| | Wolfetones 25th Anniversary CD - Import Wolfetones Discography of CDs
Wolfetones 25th Anniversary Songs | 1. | Celtic Symphony |
| 2. | Merry Ploughboy |
| 3. | Women of Ireland |
| 4. | Rock on Rockall |
| 5. | Foggy Dew |
| 6. | James Connolly |
| 7. | Man from Mullingar |
| 8. | Flow Liffey Waters |
| 9. | First of May |
| 10. | Piper That Played Before Moses |
| 11. | Janie Mac I'm Nearly Forty |
| 12. | Give Me Your Hand |
| 13. | Boys of the Old Brigade |
| 14. | Dingle Bay |
| 15. | Big Strong Man |
| 16. | Monsignor Horan |
| 17. | Boston Rose |
| 18. | Zoological Gardens |
| 19. | Broad Black Brimmer |
| 20. | Newgrange (BrBe) |
| 21. | Treat Me Daughter Kindly |
| 22. | Come Out Ye Black and Tans |
| 23. | Slieve Na Mban |
| 24. | Far Away in Australia |
| 25. | Goodbye |
| 26. | Helicopter Song |
| 27. | DFeinne (o So Bheatha Abhaile) |
| 28. | Merman |
| 29. | Teddy Bear's Head |
| 30. | Banna Strand |
| 31. | Many Young Men of Twenty |
| 32. | West's Awake |
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25th Anniversary Review
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Chuck E. Costa is a fresh voice delivering an interesting mix of unique, intimate and honest songs. He draws on a range of influences creating music unfettered by time or place, defying common labels like "folk-pop." Chuck's songwriting explores subtle yet significant themes with the tacit goal of challenging his audiences to think (or re-think) about what may often be taken for granted and his honest enthusiasm continually permeates audiences at each live performance. His powerful and sincere vocals (comparisons range from Jonathan Edwards to Michael Stipe) and acoustic guitar delivery ...
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The Fallen Angels StoryAt 4am, one cold September Saturday morning, Leticia Maher looked back at the year’s work on her album Fallen Angels and realized she had nothing.Nothing that sounded close to a finished album, her precious music files held to ransom, and facing the prospect of having to start the record all over again, she remembered a name scribbled in her dairy a year before.So she wrote an email to multi Aria Award winning producer Craig Pilkington, asking if he could listen to the unfinished tracks. “I didn’t even know him, but he called the next day and said he would listen. I just wanted someone impartial to tell me if I should stop or keep going.”Work on the album began in January with a hand-picked group of Melbourne musicians, including Peter Robertson (drums), Grant Cummerford (double bass), Ron Tabuteau (guitar/dobro), Anita Quayle (cello) and Bruce Haymes (keyboards).The band rehearsed for a couple of months, then recorded 14 songs in productive sessions starting at Easter. But only a few months later the record had become bogged down in fruitless edits and remixes. “The songs seemed to be getting lost and I didn’t know what to do. There was so much missing. All I had left was the edited tracks.”And it was these basic tracks that turned up in Audrey Studios at the start of a new year, with producer Craig Pilkington now at the desk. “I had taken the tracks to seven other studios but Craig was the only one who really believed in and understood what I wanted.”The result is an inspiring collection of folk-pop songs. Through them all is Leticia's voice, an instrument capable of broad swathes of expression… torchy soul, playful country, sophisticated pop jazz, vampy blues, and smoky cabaret.Her singing brings to mind the clarity of Eva Cassidy, the intimacy of Bic Runga, cool grooves of Diana Krall and the compassion of Sarah McLachlan. One judge says listening to Leticia “Felt like heroin, easy to float through like a warm beautiful blue river”, and he’s not the only one to be struck by this “new and exciting voice”.The first single Behind Your Smile (“a ...
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