| | Bisca Oggi Nonho Niete Da Dire CD - Import Bisca Discography of CDs
Oggi Nonho Niete Da Dire Music Bisca Oggi Nonho Niete Da Dire Songs | 1. | Jaw Jo |
| 2. | Fino |
| 3. | Lo Sperma Del Diavolo |
| 4. | Mustafah |
| 5. | Allah |
| 6. | Ugo |
| 7. | Oggi Non Ho Niente Da Dire |
| 8. | Mustafah (Senza Parole) |
| 9. | Ciato P'allucc |
| 10. | La Macchina |
| 11. | Ugo Reprise |
| 12. | Sar Perch I Poeti... |
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Oggi Nonho Niete Da Dire Review
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Purchase Oggi Nonho Niete Da Dire CD To buy, Click on price to add to cart | Celtic Woman CD (2005)
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CELTIC WOMAN is the brainchild ...
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This remastered version of LEGEND contains a 28 page booklet, and two bonus tracks.
Recorded between 1972 and 1981. Originally released on Island (90169).
Digitally remastered by Ted Jensen (2001, Sterling Sound, New York).
Digitally remastered by Ted Jensen (2001, Sterling Sound, New York, New ...
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| | Shahram Nazeri Passion Of Rumi CD (2007)
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It's perhaps ironic that you don't need to be able to understand the words to appreciate this celebration of the 700th anniversary of the birth of the great Iranian poet Rumi. But these performances by father and son, along with the other four members of the ensemble, transcend language to reach pure emotion. It can be as affecting as singer Shahram Nazeri's vocals on "Fanayam Man 1," where a spare backing merely emphasizes ...
| | Buena Vista Social Club CD (1997)
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BUENA VISTA SOCIAL CLUB won the 1998 Grammy Award for Best Tropical Latin Performance.
That Ry Cooder, you've got to keep an eye on him every minute, or he jumps into another cross-cultural collaboration. In the wake of his landmark recordings TALKING TIMBUKTU with Ali Farka Toure and A MEETING BY THE RIVER with V.M. Bhatt comes BUENA VISTA SOCIAL CLUB, essentially a supergroup of traditional Cuban musicians with the addition of international agitator Cooder. Somehow, Cooder always finds just the right space to slide his sinuous slide guitar into, so that it works in almost any context. Here, amidst the multi-layered percussion, piano and Cuban guitar rhythms, Cooder's slide simultaneously ...
| | Martha & the Vandellas Come And Get These Memories CD (1963) Import
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Originally released on Gordy (902). Includes original release liner notes by Billie Jean Brown.
Digitally remastered by Bill Inglot and Dan Hersch (DigiPrep Studios, Los Angeles, California).
COME AND GET THESE MEMORIES/HEATWAVE brings together two albums from classic R&B group Martha Reeves & The Vandellas.
Martha & the Vandellas' first two LPs from June and September of 1963, respectively, on one CD, from Motown's British division. The contents of this disc show the trio advancing rapidly in the space of barely four months, from a very traditional girl group sound, similar to that of the Shirelles in their early days, into an edgier soul ensemble, with a harder and sharper sound. They're good in either vein, though on the first album their material is more limited -- the Top 30 pop hit of the title track, "There He Is (At My Door)," the soaring "I'll Have To Let Him Go," and the flowing "Give Him Up" are the highlights, though there's nothing here not to enjoy. The 11 tracks off of Heat Wave, which was done in a great hurry to capitalize on the title-track's hit status, are similarly focused in a pop direction, with "More" and "Danke Schoen" included. But they also had as anchors the title-track and a slow, passionate rendition of "Just One Look," as well as a nicely horn-laden "Wait Till My Bobby Gets Home," which make it a more powerful collection overall, and they don't do badly even by covers of "If I Had a Hammer," etc. Their version of the latter wouldn't have caused, say, Sam Cooke (who did it on his Copa live album) much worry about competition, but in a pop-soul vein, it works just fine. This British reissue from the spring of 2002 also includes four bonus tracks, the stereo single mixes of the infectious "Quicksand," "Live Wire," and "Undecided Lover," as well as "My Baby Won't Come Back," the latter a single-only B-side release from September 1962 co-authored by Mickey Stevenson and Martha Reeves herself. The sound fairly glitters, every voice displayed in sharp relief along with the rhythm section, all infinitely preferable to earlier CD editions of either album. ~ Bruce Eder
Their debut album finds The Vandellas in a more lightweight and pop-oriented style than they would become known for, with some girl group and doo-wop roots still in evidence. As was often the case during this era, the best tracks were the singles: the title track (the group's first big hit), "There He Is (At My Door)," and The Shirelles-like "I'll Have To Let Him Go." Most of the material was written by Holland-Dozier-Holland, but beyond the singles, there aren't any exceptionally noteworthy cuts. ~ Richie Unterberger
Martha & the Vandellas' first two LPs from June and September of 1963, respectively, on one CD, from Motown's British division. The contents of this disc show the trio advancing rapidly in the space of barely four months, from a very traditional girl group sound, similar to that of the Shirelles in their early days, into an edgier soul ensemble, with a harder and sharper sound. They're good in either vein, though on the first album their material is more limited -- the Top 30 pop hit of the title track, "There He Is (At My Door)," the soaring "I'll Have To Let Him Go," ...
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This collection of 20 surf instrumentals, all recorded in ...
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