Pretenders - Pirate Radio CD

Pirate Radio CD music Today the most recognition the Animals get is "House of the Rising Sun" being played on oldies radio, but in the mid-1960s they were a powerful part of the British Invasion, often reckoned on a par with the Beatles, the Stones, and the Who. Like those bands, the Animals had strong roots in blues and R&B, but, in their original incarnation, they stayed closer to those roots than their peers did. This definitive compilation, masterfully assembled by the ABKCO think tank of Teri Landi and Jody Klein, shows the tough, uncompromising use to which the Animals put their American influences. John Lee Hooker's "Boom Boom" is recast as a raw garage rocker glazed with Alan Price's sinister organ riffs, and the aforementioned "House of the Rising Sun" is transformed from a traditional folk lament to an urgent, ominous piece of churning tumult. Of course, the group skillfully expanded those roots (with the help of some great writers), and turned out some classic working-class-rebel anthems ("We Gotta Get Out of This Place," "It's My Life"). By '67, the original lineup disbanded, and Eric Burdon led a new batch of Animals into a psychedelic West Coast sound ("San Franciscan Nights," "Monterey"). The Animals may not be given pride of place in the rock history books, but RETROSPECTIVE shows that they fully deserve it. Audio Remixers: Eddie Kramer; Gary Kellgren; Vic Briggs. Liner Note Author: Jim Bessman. Recording information: Kingsway Recording Studio, London, England (01/22/1964-??/??/1970); Mayfair Recording Studio, New York, NY (01/22/1964-??/??/1970); RCA Studios, Hollywood, CA (01/22/1964-??/??/1970); Sunset-Highland Recording Studios, Hollywood, CA (01/22/1964-??/??/1970); Wally Heider Recording Studio, San Francisco, CA (01/22/1964-??/??/1970). Arrangers: Vic Briggs; Horace Ott; Dave Rowberry. The Animals: Alan Price (keyboards); Chas Chandler (bass instrument); Eric Burdon, John Steel , Hilton Valentine. Personnel: Eric Burdon (vocals); John Weider (guitar, violin); Vic Briggs (guitar, piano, vibraphone); Howard H. Scott, Hilton Valentine (guitar); Charles Miller (flute); Royal Scots Guard Pipe And Drum Marching Band (bagpipe, percussion); Lee Oskar (harmonica); Alan Price (piano, organ); Lonnie Jordan, Dave Rowberry (organ); Barry Jenkins (drums, percussion); Harold Brown, John Steel (drums); Thomas R. Allen, Jr. (percussion). Additional personnel: War.

Pirate Radio buy CD music Track Listing of songs: DISC 1: Flying; On the Beach; Too Bad; If I'm Late on the Side; Debris; Jealous Guy; Evil; As Long as You Tell Him; Maggie May; Cindy Incidentally; Maybe I'm Amazed; Insurance; I Came Looking for You; Last Orders Please; Wyndlesham Bay (Jodie); I Can Feel the Fire; Tonight's Number; Come See My Baby (The Cheater); DISC 2: Pool Hall Richard; You're My Girl (I Don't Want to Discuss It); Glad and Sorry; Shake, Shudder, Shiver; Miss Judy's Farm; Richmond; That's All You Need; Rear Wheel Skid; Maybe I'm Amazed; ; Take a Look at the Guy; Flags and Banners; Bad 'N' Ruin; Around the Plynth; Sweet Lady Mary; Had Me a Real Good Time; Cut Across Shorty; DISC 3: You're So Rude; (I Know) I'm Losing You; Love Lives Here; I'd Rather Go Blind; Hi-Heel Sneakers/Everybody Needs Somebody to Love; Gettin' Hungry; Silicone Grown; Oh Lord I'm Browned Off; Just Another Hunky; Open to Ideas; Skewiff; Too Bad; Rock Me; Angel; Stay With Me; Ooh la La; DISC 4: Stealer, The; Around the Plynth/Gasoline Alley; You Can Make Me Dance, Sing or Anything; I Wish It Would Rain; Miss Judy's Farm; Love in Vain; My Fault; I Feel So Good; Miss Judy's Farm; Three Button Hand Me Down; Cindy Incidentally; Borstal Boys; Flying; Bad 'N' Ruin; Dishevelment Blues; Stay With Me;

