| | Kind Of Like Spitting Thrill Of The Hunt CD Kind Of Like Spitting Discography of CDs
Although accidents of geography have led to Ben Barnett getting compared to another acoustic-oriented Portland-based singer/songwriter, Elliott Smith, Kind of Like Spitting's The Thrill of the Hunt lacks the mopey self-seriousness of the late Heatmiser leader's work. Not only are some of the songs overtly comic ("Share the Road" runs very close to the loopy anti-folk of Jeffrey Lewis), Barnett has an ongoing Web covers project, some of the fruits of which are here, including half-serious takes on Big Star's "Thirteen" and Leon Russell's "A Song for You" (best known in the Carpenters' version). And, just to throw in a change up, Barnett's buddy David J (not the one from Bauhaus, but the one from Novi Split) wrote and sang the album's brief title track. Barnett's easily cracked singing style recalls the early Jonathan Richman, and the widely divergent recording sources -- about half the album was recorded at home or on the road, and Death Cab for Cutie's Chris Walla produced the rest in a proper studio -- means that there's a fragmentary, half-formed feeling to the album as a whole, but Barnett is such an engaging, endearing figure that The Thrill of the Hunt remains entertaining throughout. ~ Stewart Mason
Kind of Like Spitting: Ben Barnett.
Kind Of Like Spitting Thrill Of The Hunt Songs | 1. | Thrill of the Hunt, The |
| 2. | Good Parts |
| 3. | Out East |
| 4. | Share the Road |
| 5. | You |
| 6. | If the Shoe Fits Cut the Foot Off |
| 7. | To the Wall / Intermission |
| 8. | Holding Patterns |
| 9. | Thing About Distance, The |
| 10. | Song For You |
| 11. | Lay Some Happiness on Me |
| 12. | You Got Served |
| 13. | Thirteen |
| Thrill Of The Hunt Review
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$13.55 The Five Emprees' sole album was a typically thrown-together effort for a mid-'60s band that had some local success, surrounding the regional hit debut single title track with its B-side; both sides of their second 45; and a bunch of cover versions. Actually every song on the LP was a cover version, save for the B-side of that second single, "Why." "Little Miss Sad" itself, a cover of an obscure Addrisi Brothers single, is pretty good pop-oriented garage rock with a foot in early-'60s pre-Beatles sounds. Unfortunately, the Five Emprees never did match it, and most of the rest of the album was filled with too-hastily recorded, thinly produced unimaginative covers of familiar songs by the likes of Chuck Berry, Roy Orbison, and the Zombies. The greater effort they were able to invest in the production and performance of their singles is evident on not only "Little Miss Sad," but also the three other tracks from their initial pair of 45s, "Hey Lover," "Hey Baby," and "Why." There's a glimmer of promise in those sides, which are likable if modest poppy garage, but it's not enough to make the album too interesting overall. ~ Richie Unterberger
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