| | Sayaka Isoyama Kitto Asuha Iitenki CD - Import Sayaka Isoyama Discography of CDs
Kitto Asuha Iitenki Music | List Price | $17.99 (You save $6.54) | | Category | World Albums, Japanese CDs | | Label | Phantom | | CD Universe Part number | 7012534 | | Catalog number | 612934 | | Discs | 1 | | Release Date | Feb 07, 2006 |
Kitto Asuha Iitenki Review
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STOLAS is the 12th volume in John Zorn's BOOK OF ANGELS series of compositions, and it's a welcome and compelling idea that he decided to re-form his stellar Masada quintet for the occasion. In addition to the rhythm section of Joey Baron and Greg Cohen, trumpeter Dave Douglas, and pianist Uri Caine, Zorn enlisted tenor sax giant Joe Lovano to replace him on all but one cut where he adds his alto, making the group a sextet. Here klezmer, Yiddish folk music, bossa nova, and other Latin jazz all come together in a seamless meld of tunes that accent ...
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| | Willie Williams Comet Ride CD (2007)
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The fact that saxophonist Willie Williams is from Philadelphia, combined with the cool, retro, space graphics and the title Comet Ride, might lead some to expect a Sun Ra-style space-jazz freak-out. But while there's an adventurous feel to this trio set, the longtime T.S. Monk sideman keeps to the tonal side of modern jazz throughout. In fact, after the spirited title track, the album settles into a fairly placid groove for its first half, following the lovely, floating "Tenor Ballet" with a pair of post-bop ballads, the gently melodic "I'm ...
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There was a period of time when singsongy punk-pop and emo were two separate styles -- especially when each initially gained popularity in the late '90s. But sometime during the early 21st century, both styles collided together for many new groups -- case in ...
| | Andy Haas Ruins Of America CD (2008)
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EXCLAIM! (Canada) September 2008Destination Out - Experimental & Avant Garde ReviewsAndy Haas - The Ruins Of America By David DacksFormer Martha and the Muffins sax player Andy Haas has lived in New York for two decades. He's been an active participant in the improvising flank of post-no-wave musicians. Haas was under-recorded until a few years ago but The Ruins of America marks his fifth album in the last three years. This time, he flies solo on wind instruments and live electronics, unaccompanied by any rhythm elements. Haas's electronically processed soprano sax, Korean piri and fife represent some of the most dynamic and interactive use of augmented acoustic sources in the world today. But these are no unstructured improvisations — everything is grounded in Haas's twisted yet faithful takes on traditional Americana. Classic tunes by Irving Berlin, Antonio Carlos Jobim and others are forced through extreme harmonization and delay settings, yet there is always faithfulness to the source material. This is brilliantly displayed in the four-part title track, which fillets "America The Beautiful." America may be beautiful but it's terrifying and grotesque as well. As with all his work, Haas's knowledge of Asian techniques and harmonies adds more than just ironic overtones to these resolutely American songs. Haas forces globalization and modernity on these songs of the fading giant. The Ruins of America - Andy HaasSignal to Noise Magazine reviewFall 2008 Ask most people about "protest music" and I'll bet they think of Woody Guthrie, Phil Ochs, and Buffy Sainte-Marie, or just maybe the politicized punk rock of Crass, the Ex, and Dead Kennedys. But protest music has a substantial history in jazz and improv, too. Charles Mingus's "Fables of Faubus" and Charlie Haden's Liberation Music Orchestra come immediately to mind. Add to the list the work of saxophonist/multi-winds player Andy Haas, once with Canadian new wave combo Martha and the Muffins and most recently heard with Fred Frith. The Ruins of America is no doubt Haas's statement on, well, the state of things (no point in pummeling a deceased stallion here). Yet Ruins isn't merely another round of America-bashing – instead it feels like a bereaved lament or threnody for the American Dream, lost, strayed or stolen. ...
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