| | Generous CD - Import Generous Discography of CDs
Billy Taylor's 1956-58 trio with Earl May and Ed Thigpen was one of the most consistently excellent and underrated piano/bass/drums trios of the period. This release contains the final twelve of the eighteen tracks that the three musicians recorded together within the trio format. Upon leaving Taylor's trio at the end of 1958, Thigpen joined Oscar Peterson's trio with Ray Brown, which is widely revered as one of the finest piano trios in the history of the idiom. The music featured here is of the same caliber. Lone Hill Jazz. 2005. Generous Songs | 1. | There Will Never Be Another You |
| 2. | Sounds In The Night |
| 3. | More I See You, The |
| 4. | Will You Still Be Mine |
| 5. | 'Round Midnight |
| 6. | There's A Small Hotel |
| 7. | I Never Get Enough Of You |
| 8. | Titoro |
| 9. | You Make Me Feel So Young |
| 10. | Earl May |
| 11. | Can You Tell By Looking At Me |
| 12. | I Get A Kick Out Of You |
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Generous Review
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Purchase Generous CD To buy, Click on price to add to cart | Ted Brown Free Spirit CD (1989)
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Live Recording
Personnel: Frank Wess (tenor saxophone, flute); Tommy Flanagan (piano); Eddie Jones (bass); Bobby Donaldson (drums).
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Personnel: Ry Cooder (vocals, guitar, bajo sexto, banjo, mandola, keyboards); Ry Cooder (bass instrument); Buddy Red Cat (vocals, guitar); Roland White (vocals, mandolin); Julliette Cammagere, Bobby "Blanco" King, Bobby King , Juliette Commagere (vocals); Paddy Moloney (whistling, whistle, Uilleann pipe); Lefty Mouse (fiddle); Reverend Tom Toad (tambourine); Terry Evans (vocals); Mike Seeger (banjo, fiddle, harmonica); Pete Seeger (banjo); Flaco Jiménez (accordion); Jon Hassell (trumpet); Jacky Terrasson, Van Dyke Parks (piano); ...
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Capitol Records, the label for which Sinatra recorded many of his greatest albums in the 1950's, commemorates the singer's 75th birthday with this 3-disc set. Of the 75 chronologically-arranged tracks, about half appear on CD for the first time. The set includes ...
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| | Rodd Keith Ecstacy To Frenzy CD (2004)
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Solo performer: Rodd Keith (vocals, various instruments).
This is part of Tzadik's Key series.
Liner Note Author: Ellery Eskelin.
Photographer: Dionne Eskelin.
Being perhaps the most identifiable musician behind the song poem industry in the '60s and '70s, Rodd Keith's musical genius is often brought up and admired, but until now there have been no recordings available of what Keith produced outside M.S.R. Records studios and the confined performances applied to his customers' lyrics. Ecstacy to Frenzy changes that, as Keith's son, jazz saxophonist Ellery Eskelin, explains in his liner notes: "It has been immensely gratifying to see Rodd gain the acceptance and acclaim that eluded him during his life and yet incredibly frustrating to me personally that given his enormous body of work I've never heard anything that Rodd did for himself...for my entire life I've wished for some indication, however small, that might reflect Rodd's true musical soul." The centerpiece of Ecstacy to Frenzy, two versions of "Shome Howe Jehovason Plays," is about as lucid as a performance can be, wherein Keith cut a 33-minute improvisational opus to fill one side of a reel of tape, then flipped the tape over and cut another 33 minutes to fill the other side. Unfortunately, the question as to whether Keith listened to the playback of side one in reverse as he cut side two will never be answered, but the entire tape appears here as though he may have.
The first track on the CD is side one played forwards in the left channel with side two played in reverse in the right channel, while the fifth track on the CD is the same tape but instead side two is forwards and side one backwards. This gives the listener a choice to listen to either side, forwards or backwards, in isolation, via the balance knob on the stereo, or the option to listen to both ...
| | Willie Nelson Live At Billy Bob's Texas CD (2004)
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Live Recording
Personnel includes: Willie Nelson (vocals, guitar).
Recorded live at Billy Bob's Texas, Fort Worth, Texas in October 2003.
Personnel: Willie Nelson (vocals, guitar); Jody Payne (vocals, guitar); Mickey Raphael (harmonica); Bobbie Nelson (piano); Dan Spears (bass guitar); Paul English (snare drum); Billy Gene English (percussion).
One of the biggest boons of the Live at Billy Bob's Texas series of recordings has been the sheer sonic quality of their recordings, combined with loose, unpretentious performances by the artists contracted. By these standards it makes sense that a Willie Nelson date at Billy Bob's would be something very special. And special it is, but not in any way fans would welcome or expect. This is easily the most substandard and poorly recorded officially released live date of Nelson's entire career. While that's a drag, it would be forgivable if this weren't his most uninspired and cynical performance on record as well. Nelson and his band run through their hits as if they were a medley without inspiration or regard for a fanatical audience, and no regard for one another as musicians -- timing is off, instruments are out of key, vocal harmonies are all but nonexistent. This set seems to be a showcase for what a "great" guitar player Nelson is. His nearly atonally tuned acoustic is so loud it dwarfs the rest of the ...
| | Ladykim Everything Must Change CD (2005) (Import)
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