Pirate Radio songs Former rock critic Chrissie Hynde launched the Pretenders with an engaging, yet passive, version of the Kinks' "Stop Your Sobbing." She unveiled her own persona fully on The Pretenders, which contains a series of excellent compositions marked by her sensual vocals and brilliant sense of dynamics. An understanding of pop's structures allowed Hynde to exploit them to her own ends while sympathetic support, particularly that of guitarist James Honeyman-Scott, used the excitement of rock without reference to its cliches. Tough and opinionated, Chrissie Hynde's first declaration of independence established the formula she proceeded to follow. Recorded at Wessex Studios, London, England. Pretenders: James Honeyman-Scott (vocals, guitar, keyboards); Pete Farndon (bass guitar); Chrissie Hynde, Martin Chambers. Personnel: Chrissie Hynde (vocals, guitar); Martin Chambers (vocals, drums); Pete Frandon, Pete Farndon (vocals); Chris E. Thomas (keyboards). Audio Mixers: Bill Price ; Mike Stavrou. Audio Remasterers: Dan Hersch; Bill Inglot. Liner Note Author: James McNair. Recording information: AIR Studios; London, England; Marquee Club, London, England; Olympic Studios, London, England; Paradise Theatre, Boston, MA; Regents Park; Wessex Studios. Photographers: Des Letts; Pauline Worral; Tom Sheehan . The Pretenders: James Honeyman Scott (vocals, guitar, keyboards); Chrissie Hynde (vocals, guitar); Pete Farndon (vocals, bass); Martin Chambers (vocals, drums). Additional personnel: Chris Thomas (keyboards, sound effects); Gerry Mackleduff (drums).

Pirate Radio album for sale Additional personnel includes: Baker Glare (whistling); The Irish Horns (brass); Micky Gallagher (organ). Digitally remastered by Ray Staff & Bob Whitney (Whitfield Street Studios, London, England). If punk rejected pop history, LONDON CALLING reclaimed it, albeit with a knowing perspective. The scope of this double set is breaktaking, encompassing reggae, rockabilly and the group's own furious mettle. Where such a combination might have proved over-ambitious, the Clash accomplish it with swaggering panache. Guy Stevens, who produced the group's first demos, returns to the helm to provide a confident, cohesive sound equal to the set's brilliant array of material. Boldly assertive and superbly focused, London Calling contains many of the quartet's finest songs and is, by extension, virtually faultless. This 3-disc set includes the original remastered album, an entire audio disc of previously unreleased demo material, and an exclusive 45 minute DVD documentary produced by Don Letts on the making of the album including band interviews and rare footage, plus promo videos and previously unseen studio footage. The package will include an extensive color book including rare photos and illustrations, in-depth essays, and a fold-out lyric sheet. Also available in a 3-pack with THE CLASH and COMBAT ROCK. The Clash: Joe Strummer, Mick Jones (vocals, guitar); Paul Simonon (vocals, bass); Topper Headon (drums, percussion). LONDON CALLING: THE LEGACY EDITION includes a bonus DVD featuring an exclusive 45 minute documentary on the making of the album. The Clash: Mick Jones , Joe Strummer (vocals, guitar); Paul Simonon (vocals, bass instrument); Topper Headon (drums, percussion). Additional personnel: Baker Glare (whistling); Irish Horns (brass); Mick Gallagher (organ).

Pirate Radio CD music Ultradiscs are mastered from the original master tapes using Mobile Fidelity's proprietary mastering technique, then plated with 24 karat gold and housed in a stress-resistant lift-lock jewel box. With this, his first solo album, Eric Clapton did a complete 180 from his work of the previous five years. Gone were the long, jazzy solos and rootsy Chicago blues work. In their place, Clapton was stretching as a singer and seeking to define his own song forms, inspired by the Beatles, the Band, and his new found collaborators from the southern R&B circuit, Delaney And Bonnie. ERIC CLAPTON marks Clapton's first use of the Fender Stratocaster. Its high, wirey, percussive sound stands in stark contrast to the dark, fat, singing Gibson sounds Clapton had perfected with John Mayall, Cream and Blind Faith. This new Clapton sound is quite striking, from the twangy leads on his opening instrumental "Slunky," to the cutting feints and jabs which transform J.J. Cale's "After Midnight" into a Clapton signature piece. Positioned as it is between the legendary BLIND FAITH and LAYLA sessions, ERIC CLAPTON has long been underrated by fans and critics alike, but the roots of much of what Clapton's done since 461 OCEAN BOULEVARD can be found here: the pithy melodic style of "Blues Power," the country/gospel overtones of "Bottle Of Red Wine," and the confessional tone of "Let It Rain." In addition, ERIC CLAPTON is significant both as a showcase for Clapton's emerging vocal stylings and as a proving ground for his Dominoes rhythm section of drummer Jim Gordon, bassist Carl Radle and keyboardist/vocalist Bobby Whitlock. lso out of print on CD on Polydor (531 819) - D01. Additional Tracks; Deluxe Edition Recorded at Village Recorders, West Los Angeles, California in 1970. Personnel: Eric Clapton, Delaney Bramlett (guitar, vocals); Bobby Keys (saxophone); Jim Price (trumpet); Leon Russell, John Simon (piano); Bobby Whitlock (organ, vocals); Carl Radle (bass); Jim Gordon (drums); Sonny Curtis, Bonnie Bramlett, J.I. Allison (background vocals); Stephen Stills, Rita Coolidge. Personnel: Eric Clapton (vocals, guitar); Delaney Bramlett, Jerry Allison , Rita Coolidge, Sonny Curtis, Stephen Stills, Bonnie Bramlett (vocals); Bobby Keys (saxophone); Leon Russell (piano); Jim Gordon (drums); Tex Johnson (percussion). Audio Mixers: Suha Gur; Delaney Bramlett; Tom Dowd. Liner Note Author: Scott Schinder. Recording information: A&M Studios, Hollywood, CA (09/27/1969-03/??/1970); Island Studios, London, England (09/27/1969-03/??/1970); Olympic Sound Studios, Barnes (09/27/1969-03/??/1970); Sunset Sound Studios, Los Angeles, CA (09/27/1969-03/??/1970); Village Recorders, West Los Angeles, CA (09/27/1969-03/??/1970). Photographers: Tom Wilkes ; Barry Feinstein. Arranger: Delaney Bramlett.

