in "Trouble Sleep Yanga Wake Am," in the pace, vocal delivery, ethereal keyboards, and lilting yet dramatic minor melodic lines. The James Brown influence is strongly heard in the lean, nervous guitar strums of "Question Jam Answer," and the horns cook in a way that they might have had Brown been more inclined to let his bands go into improvisational jams. The two bonus tracks -- "Shenshema" (from 1972) and "Ariya" (from 1973) -- comprised the segment of the CD titled "Fela Singles" a curious phrase given that they were previously unreleased. "Shenshema" is a nine-minute cut that is heavy on go-go-like percussion and cool, responsive chants from the band. The ten-minute "Ariya" is a real discovery, its urgent spy theme-like melody and Kuti's haunting, driven vocals making it a highlight even relative to the generally high quality of his recordings during this period. The same set was remastered and licensed to the venerable Wrasse Records label. The package is deluxe, in a slipcase. There is a biographical essay included and notes on individual songs by Mabinuori Idowu, the author of the excellent biography Fela, Why Blackman Carry Shit. ~ Richie Unterberger and Thom Jurek
It's true that Fela's early-'70s records tend to blur together with their similar groupings of four lengthy Afro-funk-jazz cuts. In their defense, it must be said that while few artists can pull off similar approaches time after time and continue to make it sound fresh, Fela is one of them. Each of the four songs on the 1972 album Roforofo Fight clocks in at 12 to 17 minutes, and there's a slight slide toward more 1970s-sounding rhythms in the happy-feet beats of the title track and the varied yet rock-solid drums in "Go Slow." There's just a hint of reggae in "Trouble Sleep Yanga Wake Am," in the pace, vocal delivery, ethereal keyboards, and lilting yet dramatic minor melodic lines. The James Brown influence is strongly heard in the lean, nervous guitar strums of "Question Jam Answer," and the horns cook in a way that they might have had Brown been more inclined to let his bands go into improvisational jams. The 2001 MCA CD reissue of the album, retitled Roforofo Fight/The Fela Singles, adds two previously unreleased bonus tracks from the same era, "Shenshema" and "Ariya." ~ Richie Unterberger
This is essentially a CD reissue of Fela Kuti's 1972 album Roforofo Fight, with the addition of two previously unreleased tracks from the same era. It's true that Kuti's early-'70s records tend to blur together with their similar groupings of four lengthy Afro-funk jazz cuts. In their defense, it must be said that while few artists can pull off similar approaches time after time and continue to make it sound fresh, Kuti is one of them. Each of the four songs on Roforofo Fight clocks in at 12 to 17 minutes, and there's a slight slidMojo (Publisher) (2/02, p.104) - "...Everything you need to know is here..."