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Butterbeans & Susie - Butterbeans & Susie CD Cover Art CD music music CDs songs album

Butterbeans & Susie CD

 Butterbeans & Susie Discography of CDs
4.5 stars (2 Customer Reviews)

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In 1960, when the music on this CD was originally recorded and released, Joe and Susie Edwards -- Butterbeans & Susie -- were on the tail end of a phenomenal 50-year-long career as a husband-and-wife comedy team. During the mid-to-late 1920s, when vaudev

Recording information: 03/15/1960-04/12/1960.
Butterbeans & Susie's only LP was recorded at three sessions during the spring of 1960, many years after their heyday as African-American vaudeville's definitive husband-and-wife team. This modern stereophonic recording is actually the best way to appreciate and understand their delightful approach to humor, which is particularly well represented by "Construction Gang" and "A Married Man's a Fool." Even while Butter cuts up nicely during his portion of "Until the Real Thing Comes Along," the unwavering love and affection that these two people shared throughout their lives comes across beautifully. This very enjoyable album is perfectly prefaced by more than 60 recordings from the years 1924-1930 which attest to their youthful skill and popularity. On those early Okeh sessions, they were accompanied by pianists Clarence Williams and Eddie Heywood, Sr., as well as cornetists Louis Metcalf, Louis Armstrong, and King Oliver. Interestingly, the pianist on Butterbeans & Susie's "comeback" album was Eddie Heywood, Jr. who, with bassist Leonard Gaskin and drummer Jimmy Crawford, teamed with trumpeters Sidney DeParis, Joe Thomas, and Dick Vance; trombonists Benny Morton and Dicky Wells, clarinetist Gene Sedric, and saxophonist Earle Warren to provide the elderly vocalists with ample support. It would be their last recorded collaboration, for Susie Edwards passed away on December 3 1963, and her husband, Jody Edwards, died on October 28 1967. ~ arwulf arwulf
Butterbeans & Susie Music


Detailed Butterbeans & Susie Music Information



List Price $14.99 (You save $1.00)
Category Rock/Pop Albums, Jazz CDs, Comedy, Blues
Label GHB
Orig Year 2006
All Time Sales Rank   158027  
CD Universe Part number 7010673
Discs 1
Release Date Feb 21, 2006
Studio/Live Studio
Mono/Stereo Stereo
Butterbeans & Susie Songs


Butterbeans & Susie Album Track Listing



1.Ballin' the Jack
2.Get Yourself a Monkey Man
3.There'll Be Some Changes Made
4.Construction Gang
5.I've Got the Blues For Home Sweet Home
6.Married Man's a Fool, A
7.When My Man Shimmies
8.Deal Yourself Another Hand
9.Street Piano
10.Until the Real Thing Comes Along
Butterbeans & Susie Music


Butterbeans & Susie Other Versions



Butterbeans & Susie Music Review


Customer Butterbeans & Susie Reviews 




Average Rating: (4.5 out of 5 stars) 4.5 stars

5 stars Thanks, perfect
super music good price good communication
Submitted by christian.lanegger (Zirl.Austria) Verified Buyer
Was This Review Helpful? Yes No

4 stars A Real Hoo-ha!
Outrageous confrontational humor (think Redd Foxx & LaWanda Page) to swinging jazz accompaniment. Even though Butter & Sue were tops in vaudeville, this release only gets 4 stars due to the sound quality -- obviously mastered from an old LP.
Submitted by Chopsie (Columbia, SC)
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Personnel: Lucinda Williams (vocals, acoustic guitar, electric guitar); Lucinda Williams; Doug Pettibone (guitar, lap steel guitar, pedal steel guitar, mandolin, harmonica, background vocals); Jim Christie (keyboards, drums, percussion); Taras Prodaniuk (bass guitar, background vocals).
Audio Mixer: Michael Dumas.
Recording information: The Fillmore, San Francisco, CA (11/20/2003/11/22/2003).
Lucinda Williams has earned a reputation for her meticulous approach to making albums, but a careful listen to her work suggests that she isn't trying to make her music sound perfect, she just wants it to sound right, and she isn't afraid to spend the extra time waiting for the charmed moment to get caught on tape. This attitude seems to be borne out in her first-ever concert album, Live @ The Fillmore, which manages to sound carefully considered, and a model of "warts and all" authenticity at the same time. Recorded during a three-night stand in San Francisco, the album captures Williams' band in superb form -- Doug Pettibone's guitars, Taras Prodaniuk's bass, and Jim Christie's drums merge into a tight and emphatic ...

