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Reinhardt, Django - Swing Sessions, Vol. 3 CD Cover Art CD music music CDs songs album

Django Reinhardt Swing Sessions, Vol. 3 CD

 Django Reinhardt Discography of CDs

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This 3rd volume of music from 1937-38 contains Django and friends in mostly duet, trio and solo settings, with Louis Vola turning up the rhythm section of the bands led by Michel Warlop and Jack Hylton alumni Benny Carter. This 24 track CD also includes

Personnel: Django Reinhardt (guitar); Stéphane Grappelli (violin, piano, celesta); Michel Warlop (violin); Bertie King, Alix Combelle (clarinet, tenor saxophone); Jean Magnien (clarinet); Charles Lisee, Andre Lamory, Max Blanc, Fletcher Allen (alto saxophone); Charles Schaaf, Jacques Hélian, Noel Chiboust (tenor saxophone); Gus Deloof, Andre Cornille, Philippe Brun (trumpet); Guy Paquinet, Guy Pacquinet, Josse Breyere (trombone); York DeSouza (piano); Maurice Chailou, Robert Montmarche (drums).
Audio Remasterer: Ted Kendall.
Liner Note Author: Ted Kendall.

Swing Sessions, Vol. 3 Music


Detailed Swing Sessions, Vol. 3 Music Information



List Price $19.97 (You save $4.02)
Category Rock/Pop Albums, Jazz CDs, Jazz Instrument, Guitar
Label Frog
Orig Year 2006
All Time Sales Rank   210808  
CD Universe Part number 7021814
Discs 1
Release Date Mar 21, 2006
Studio/Live Studio
Mono/Stereo Stereo
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Brenda That's All/All Alone Am I, one of Ace's numerous two-for-one packages of early Brenda Lee material, combines her 1962 album Brenda, That's All and her 1963 album All Alone Am I onto one CD, adding historical liner notes. Like almost all of her early albums, Brenda, That's All was a mix of material that seemed designed to highlight her versatility. Pop music was at the center, but there were various shades of country, R&B, and the adult contemporary market. It's not a scintillating record, but it's pretty good, in part because it avoids the overemphasis on adult pop standards that hurt some of her LPs from the period. "Fool #1" and "You Can Depend on Me" (which had actually been released as singles the year before most of the sessions for Brenda, That's All took place) are the only hits, but there are some good tracks here, whether the buoyant "I'm Sitting on Top of the World," the bluesily arranged "White Silver Sands," the orchestrated country-pop of "Just Out of Reach," or the mildly swinging "Why Me?" (co-written by Brook Benton). "Someday You'll Want Me to Want You" is the kind of classy, impeccably produced pop ballad in which she specialized in the early 1960s, and sounds like it could have had a chance of being a hit single on its own steam. The whole album is impressively sung and immaculately produced, in fact, in common with much of what Lee recorded under Owen Bradley's direction. Although the less impressive All Alone Am I features a classic 1962 hit single as its title track, it was unduly weighted toward adult pop standards. This LP alone had "(I Left My Heart) In San Francisco," "Lover," "What Kind of Fool Am I," "Come Rain or Come Shine," and "Fly Me to the Moon," reinforcing the impression that her album market was viewed as being a more mature ...
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