| | Love Love Complete Album Animation Soundtrack CD - Import
Limited edition Japanese pressing. Canyon. 2006. Animation Soundtrack Music Animation Soundtrack Review
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$8.69 Jass Cott, October 2nd, 1972.About me and suchI started to play piano when I was about 5 or 6 years old. The upright piano at my parent's house (I have never been able to retrace the mark) was black, painted white (or white painted black). I remember that very well; the painting part. My father did it himself and so ruined the poor instrument. Some time later (at the beginning of the marvelous 80's) my father traded it in for a black Adolf Lehmann upright. He still owns that one.My father taught me to read music and to play. Because I wanted him to. He was, like fathers are, my big example. That's how it went for a few years, for my dad decided that he was not a good enough teacher for me anymore and I went to take private lessons when I was, like, 9 years old. Or 10, who knows? Anyway, these lessons took place close to the Philips Soccer Stadium (home of PSV), downtown Eindhoven, on a small attic (114 steps, this steep, uncurving stairs were) by a very nice young lady. She was a good teacher and I enjoyed her lessons very much. What I never enjoyed, though, was the bike trip going to the lessons. After all, it was saturday morning. But I seemed to have been doing rather okay, though. I was also unpleasantly suprised when she, one day, after three years of lessons, told me she was going to move to Utrecht - thus meaning there'd be no more piano lessons. Here name was Anne.Then another teacher came. A very good pianist with a most peculiar way of teaching. Watch this: the guy comes in, is being offered coffee by my mother (oh, my .. this is still the best coffee in the world, I wish I could invite all of you to come to the house and taste it!), takes out a sheet of blank sheet music, scatters three pens (one red, one blue and one green) on the table and starts drawing these dots on the sheet. Mostly after twenty minutes and three cigarettes (filterless Caballeros) there'd be a song, chords and explanation on the sheet; my homework for the week after. He taught me a lot about accompaniment and I still regret (at times) that, after having left The Netherlands for the States in 1990, I haven't restarted those lessons. I have not heard from him again.And then; the Conservatory. Well, what is there to say? Nothing much. That's why I quit it,I guess. The competition, perhaps? Well, more probable it was (to me) how the school and it's studies seemed alienated from music. I never got the feeling there, that I was actually studying music. What then? Still beats me. The eternal rivalry between fellow students, the battles. Don't miss it. Don't want to. Music is worth so much more to me, that I prefer to keep to myself - if sharing automatically means being judged or weighed. The very reason that I have never played the piano a band. And although I'd like to do so, it looks like it'll be how it is; my wonderful August Förster grand piano and I. Better for everybody. RecordingThen why do I record, have a website and even try to sell my music on the internet? Well, perhaps: the anonymity of it all. But, probably; because I think I might have done something not even so bad, by contributing my music and my ideas to all that's already out there. I still have probably about ten audio cassettes of me playing as a youth - for an imaginary audience. How much I liked that (and still like, to be honest). I love to record and listen to what I just played (not so much because ...
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