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Kleeer - License To Dream CD Cover Art
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Kleeer License To Dream CD

 Kleeer Discography of CDs

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Wrapped in one of the most creatively corny sleeve designs imaginable -- an actual license to dream signed by "B. Positive" and "D. Termination," who have suspiciously identical handwriting -- the third Kleeer album was the group's most successful, despite being powered only by a couple moderately popular singles, neither of which would ever be considered the group's defining work. The album maintains the rare balance of slickness and grittiness (topped only by Slave and Cameo) of 1979's Winners, and it's a little heavier on ballads and synthesizer work. If it weren't for its silly John Wayne impersonation (years before Shawn Brown's "Rappin' Duke"), "Get Tough" wouldn't be too distinguishable from the raft of simply functional funk singles of the year, but the follow-up, "Running Back to You," works a dramatic midtempo groove as well as the Gap Band's "Early in the Morning" -- and in this case, the protagonist is more forthcoming about why things went wrong and is desperate to straighten them out. "Say You Love Me" should've been a regular presence on quiet storm programs, and a couple other cuts -- "Hypnotized," "Where Would I Be (Without Your Love)" -- demonstrate the shortcomings of the two Kleeer anthologies that appeared before the dawn of the 2000s. ~ Andy Kellman

Audio Mixer: Scott Litt.

Recording information: Atlantic Studios, New York, NY.

Unknown Contributor Role: Eric Rohrbaugh.

Arrangers: Norman Durham; Woody Cunningham; Paul Crutchfield.

Kleeer: Richard Lee (guitar); Eric Rohrbaugh (Clavinet, mini-Moog synthesizer, sound effects); Norman Durham (bass instrument); Paul Crutchfield (congas); Isabelle Coles, Yvette Flowers, Melanie Moore (background vocals); Terry Dolphin, Woody Cunningham.

Personnel: Paul Crutchfield (vocals, acoustic guitar, congas, percussion); Norman Durham (vocals, Clavinet, percussion); Woody Cunningham (vocals, Oberheim synthesizer, drums, bongos, cowbells, timbales, percussion); Dennis King, Isabelle Coles, Yvette Flowers, Melanie Moore, Lisa Fischer, Janice Pendarvis, Carole Sylvan (vocals); Richard Lee (guitar); Terry Dolphin (piano, Fender Rhodes piano, vibraphone).

License To Dream Music


Detailed License To Dream Music Information



List Price $12.98 (You save $3.03)
Category Rock/Pop Albums, Rock CDs, R&B, Rap, Urban Soundtrack, Funk
Label Collectables
Orig Year 1981
All Time Sales Rank   45138  
CD Universe Part number 7020970
Catalog number 7752
Discs 1
Release Date Mar 14, 2006
Studio/Live Studio
Mono/Stereo Stereo
Producer Dennis King; Dennis King; Kleer
Engineer Bobby "Bahamian" Warner; Tom "Jekyl" Heid; Scott Litt
Personnel Lisa Fischer
Janice Pendarvis
Carole Sylvan - vocals
Woody Cunningham - vocals, Oberheim synthesizer, drums, bongos, cowbells, timbales, percussion
Dennis King
Norman Durham - vocals, Clavinet, percussion
Isabelle Coles
Melanie Moore - background vocals
Paul Crutchfield - congas
Richard Lee - guitar
Richard Lee - guitar
Terry Dolphin - piano, Fender Rhodes piano, vibraphone
Yvette Flowers
Eric Rohrbaugh - Clavinet, mini-Moog synthesizer, sound effects
Kleeer License To Dream Songs


Kleeer License To Dream Album Track Listing



Windows MediaRealAudio Media1.De Kleeer Ting$0.99
Windows MediaRealAudio Media2.Running Back to You$0.99
Windows MediaRealAudio Media3.Sippin' & Kissin'$0.69
Windows MediaRealAudio Media4.Hypnotized$0.69
Windows MediaRealAudio Media5.License to Dream$0.99
Windows MediaRealAudio Media6.Get Tough$0.99
Windows MediaRealAudio Media7.Say You Love Me$0.69
Windows MediaRealAudio Media8.Where Would I Be (Without Your Love)$0.69

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By the time Winners was wrapped up in the studio, Kleeer were riding high on the disco wave, thanks in no small part to the smash singles on their debut record, "Keeep Your Body Workin'" and "Tonight's the Night." With Winners, the group deviates a slight bit, with less straightforward uptempo in-your-face disco and more of an R&B slant than before. The title track stays in fine disco form, but things slow down right away with two borderline quiet storm jams in "I Still Love You" and "Your Way." ...
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Dismissed by the benighted as the Doors' "pop album," SOFT PARADE is one of the band's most adventurous recordings, utilizing strings and horns without resorting to schlocky over-production and moving far beyond their blues roots. Morrison was fully into his shaman phase by 1969, and his obsession with that image is reflected in the proselytizing air of "Tell All the People," and of course "Shaman's Blues." The album's biggest hit "Touch Me," while easily the group's most radio-friendly offering, is a pop classic that ranks among the great '60s AM radio tunes. "Wild Child" is a brief return to the blues-rock of yore, but the title track is a sophisticated, extended piece that moves through several different moods and textures, full of the elliptical, poetic lyrics that were Morrison's trademark. The weakest studio album recorded with Jim Morrison in the group, partially because their experiments with brass and strings on about half the tracks weren't entirely successful. More to the point, though, this was their weakest ...
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Another in the endless line of Motown repackages done on the European side of the Atlantic, this one has some well-known cuts, as well as a few lesser-known -- but not obscure -- selections as well. Some of the better-known tracks, hits like Barrett Strong's "Money (That's ...
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