| | Wolfetones Rebels & Heroes CD - Import Wolfetones Discography of CDs
 (2 Customer Reviews)
Wolfetones Rebels & Heroes Songs | 1. | A Nation Once Again (DISC 01) |
| 2. | Never Beat the Irish (Part 1 Live) |
| 3. | Bodenstown Chruchyard |
| 4. | Bold Robert Emmet |
| 5. | Protestant Men, The |
| 6. | Women of Ireland |
| 7. | Boys of the Old Brigade |
| 8. | Rebel, The |
| 9. | West Awake, The |
| 10. | Devil is Dead, The |
| 11. | United Men |
| 12. | Only Our Rivers Run Free |
| 13. | Devil is Dead, The |
| 14. | Teddy Bears Head |
| 15. | Hyland Paddy |
| 16. | They don't play our songs on Radio |
| 17. | Never Beat The Irish (Part 2) (DISC 02) |
| 18. | Kevin Barry |
| 19. | God Save Ireland |
| 20. | Soldiers Return |
| 21. | Connaught Rangers, The |
| 22. | Get Out Ye Black And Tans |
| 23. | Ireland My Ireland |
| 24. | Padraic Pearse |
| 25. | Ireland Unfree |
| 26. | Sean South / Broad Black Brimmer |
| 27. | Grace |
| 28. | Grandfather |
| 29. | In Belfast |
| 30. | Down By The Glenside |
| 31. | Helicopter |
| 32. | Joe MC Donnell |
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Rebels & Heroes Music Review Average Rating: (5 out of 5 stars)  my heroes
i love this album and could listen to it all day everyday whenever i listen to it i just want to pack up and go back to ireland.
Submitted by adsl7695 (sydeny australia)
Was This Review Helpful? Yes No Another Great Album
Being A Wolfe Tone Fan that i am i really think this is a great album with a great collection of the songs on it, listening to Tommy Byrne singing the great ballads like Bodenstown Churchyard, The West Asleep etc.. and then ofcourse the chorus when all three voice just come together as if they are all coming out of one mouth,, it can be nothing more that the Wolfe Tones!!
This album was released for the tones 40th anniversary, and has a few live Tracks on it as well, one of my Favourite in Particular has to be In Belfast once again sung by Tommy, great song, great album,,, and a great band The Wolfe Tones
Submitted by Conall (Ireland)
Was This Review Helpful? Yes No | Have you heard this album? |  |
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| | Herbie Hancock Mwandishi CD (1970) (Import) Netherlands
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Principally recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey between October 4 and December 8, 1969; Wally Heider Recording Studios, San Francisco, California on December 31, 1970; Pacific Recording Studios, San Mateo, California from February 15-17, 1972; Different Fur Trading Company, San Francisco, California. Includes liner notes by Bob Blumenthal.
Dutch reissue of MWANDISHI is remastered from the actual recording session's reel-to-reel tapes. Originally recorded in 1969 by the Mwandishi Sextet that was built around Herbie Hancock and some progressive jazz notions for the time. On compact disc.
While no one can argue that Herbie Hancock's early Blue Note recordings aren't milestones in his career and some are as enduring as any other jazzman's in history, the mostly overlooked Warner Bros. period remains one of his most adventurous, creatively satisfying, and amazingly enduring. The three albums presented here all offer wildly different sides of Hancock after he left Miles Davis. All of them are presented here in their entirety, with copious notes by Bob Blumenthal, who interviewed Hancock for the package. The set begins with the wildly joyous, deep, funky groove of Fat Albert's Groove, the music Hancock recorded for Bill Cosby's Saturday morning cartoon show. These seven tracks, with their three-horn front line (originated for Hancock on his final Blue Note album, Speak Like a Child) of Joe Henderson on flute and tenor, Johnny Coles' trumpet, and Garnett Brown's trombone, are singing, lyrical funk grooves that predated Headhunters by a few years and swung way harder by sticking back and lying in the groove as much as possible. Hancock's electric piano teamed with Tootie Heath and Buster Williams to form an unbeatable, gutsy, and stomping rhythm section. The band was fleshed out on a couple of tracks by additional horns, additional drums and percussion, and electric guitars. After such a melodic entry, Warners' executives must have been shocked when Hancock brought them the ...
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JUDE EDWIN-SCOTTJude Edwin-Scott is an emerging folk artist on the London acoustic music scene. Deeply inspired by the beauty of life and nature, Jude manages to effectively express his ideals through his memorable, introspective songs of heartfelt warmth. A diverse musical history has enabled him to develop his own musical style, which includes distinctive finger-picking guitar, along with a calm and understated singing voice.Born into a musical family in Chester, Jude was immersed in folk music from an early age. His parents were folk artists who gave him his first guitar at the age of 6. Straightaway, he formed his first band with his brother and sister and they gained experience performing at folk events. Jude became very proficient on the guitar and by the age of 13 he was a guitar teacher to his fellow school pupils. His teens saw him move away from the folk scene as he explored heavier music. He got together with friends and played electric guitar in their locally successful heavy metal band. The band continued whilst Jude was away at college, however during this time, he found his musical tastes had broadened into rock music with a more melodic and acoustic feel. On his return from college, Jude found himself drifting from the band. As if coming full circle, he returned to his folk roots as he visited local folk clubs with his father and started to perform as a solo singer-songwriter. Inspired by James Taylor and Neil Young, Jude began to focus on writing and performing his own songs. Wishing to express the same depths of emotion and integrity as his idols, his style took on its own folk shape. Encouraged by the audience response to his music, he became a prolific songwriter and began to record his songs at home. Jude handled the production for ...
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