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Wrapped in one of the most creatively corny sleeve designs imaginable -- an actual license to dream signed by "B. Positive" and "D. Termination," who have suspiciously identical handwriting -- the third Kleeer album was the group's most successful, despite being powered only by a couple moderately popular singles, neither of which would ever be considered the group's defining work. The album maintains the rare balance of slickness and grittiness (topped only by Slave and Cameo) of 1979's Winners, and it's a little heavier on ballads and synthesizer work. If it weren't for its silly John Wayne impersonation (years before Shawn Brown's "Rappin' Duke"), "Get Tough" wouldn't be too distinguishable from the raft of simply functional funk singles of the year, but the follow-up, "Running Back to You," works a dramatic midtempo groove as well as the Gap Band's "Early in the Morning" -- and in this case, the protagonist is more forthcoming about why things went wrong and is desperate to straighten them out. "Say You Love Me" should've been a regular presence on quiet storm programs, and a couple other cuts -- "Hypnotized," "Where Would I Be (Without Your Love)" -- demonstrate the shortcomings of the two Kleeer anthologies that appeared before the dawn of the 2000s. ~ Andy Kellman
Audio Mixer: Scott Litt.
Recording information: Atlantic Studios, New York, NY.
Unknown Contributor Role: Eric Rohrbaugh.
Arrangers: Norman Durham; Woody Cunningham; Paul Crutchfield.
Kleeer: Richard Lee (guitar); Eric Rohrbaugh (Clavinet, mini-Moog synthesizer, sound effects); Norman Durham (bass instrument); Paul Crutchfield (congas); Isabelle Coles, Yvette Flowers, Melanie Moore (background vocals); Terry Dolphin, Woody Cunningham.
Personnel: Paul Crutchfield (vocals, acoustic guitar, congas, percussion); Norman Durham (vocals, Clavinet, percussion); Woody Cunningham (vocals, Oberheim synthesizer, drums, bongos, cowbells, timbales, percussion); Dennis King, Isabelle Coles, Yvette Flowers, Melanie Moore, Lisa Fischer, Janice Pendarvis, Carole Sylvan (vocals); Richard Lee (guitar); Terry Dolphin (piano, Fender Rhodes piano, vibraphone).
License To Dream Music | List Price | $12.98 (You save $3.03) | | Category | Rock/Pop Albums, Rock CDs, R&B, Rap, Urban Soundtrack, Funk | | Label | Collectables | | Orig Year | 1981 | | All Time Sales Rank | 45138  | | CD Universe Part number | 7020970 | | Catalog number | 7752 | | Discs | 1 | | Release Date | Mar 14, 2006 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Dennis King; Dennis King; Kleer | | Engineer | Bobby "Bahamian" Warner; Tom "Jekyl" Heid; Scott Litt | | Personnel | Lisa Fischer Janice Pendarvis Carole Sylvan - vocals Woody Cunningham - vocals, Oberheim synthesizer, drums, bongos, cowbells, timbales, percussion Dennis King Norman Durham - vocals, Clavinet, percussion Isabelle Coles Melanie Moore - background vocals Paul Crutchfield - congas Richard Lee - guitar Richard Lee - guitar Terry Dolphin - piano, Fender Rhodes piano, vibraphone Yvette Flowers Eric Rohrbaugh - Clavinet, mini-Moog synthesizer, sound effects
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Kleeer License To Dream Songs License To Dream Review
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Purchase License To Dream CD To buy, Click on price to add to cart | Kleeer Winners CD (1979)
License To Dream album
$9.95 By the time Winners was wrapped up in the studio, Kleeer were riding high on the disco wave, thanks in no small part to the smash singles on their debut record, "Keeep Your Body Workin'" and "Tonight's the Night." With Winners, the group deviates a slight bit, with less straightforward uptempo in-your-face disco and more of an R&B slant than before. The title track stays in fine disco form, but things slow down right away with two borderline quiet storm jams in "I Still Love You" and "Your Way." ...
| | Al Stewart 24 Carrots CD (1980) Bonus Tracks
License To Dream CD music
$10.45 "Here In Angola," "Pandora," and "Indian Summer" were originally released on the LP INDIAN SUMMER.
24 CARROTS is folk-rocker Al Stewart's 1980 album, recorded with Shot in the Dark. This reissue features five bonus tracks, "Here in Angola", "Indian Summer", "Pandora", "Delia's Gone", and "Princess Olivia".
The pun of the title of 24 Carrots -- the first overt signal of humor Al Stewart has displayed in years, possibly ever -- illustrates that a lot has changed since 1978's Time Passages. The loosening of his wit is perhaps the most evident, but the most significant is the departure of producer Alan Parsons, who collaborated with Stewart on his mid-'70s triptych of masterpieces. In truth, 24 Carrots ...
| | Eric Andersen Avalanche CD (1969)
License To Dream music CDs
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| | Stephen Stills Right By You CD (Import) Import
License To Dream songs For Sale Pre-Order Now! Release Date Not Determined
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| | Stevie Nicks Soundstage Sessions CD (2009)
License To Dream album
$15.65 Rock's original gold dust woman capped a return to the road in the '00s with this stunningly on-point live collection--her first. With tracks taken from a live set in Chicago in October 2007 and later bolstered by overdubs from a Nashville session (essentially studio strings and backing vocals), THE SOUNDSTAGE SESSIONS matches the energy of a ...
| | Doors Soft Parade CD (1969) Gold; Remastered
License To Dream CD music
$20.29 Dismissed by the benighted as the Doors' "pop album," SOFT PARADE is one of the band's most adventurous recordings, utilizing strings and horns without resorting to schlocky over-production and moving far beyond their blues roots. Morrison was fully into his shaman phase by 1969, and his obsession with that image is reflected in the proselytizing air of "Tell All the People," and of course "Shaman's Blues." The album's biggest hit "Touch Me," while easily the group's most radio-friendly offering, is a pop classic that ranks among the great '60s AM radio tunes. "Wild Child" is a brief return to the blues-rock of yore, but the title track is a sophisticated, extended piece that moves through several different moods and textures, full of the elliptical, poetic lyrics that were Morrison's trademark.
The weakest studio album recorded with Jim Morrison in the group, partially because their experiments with brass and strings on about half the tracks weren't entirely successful. More to the point, though, this was their weakest ...
| | Motown Mod Fave Raves V.1 CD (2001) (Import) Germany
License To Dream music CDs
$10.49 Another in the endless line of Motown repackages done on the European side of the Atlantic, this one has some well-known cuts, as well as a few lesser-known -- but not obscure -- selections as well. Some of the better-known tracks, hits like Barrett Strong's "Money (That's ...
| | DJ Venom Raise The Volume CD (2002)
License To Dream songs
$13.35 DJ Venom continues his output of hardcore-style mix albums with Raise the Volume. Over the course of 29 songs, the East Coast DJ moves through one maddening track after another, all of which are driven by ...
| | Supuration Incubation CD (2004) (Import) Germany
License To Dream album
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| | Der Unglaubiche Heinz Groning Das Grosse 1xheinz CD (2006) (Import)
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| | Cedar Walton Manhattan After Hours CD (2003) (Import) Netherlands
License To Dream music CDs
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| | Ken Colyer Studio 51 Club Sessions 2 CD (2008) (Import)
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| | Michael Oakland Spirit Box Christmas CD (2005)
License To Dream album
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