| | Kalapana2 CD - Import Kalapana Discography of CDs
Special 20bit K2 Japanese limited edition issue of the album classic in a deluxe, miniaturized LP sleeve replica of the original vinyl album artwork. Kalapana2 Songs | 1. | Love 'Em |
| 2. | Freedom |
| 3. | (For You) I'd Chase a Rainbow |
| 4. | Way That I Want It to Be |
| 5. | Dorothy Louise |
| 6. | Play It Sing It |
| 7. | Moon and Stars |
| 8. | Black Sand |
| 9. | Lost Again |
| 10. | Wandering Stranger |
| 11. | Juliette |
| 12. | Nathen's Lament |
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Kalapana2 Review
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Purchase Kalapana2 CD To buy, Click on price to add to cart | Slayer World Painted Blood CD (2009)
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The latest album from Swedish doom rockers Katatonia, their first studio effort since 2006, is as moody and beautiful as their other latter-day work. The group's career can be marked in two stages based on the condition of singer Jonas Renske's vocal cords ...
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| | Frank Zappa Joe's Garage Acts I, II & III CDs (1979) Remastered
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The superlative repackaging and remastering undertaken by Ryko has put the original three-part, two-record set of this magnificent nonsense tale together for the first time. This is back to the madness of Freak Out, with more pop and doo-wop bursting through all the complicated stuff, letting you know that Zappa ...
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Adiitional personnel includes: Veit Renn (conductor, guitar); Tony Battaglia (guitar); Brian Snapp (saxophone); ...
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| | ABBA Arrival CD (1977) Import
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The remastered German version features two additional tracks and new sleeve notes.
Widely considered the Swedish foursome's first classic album--and historically important as the first to use the now-famous mirror-B logo--1976's ARRIVAL contains three huge hit singles, the dramatic "Money Money Money," the downcast "Knowing Me, Knowing You" and quite possibly the band's finest four minutes, the absolutely perfect pop classic "Dancing Queen," ...
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Trumpeter Bunk Johnson recorded extensively with his band of New Orleanians during 1944-45, including multiple performances of some of their selections. The American Music label, in their series of Bunk ...
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Ray Colcord (electric piano); Mike Mainieri (marimba, vibraphone); Robbie Rothstein (bass); Roy Markowitz (drums, percussion); Tom Flye (drums).
Don McLean's second album, American Pie, which was his first to gain recognition after the negligible initial sales of 1970's Tapestry, is necessarily dominated by its title track, a lengthy, allegorical history of rock & roll, because it became an unlikely hit, topping the singles chart and putting the LP at number one as well. "American Pie" has remained as much a cultural touchstone as a song, sung by everyone from Garth Brooks to Madonna, its title borrowed for a pair of smutty teen comedies, while the record itself has earned a registered three-million plays on U.S. radio stations. There may not be much more to note about it, then, except perhaps that even without a crib sheet to identify who's who, the song can still be enjoyed for its engaging melody and singable chorus, which may have more to do with its success than anything else. Of course, the album also included "Vincent," McLean's paean to Van Gogh, which has been played two-million times. Nothing else on the album is as effective as the hits, but the other eight original songs range from sensitive fare like "Till Tomorrow" to the sarcastic, uptempo "Everybody Loves Me, Baby." American Pie -- the album -- is very much a record of its time; it is imbued with the vague depression of the early '70s that infected the population and found expression in the works of singer/songwriters. "American Pie" -- the song -- is really a criticism of what happened in popular music in the '60s, and "Vincent" sympathizes with Van Gogh's suicide as a sane comment on an insane world. "Crossroads" and "Empty Chairs" are personal reflections full of regret and despondency, with the love song "Winterwood" providing the only respite. In the album's second half, the songs get more portentous, tracing society's ills into war and spiritual troubles in "The Grave" and "Sister Fatima." The songs are made all the more poignant ...
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On Jason Mraz's second studio album, the young Virginia-born singer/songwriter continues the loose, freewheeling pop/rock vibe established on his 2002 debut, WAITING FOR MY ROCKET TO COME. He's still the slightly mischievous boy-next-door, but here Mraz has a new sense of self-confidence, undoubtedly based on the success of his first album. Though it's usually left to hip-hop artists to boast about their lyrical prowess, Mraz does exactly that on the rap-inspired "Wordplay," an alternately soaring and frenetic track that focuses on his tongue-in-cheek turns of phrase. Later in the record, Mraz offers up a mellow, Santana-like tune, "Bella Luna" (which shines the spotlight on his high, clear vocal delivery), and the surprisingly caustic piano ballad "Please Don't Tell Her." Overall, however, ...
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Recorded between 1975 & 1990. Includes liner notes by Robert H. Garcia.
This is part of A & M Records "20th Century Masters: The Millenium Collection" series.
Assembled with the cooperation of the band, Styx's entry in Universal's 20th Century Masters -- The Millennium Collection series of discount-priced best-of's, surveys the group's tenure at A&M Records, where they scored most of their popular success. Of course, the early hit "Lady," recorded ...
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