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Digitally remastered by Gene Paul (DB Plus Digital Services, New York, New York).
Although his most famous records were made on Blue Note, Grant Green's IRON CITY, which was originally released on Cobblestone and later Muse Records, is arguably the best of his mid-period output. Recorded in 1967, this is a trio session with Big John Patton showing some amazing skills on Hammond organ and Ben Dixon on drums. Together they form the consummate organ trio that was the basis of the soul-jazz movement.
Green is masterful throughout, showing tremendous dexterity, expression, and fire. His dancing lines on exciting cuts like the nimble "Samba De Orpheus" and the ultra-funky "High Heeled Sneakers" are excellent examples of his influential single-line soling technique. Patton is exceptional as well; his powerful work on these and Nat Adderley's "Work Song" are prime examples of his own mastery of the organ. Of special note is the trio's moving rendition of the traditional "Motherless Child." In all, this is classic Grant Green, classic soul, and classic fun.
Grant Green is the great unsung hero of jazz guitar. In 1967 Green recorded this fine album Iron City which seemed to suggest that the guitarist was set to rise to the top but his career was derailed by drug addiction and such players as Wes Montgomery and George Benson came instead to prominence. Presumably recorded for then-thriving Prestige Records, Iron City was first issued in 1972 on Cobblestone Records and again in 1978 on Muse. Now that it is released on CD, a new generation of jazz listeners can hear how forceful the guitarist could be in the right funk. Five Four. 2006.
Originally released on Cobblestone Records (9002). Includes liner notes by Mark Gardner, Lance Goler and Joel Dorn.
Personnel: Grant Green (guitar); Big John Patton (organ); Ben Dixon (drums).
Grant Green Iron City Songs | 1. | Iron City | |
| 2. | Samba de Orpheus | |
| 3. | Old Man Moses (Let My People Go) | |
| 4. | High Heeled Sneakers | |
| 5. | Motherless Child | |
| 6. | Work Song  | |
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Iron City Review
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