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Lime Light - Start Line CD Cover Art
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Lime Light Start Line CD

 Lime Light Discography of CDs

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 Our Price: $18.59  CD
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Includes a sticker in the first pressing.
Start Line Music


Detailed Start Line Music Information



List Price $22.99 (You save $4.40)
Category World Albums, International CDs, Japanese
Label Sony
Orig Year 2006
CD Universe Part number 7015586
Catalog number 613255
Discs 1
Release Date Jan 31, 2006
Mono/Stereo Stereo
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CD $11.65  4.5 stars Top 500 Audio Samples
Michael Buble's third major US release (including the mostly live COME FLY WITH ME) stays on message--this young Canadian loves the lush, swaying music of his parents' and grandparents' generations. Buble's albums, however, are much more than mere back-in-the-day exercises. The production and arranging of David Foster (Celine Dion, Josh Groban) is eclectic in a way that firmly places the tunes at the dawn of the 21st century, and, more importantly, Buble possesses the chops and sense of style to re-imagine the adult-contemporary vocal genre in a distinctive manner. In addition to standards by Gershwin and Porter, Buble embraces a variety of sounds, from Motown ("How Sweet It Is") to bossa nova ("Quando, Quando, Quando" with Nelly Furtado) to the Beatles ("Can't Buy Me Love" with a "She Loves You" tag). With his smooth croon and charming persona, Buble is a natural performer, and, for fans of fearlessly romantic and infectiously swinging music, IT'S TIME is a sure bet. Although it took more than a year of concerts and promotional appearances, Michael Bublé's 2003 debut disc of swinging pop standards finally ascended the Billboard album chart and landed at number 47. That ...
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Remembers
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CD $11.79  Top 500
Many years after the close of World War II, Vera Lynn was still singing the songs remembered by countless British servicemen and women as well as anyone else who had heard her radio program Sincerely Yours. Her voice is as clear and compassionate ...
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Personnel: Mercedes Sosa (vocals).
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Bolomakote
Farafina Bolomakote CD  (1988)

Start Line music CDs
CD $9.79
This is a subtly powerful group featuring balafon, djembo, talking drum, flute, and lead voice with chorus, all male. The rhythm and melody are so well integrated that the definitions of each become blurred: on first listen the music seemed all sweet melody, while the ...
Levee Camp Blues
Fred McDowell Levee Camp Blues CD  (1998)

Start Line songs
CD $9.69  Audio Samples
When Mississippi Fred McDowell recorded ...
Il Nostro Caro Angelo
Lucio Battisti Il Nostro Caro Angelo CD  (1973) (Import)

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CD $35.49  5 stars

1983
Dalia 1983 CD  (1998) (Import)

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O Primeiro Canto
Dulce Pontes O Primeiro Canto CD  (2001) (Import) Germany

Start Line music CDs
CD $17.95  5 stars
Portugal's own Dulce Pontes presents O PRIMEIRO CANTO featuring 14 tracks including "Tirioni" and "Ai Solidom." In Portugal, fado queen Amália Rodrigues commands the sort of reverence that one would give to Miriam Makeba in South Africa, Celia Cruz in Cuba (though Cruz now resides in the U.S.), Edith Piaf in France, Umm Kalthum in Egypt, or Cesaria Evora in Cape Verde. In other words, Rodrigues is considered a national treasure -- she isn't just liked in her country, she's loved. So when Dulce Pontes is exalted as "the new Amália Rodrigues," it is a major compliment. However, bestowing that title on Pontes is problematic in various respects. First, it's a lot to live up to. Second, Pontes is her own person; O Primeiro Canto, her fifth album, demonstrates that she is a clone of no one. Although Rodrigues' influence is quite strong on this album, Pontes' individuality comes through on the up-tempo "Patio dos Amores" as well as haunting, dramatic ballads such as "Porto de Mágoas," "Garcia Perdida," "O Que For, Há-De Ser," and "Fado-Mae." Americans who associate the Portuguese language with Brazilian singers might be surprised to hear how different Pontes' use of the language is -- Portuguese sounds a lot different in Portugal (where it originated) than it does in Brazil. Just as French sounds like a lot different in Quebec than it does in Paris and British English doesn't sound like American English, Pontes' use of Portuguese is much different from what one would expect from a Brazilian singer like Flora Purim or Gal Costa. Pontes and Costa sing in the same language, but they pronounce words differently. One thing Pontes does have in common with Brazilian singers is a certain soulfulness. Pontes brings a tremendous amount of feeling to these performances, and while comparisons to the great Rodrigues are well-intentioned, ...
Emilie Jolie
Conte Musical De PH Chatel Emilie Jolie CD  (2002)

Start Line songs
CD $26.79

Air/Cook/Sky
Hitomi Yaida Air/Cook/Sky CD  (2004) (Import) Bonus CD

CD $47.29  4 stars
Truth -20th Anniversary
Truth -20th Anniversary CD  (2006) (Import)

Start Line album
CD $36.79

Kaura E.P
Kaura E.P CD  (2005)

Start Line CD music
CD $5.69
Kaura (pronounced kay-aura) was born from the vision of infusing the aggressive power of hard, yet melodic rock with the haunting and ethereal sounds of ancient instruments. In the short time since the band formed in 2005, they have been invited to open for TOOL, Rob Zombie, and Godsmack by Bill Graham Presents, and had A Perfect Circle’s Paz Lenchantin play on their self released EP. In addition, they traveled to the distant lands of India, Thailand, Bali, Cambodia, Laos, and Nepal to seek out instruments and experiences to fully realize their vision; all of which was captured on video and made into their “Travels†DVD.“We wanted to have the ability to infuse hammered dulcimers with distorted guitars, gamelan bells and tabla with tribal drums to create this really expansive depth of sound." Benjamin explains. The Berkeley-based band came to be after many years of envisioning the message, mood, sights and sounds that would be used to create the unique palette from which the vision of Kaura would be painted. Comprised of Malcolm Guess (vocals, guitar, tabla), Benjamin Jones (drums, percussion), Michael Cates (bass), Ben Rojas(guitar)and Yosh(hammered dulcimer, gamelan, percussion); the band sought to not only carve out a unique musical voice but also a different lyrical voice. "The lyrical focus is more on themes of evolution, re-birth, social and personal consciousness rather than the standard self-loathing, ...
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