| | Warren G In Midnight Hour CD - Import Warren G Discography of CDs
Japanese pressing includes a bonus track tba. Victor. 2006. Warren G In Midnight Hour Songs | 1. | Intro Shhhhh | |
| 2. | On My Mind(11:59p.M.) (featuring Chevy Jones , Bishop Lamont , Mike Anthony , Bokey) | |
| 3. | Do What It Do (featuring Bishop Lamont) | |
| 4. | In Case Some Shits Go Down (featuring Mike Jones & Frank Lee White The Greatest) | |
| 5. | I Need A Light (featuring Nate Dogg) | |
| 6. | Get U Down (featuring B Real , Side Effect) | |
| 7. | A Chronic Break | |
| 8. | Weed Song (featuring Frank Lee White The Greatest) | |
| 9. | Wheels Keep Spinning | $0.99 | |
| 10. | PYT (featuring Snoop Dogg & Nate Dogg) | |
| 11. | Walk These Streets (featuring Raphael Saadiq & Knoc-turn'al) | |
| 12. | Garilla Pimpin' (featuring Bishop Lamont) | |
| 13. | Turn It Up Loud (featuring The Game) | |
| 14. | In The Mid-Nite Hour (featuring Nate Dogg) | |
| 15. | I Like That There (featuring Bishop Lamont) | |
| 16. | Yes Sir (featuring Snoop Dogg , Bishop Lamont & Frank Lee White The Greatest) | |
| 17. | Ahh (featuring Bishop Lamont , Frank Lee White The Greatest , The Game) | |
| 18. | All I Ask Of You (featuring Frank Lee White The Greatest , Bishop Lamont & Chevy Jones) | |
| 19. | We O.G.'s (featuring The Reyes Bros. & Frank Lee White) | |
| 20. | I Need A Light (featuring Nate Dogg) (Fredwreck Remix) | |
| 21. | Get U Down (Part 2) (featuring B Real , Side Effect & Ice Cube & Snoop Dogg) | |
| In Midnight Hour Review
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$11.99 Barry White's ALL-TIME GREATEST HITS contains the original single versions of his classic solo hits, as well as two songs White performed as the lead vocalist of the Love Unlimited Orchestra. All tracks were previously released on the 20th Century Records label.
All tracks digitally remastered by Gary Mayo (Polygram Studios).
It took quite a while for a definitive Barry White compilation to hit the market, but All-Time Greatest Hits -- part of Mercury's Funk Essentials series -- finally filled the bill in 1995. Boasting a full 20 tracks from White's heyday of 1973-1978, more than half of which made the R&B Top Ten, All-Time Greatest Hits is easily the most generous single-disc White collection on the market. It includes the edited single versions, not the full-length album tracks, which actually makes for a more digestible introduction ...
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| | Count Basie One O'Clock Jump CD (2003)
In Midnight Hour album
$7.69 One O'Clock Jump spotlights many of Count Basie's best-known and most popular performances for Decca Records between 1932 and 1947. Figuring prominently in both the Basie-led orchestra and small combos are Lester Young and Herschel Evans on tenors, trumpeters Buck Clayton and Harry "Sweets" Edison, and blues shouter Jimmy Rushing, not to mention the All-American Rhythm Section of Basie at the piano, guitarist Freddie Green, bassist Walter Page, and drummer Jo Jones. The 51 tracks contain classic compositions from the swing era, including "One O'Clock Jump," "Sent for You Yesterday," "Blue and Sentimental," "Jumpin' at the Woodside," "Jive at Five," and many others. These Decca sessions, reissued here in glorious mono, contain the performances that brought about Basie's fame as one of the greatest bandleaders in the history of jazz. ~ Al Campbell
Columbia Records must have sensed that something was stirring commercially and musically around Count Basie at about this time, for One O'Clock Jump was the third LP reissue of Basie's work in under two years. A superb compilation of Basie sides from his years with Columbia Records, dating between 1942 and 1951, mostly instrumental and all of it extremely inviting, including "These Foolish Things," a slow instrumental ballad with Basie's piano carrying much of the basic tune, and "One O'Clock Jump" in a vastly re-thought small group rendition. This album, like its companion release from the previous year, Blues By Basie, is a real treat for completists, for half the material dates from sessions in 1950-1951, which are effectively "lost" years in most accounts of Basie's career, in between the breakup of his big band and the formation of his "new testament" band in the mid-'50s. They show the man having lost none of his verve or the swing in his work, whether leading a group consisting of a dozen musicians or 30 players. "I Ain't Got Nobody," highlighted by a pounding band sound and a hot Buddy De Franco clarinet solo, is worth the price of an LP release by itself, and the instrumental ballad "I'm Confessin' (That I Love You)," from the same session and featuring elegant solo spots by Basie, tenor man Wardell Gray, De Franco, and Clark Terry on trumpet, makes a gorgeous counterpoint. Jimmy Rushing and Harry Nemo handle the pair of vocal numbers here, with Rushing ...
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