| | Shostakovich: Cello Concerto No. 1; Cello Sonata CD Chang / Lso / Pappano / Shostakovich CDS
Shostakovich: Cello Concerto No. 1; Cello Sonata Music | List Price | $16.97 (You save $2.62) | | Label | EMI Music Distribution | | Orig Year | 1/10/2006 | | All Time Sales Rank | 10304  | | CD Universe Part number | 7008732 | | Catalog number | 32422 | | Discs | 1 | | Release Date | Jan 10, 2006 | | Recording Time | 57 minutes |
Shostakovich: Cello Concerto No. 1; Cello Sonata Review
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Shostakovich: Cello Concerto No. 1; Cello Sonata Songs Purchase Shostakovich: Cello Concerto No. 1; Cello Sonata To buy, Click on price to add to cart | Erik Friedlander Quake CD (2003)
Shostakovich: Cello Concerto No. 1; Cello Sonata
$14.59 On Quake, downtown cello boss Erik Friedlander teams up with Japan's fraternal rhythm section the Takeishi brothers (Stomu and Satoshi on bass and drums, respectively) as well as alto saxophonist Andy Laster for a date of intimate, knotty new jazz. In working with an electric bassist in this setting, the opportunities for unique tonalities are everywhere and are exploited to some degree as they were on an earlier work, The Watchman. Over the years, however, Friedlander has become a composer of interesting ensembles and Quake's is no exception. What is so remarkable about the performances on this recording are details such as counterpoint; on the opener, Laster and Stomu have equal opportunities to engage Friedlander and each other for a knotty, but exhilarating, ride. On the erratically paced and wonderfully breathless "Wire," Friedlander brings shades of different jazz eras and styles to comprise the body of the composition while intense harmonic invention takes places in each musician's solo. The title cut uses Israeli folk themes to construct an ebb-and-flow narrative statement that engages elements of modal jazz, post-bop, klezmer, smoky, simmering funk, and other Middle Eastern music on its ride into ecstasy. Ultimately, Quake is a newer and finer example than anything before of Friedlander's unified ...
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Shostakovich: Cello Concerto No. 1; Cello Sonata
$13.39 On his second album fronting his band Sadawi, trumpeter and composer Paul Brody continues his work in the avant-klezmer trenches, helping to drag that hundred-year-old music kicking and screaming into the 21st century. On Beyond Babylon he shows his unwillingness to be constrained by any ghetto boundaries, opening the album with an extended deconstruction of the Shaker hymn "Simple Gifts" (which features a hair-raisingly skronky banjo solo by Brandon Seabrook), and making use of elements of both dub (on the contemplative and lovely "Timepeace"), and rock (note the guitar parts on "Fragment of Kafka's Friend") as well as lots and lots of modern jazz. Most of the album is thrilling; Brody's take on the David Krakauer composition "Klezmer ŕ la Bechet" is a joyful romp in five/four meter, "Glass Dance" is a masterful chamber jazz excursion featuring guest Alan Bern on melodica; Brody's own "An Eye for a You" struts out like a brazen shtetl girl daring someone to dance ...
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Shostakovich: Cello Concerto No. 1; Cello Sonata
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Shostakovich: Cello Concerto No. 1; Cello Sonata
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Shostakovich: Cello Concerto No. 1; Cello Sonata
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Shostakovich: Cello Concerto No. 1; Cello Sonata
$10.59 Steven Novacek's extremely popular "Guitar Music of the Americas" has been the number one selling CD for Ambassador Recording since its release fifteen years ago. This recording is a compilation of many of the most beautiful, vibrant and passionately expressive guitar works from South America, Central America and the Caribbean, exquisitely performed here by Mr. Novacek. Romance, bravura, virtuosic technique, lush and enchanting nuances of tone, intelligent and sensitive playing weave to create a truly exquisite listening experience from beginning to end. For those who love great guitar playing, the soul and passion of classical and Latin compositions, an array of nationalistic diversity and the purity of solo classical guitar, this is a must own CD. Steven Novacek - BioSteven Novacek, who’s playing has been described as “...warm, lively and synchronous.” (Tim Page, The New York Times), “…cleanly, with as much expressivity and flexibility as is proper to the music, and with an attractively warm tone.” (John Duarte, Gramophone), has long demonstrated a performance versatility unique among guitarists. His professional concert repertoire is all encompassing, equally balanced between solo, duo, trio, chamber and orchestral concerti works. Mr. Novacek has appeared at numerous festivals and concert halls in North America and Europe including Merkin Hall (New York); Benaroya Hall and Meany Theater (Seattle); Recountres Internationales de la Guitare (France); the Guitar Foundation of America (Denver); Colorado Music Festival; the Abbey Bach Festival (Oregon); EXPO (British Columbia); and the American Guitar Society (Los Angeles).Appearing on several recordings for ...
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