| | Barney Mcall Widening Circles CD - Import Barney Mcall Discography of CDs
Australian exclusive! Confident, inventive and involving as his own solos are, perhaps the most impressive aspect of this set is Mcall's writing. Features Billy Harper, Josh Roseman, Jeff Ballard, Ben Street, Vincent Herring and Ben Monder. Jazz Head. 2005. Barney Mcall Widening Circles Songs | 1. | No Culture |
| 2. | Thirty Two |
| 3. | Don't Be Weary Traveller |
| 4. | I Do Believe |
| 5. | Fourth Dimension |
| 6. | Thirty-One |
| 7. | Billy Harper |
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Widening Circles Review
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UZCA refers to his music as 'Nouveau Klezmer'. The music of Eastern Europe, with its weeping and laughing clarinets and violins, has always been in UZCA'S heart and soul. On his CD GYPSY DREAMS he journeys throughout Eastern Europe and around the world blending gypsy guitars, African talking drums, Middle Eastern Belly Dancing rhythms, Klezmer violin and clarinet and hypnotic vocals in his intuitive universal language."I really enjoy turning excellent musicians loose in the creative process and encourage them to implement their own ideas. Although the sound of GYPSY DREAMS is overtly Jewish I wanted to bring together a fusion of different cultures", he said, "to merge these seemingly diverse elements, and show how they can enhance each other." Some melodies on GYPSY DREAMS are original compositions by UZCA and others are based on Israeli folk melodies.MUSIC REVIEWS:Alexandra J. Wall, Jewish Bulletin, 2000: "The first track on GYPSY DREAMS 'Kona Hora' appears on a new compilation from Putumayo called 'A Jewish Odyssey'. The listener is introduced to eleven musicians representing the wide range of Jewish music created around the world. And it is a far cry from just Klezmer."Steve Ryles, New Age Retailer: "UZCA'S deep, earthy voice reverberates with life delivering 'words from another world' with a sophisticated yet simple style. He sings in his spirit language which is really quite beautiful, with a lilting, flowing quality that I found most enjoyable to listen to, even after repeated listening. Although GYPSY DREAMS is in ...
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Ever since 2000's The First Broadcast, with its hand-crafted orange, white, and blue cardboard cover, showed up in my Flyer mailbox after just a couple of weeks into the job, I've looked forward to Makeshift compilations, which have evolved into quasi-definitive snapshots of a certain segment of the city's Midtown-based indie-rock scene.The latest installment, Makeshift 4, doesn't have as much musical variety as some past editions, which made room for hip-hop or spoken-word poets, instead investigating the four corners of the city's guitar-based underground: indie-rock, alt-country, punk, and garage-rock. Frequent Flyer contributor Andrew Earles does check in with a comedy bit, "Andrew Dice Clean," though it can't match his howling post-Bonnaroo prank call ("You're Harshing My Trip") from Makeshift 3.But Makeshift 4 is -- by far -- the biggest compilation Makeshift has ever released, packing 46 songs and 147 minutes of music across two discs. ("We could have made it three discs," says J.D. Reager, who sequenced, mixed, and partially recorded Makeshift 4 at his Unclaimed Recordings studio, "but that would have been stupid.") It's a lot of music to absorb, but most of it falls into now familiar Makeshift-comp categories. Here's some help sorting it all out:Makeshift regulars: The Coach & Four, whose bracing guitar-pop debut Unlimited Symmetry was one of Makeshift's finest moments, return with "Hearts and Arrows." Blair Combest's warm, gravelly voice is in fine form on "In Her Eyes." The Antique Curtains take spaghetti-western soundtrack music on a punk-rock spin with "Ryno's Bag of Tricks."Scene stalwarts: Makeshift has long attracted older or more established local-scene stars to its comps, and Makeshift 4 is no different. Monsieur Jeffrey Evans' leering, Southern-fried reading of the garage-rock standard "Farmer John" was recorded expressly for Makeshift 4, as was Cory Branan's hushed, acoustic "Lily." Former Grifter and current Bloodthirsty Lover David Shouse's "Here in the Ocean" is an atmospheric art-rock number in line with his recent Bloodthirsty Lovers work. Alicja Trout, who has been a Makeshift standout since The First Broadcast's "Waste of Breath," offers an agitated blend of new wave and garage-rock on her band Black Sunday's "I Feel So Nervous" and checks in with bandmate Robbie Grant for an untitled closing number by their band Mouse Rocket.Makeshift newbies and relative unknowns: With its spare new-wave propulsion and yelping vocals, Severe Severe's "The Southern ...
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