Pirate Radio buy CD music At the beginning of the Pretenders LEARNING TO CRAWL Chrissie Hynde sings, "I'm not the kind I used to be, I've got a kid, I'm 33, baby!" The bravado in the way she delivered that line, however, couldn't disguise the fact that she was also dealing with the back-to-back drug overdoses of two of her founding bandmates (one an ex-lover). The resulting album, unsurprisingly, deals at least in part with pain and loss. ("Back on the Chain Gang" LEARNING TO CRAWL's first single, was in fact an explicit memorial). Given the circumstances surrounding the making of the album, it's amazing that on balance it's the band's most rounded effort. This is due to Hynde's particularly strong songwriting, and a standout performance by new guitarist Robbie MacIntosh, who compliments Hynde's material adroitly. High points include "2000 Miles," probably the best rock Christmas song ever and the enormously exciting "Middle of the Road" (if you don't move when you hear it, consult your primary care provider). Also noteworthy are "Time the Avenger," (among other things, a witty homage to the Outsiders' 60s punker "Time Won't Let Me") and "My City Was Gone," a sad and beautiful tribute to her hometown (Akron, Ohio). Newly expanded and remastered editions of a pair of the legendary band's mid-career album masterpieces, boasting a wealth of previously unreleased and rare bonus tracks. LEARNING TO CRAWL, their stellar third album, debuted in 1984 and hit #5 on the Billboardr 200 allmusic.com calls it, one of the best rock & roll records of the early `80s. Produced by Chris Thomas, features the all-time Pretenders classics Middle Of The Road, My City Was Gone, Show Me, and Back On The Chain Gang, a #5 pop single. Also includes the band's memorable cover of the Persuaders' '71 hit Thin Line Between Love And Hate, and Hynde's gorgeous contemporary Christmas classic 2000 Miles. Presents seven bonus tracks two previously unissued including live versions of My City Was Gone and Money. Bonus material also features three Denmark Street demos including I Hurt You and When I Change My Life. Recorded at AIR Studios, London, England. Pretenders: Chrissie Hynde, Malcolm Foster, Robbie McIntosh , Martin Chambers. Personnel: Billy Bremner (vocals, guitar, acoustic guitar); Chrissie Hynde, Robbie McIntosh (vocals, guitar); Paul Carrack (vocals, piano); Malcolm Foster, Andrew Bodnar (vocals, bass guitar); Martin Chambers (vocals, drums); Chris E. Thomas (keyboards); Tony Butler (bass guitar). Audio Remasterers: Dan Hersch; Bill Inglot. Liner Note Author: Ben Edmonds. Recording information: Air Studios, London, England (08/1982). Photographers: Eric Blum; Alyssa Cooper; Donna Santisi; Peter Barrett ; Paul Cox; Robert Matheu. The Pretenders: Chrissie Hynde (vocals, guitar); Robbie McIntosh (guitar); Malcolm Foster (bass); Martin Chambers (drums, background vocals). Additional personnel: Chris Thomas (keyboards); Tony Butler , Andrew Bodnar, Paul Carrack, Billy Bremner. Additional personnel: Billy Bremner (guitar); Paul Carrack (piano, background vocals); Andrew Bodner (bass, background vocals); Tony Butler (bass).