Town Hall, New York City, June 22, 1945
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CD $13.79  4.7 stars Top 500 Audio Samples
This is a live concert recording of Dizzy and Bird from Town Hall not previously known to have been recorded. With audio restoration by Ted Kendell, the sound is excellent. This is a discovered recording of Dizzy and Bird at bebop's inception - the equiv Personnel: Dizzy Gillespie (trumpet); Dizzy Gillespie; Curly Russell (double bass); Charlie Parker (alto saxophone); Don Byas (tenor saxophone); Al Haig (piano); Max Roach, Big Sid Catlett (drums).
Liner Note Authors: Robert E. Sunenblick M.D.; Ted Kendall; Ira Gitler.
Recording information: Town Hall, New York, NY (06/22/1945).
Photographer: Charles B. Nadell.
The historic live Town Hall sessions by Dizzy Gillespie and Charlie Parker from 1945 have been discovered on an acetate pressing, and are transferred with digital enhancement to CD. Why this concert was not issued initially is understandable, but Ira Gitler's informative and insightful liner notes suggest they likely were misplaced. What Gitler's essential writing also reveals is that these dates were approximate by only weeks to the ...

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Hymn
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Cafe Montmartre
Stan Getz Cafe Montmartre CD  (2003)

Butterbeans & Susie
CD $8.15  5 stars Audio Samples
Personnel: Stan Getz (tenor saxophone); Kenny Barron (piano); Rufus Reid
(bass); Victor Lewis (drums).
Recorded live at Cafe Montmartre, Copenhagen, Denmark on July 6, 1987 & March 3-6, 1991.
Personnel: Stan Getz (tenor saxophone); Kenny Barron (piano); Rufus Reid (double bass); Victor Lewis (drums).
Liner Note Author: Alain Tercinet.
Recording information: Cafe Montmarte, Copenhagen, Denmark (07/06/1987-03/06/1991).
Photographers: Susanne Mertz; Soren Svendsen; Jan Persson.
Translator: Martin Davis.
Before his death after a several year battle with cancer, Stan Getz continued to release a flurry of outstanding recordings. Cafe Montmartre is a compilation of several live performances ...

Generations
Gary Burton Generations CD  (2004)

Butterbeans & Susie
CD $7.29  Audio Samples
Personnel: Gary Burton (vibraphone); Makoto Ozone (piano); Julian Lage (guitar); James Genus (bass); Clarence Penn (drums).
Recorded at Fantasy Studios, Berkeley, California in September 2003.
Personnel: Gary Burton (vibraphone); Julian Lage (guitar); Makoto Ozone (piano); Clarence Penn (drums).
Audio Mixer: Carl Beatty.
Recording information: Fantasy Studios, Berkeley, CA (09/16/2003-09/18/2003).
Photographer: Bill Gallery.
Vibraphonist Gary Burton's place in the jazz firmament has long been assured, but he has no intention of sitting on the sidelines as others enter the field. Instead, Burton has a knack for reaching out to younger players, thus leading to the title of his 2004 release, Generations. More specifically, the title refers to guitarist Julian Lage, a new talent on the jazz scene whose low profile can be attributed to the fact that he's a sophomore in high school. Lage's cool sound, inspired by Jim Hall, perfectly complements the lightness of Burton's vibes, giving Generations a relaxed, mellow sound. Burton and Lage are joined by pianist Makoto Ozone, bassist James Genus, and drummer Clarence Penn on well-worn classics like Oscar Peterson's "Wheatland" and more recent classics like Pat Metheny's "Take Another Look." Ozone proves something of a linchpin between the lead players and the rhythm section, offering light, lovely solos on pieces like "The Title Will Follow" and a flurry of rhythmic chords on "Ladies in Mercedes." Burton's predilection toward new ideas can also be discerned by his inclusion of a great deal of new material written by Lage (three pieces) and Ozone (two pieces). Generations is another fine effort by Burton, an excellent introduction to Lage, and above all, a solid recording by a fine group playing in synchronicity. ~ Ronnie D. Lankford Jr.
Vibraphonist Gary Burton (practitioner of the "four-mallet technique" and one of the key figures in the development of fusion jazz during the ...

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