| | Cindy Morgan Postcards CD Cindy Morgan Discography of CDs
Recording information: The Beanstalk Studio, Franklin, TN.
Photographer: Marina Chavez.
Personnel: Cindy Morgan (dulcimer, piano, background vocals); Wayne Kirkpatrick (acoustic guitar, electric guitar, National guitar, dulcimer, kantele, melodica, piano, Wurlitzer organ, drum programming, background vocals); Gordon Kennedy (electric guitar, electric 12-string guitar, nylon-string guitar, sitar, ukulele, background vocals); Jonathan Yudkin (cello); Kristin Wilkinson, Pamela Sixfin, David Davidson , Carole Rabinowitz-Neuen (strings); Chris Donohue (harmonium, keyboards, upright bass); Steve Brewster (drums, percussion).
Audio Mixer: Dan Marnien.
Postcards Music | List Price | $17.97 (You save $2.92) | | Category | Rock/Pop Albums, Gospel CDs, Christian, Contemporary Christian Music, Enhanced CD, Religion | | Label | Reunion | | Orig Year | 2006 | | All Time Sales Rank | 520757  | | CD Universe Part number | 7017362 | | Catalog number | 10099 | | Discs | 1 | | Release Date | Feb 07, 2006 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Wayne Kirkpatrick | | Engineer | Dan Marnien | | Personnel | David Davidson Pamela Sixfin Jonathan Yudkin - cello Carole Rabinowitz-Neuen - strings Steve Brewster - drums, percussion Gordon Kennedy - electric guitar, electric 12-string guitar, nylon-string guitar, sitar, ukulele, background vocals Wayne Kirkpatrick - acoustic guitar, electric guitar, National guitar, dulcimer, kantele, melodica, piano, Wurlitzer organ, drum programming, background vocals Cindy Morgan - dulcimer, piano, background vocals Chris Donohue - harmonium, keyboards, upright bass
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Cindy Morgan Postcards Songs Postcards Review
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Recorded at Tyrell Studios, Ocean Way Studios and Westlake Audio, Los Angeles, California; Omnisound Studios and Woodland Studios, Nashville, Tennessee.
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$10.39 Listeners looking for something easy to categorize will find GRAFFITI THE WORLD confounding, but everyone else is in for a treat. Rehab heroically attempt to mix greasy Southern rock, hip hop, reggae, and whatever else catches their fancy. Far from being chaotic, this approach results in colorful tracks such as the bluesy, acoustic rap of "Lawn Chair High," funky hard rock of "Chest Pain," or dusty dirty South ballads such as "Red Water" and "Bartender Song." GRAFFITI THE WORLD is the musical equivalent of a weekend tour of the ethnically diverse, teeming Atlanta metropolis.
Rehab's 2000 debut, Southern Discomfort, was a disturbing and often bleakly funny depiction of the world of drug abuse; like Eminem, to whom the two white Atlanta rappers were most often compared, Danny Boone and Brooks Buford used hip-hop as the form to exorcise some personal demons, but unlike Eminem, there was little sense of persona or deliberate distancing on that album, which felt harrowingly real and personal. Also unlike Eminem, the album didn't sell squat, so Rehab were soon bounced from Sony and took nearly five years to create their D.I.Y. follow-up. Graffiti the World is much more live-sounding than their sample-heavy debut, with a greater use of live guitar, bass, and drums, and Boone and Buford sing at least as much as they rap. The album is also much less lyrically heavy than the debut, with some songs that actually have a glimmer of hope in them. The results at times recall a much less annoying version of the rap-rock of groups like Limp Bizkit. However, that style of music was so thoroughly past its sell-by date by the summer of 2005 that even good songs like the opening "WHT Do U WNT FRM Me" (which features the album's strongest chorus) sound unfortunately dated. It took so long for Rehab to follow up their first album that it seems like their moment has passed them by. [In 2008, after the track "Sittin' ...
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