| | Kat Vipers Mother Superior CD Single - Import Kat Vipers Discography of CDs
The debut mini-album from Kat Vipers. The Mother Superior EP showcases Kat's music as a heady mix of Jazz sounds, classical textures and lines and hooky choruses that rock. Described as the music deep within the reaches of David Lynch's brain. Hauntingly beautiful, yet equally unnerving, these 5 piano driven compositions chart territory previously explored by This Mortal Coil and Tom Waits. Her voice has the smoky sensuality of a Weimer era chanteuse with undertones of Diamanda Galas, and Billie Holiday. Py Records. 2006. Mother Superior Music | List Price | $14.99 (You save $1.84) | | Category | Rock/Pop Albums, Rock CDs, CD singles | | Label | MSI Music | | Orig Year | 2005 | | CD Universe Part number | 7022185 | | Catalog number | 801257 | | Discs | 1 | | Release Date | Feb 28, 2006 | | Mono/Stereo | Stereo |
Kat Vipers Mother Superior Songs | 1. | In the Mist/ Mint Tastes Like Lemon |
| 2. | Lady Purple/6511 |
| 3. | This Soldiers Gone to War/ Hommage a Maison |
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Mother Superior Review
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Purchase Mother Superior CD To buy, Click on price to add to cart | Gov't Mule By A Thread CD (2009)
Mother Superior album
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BY A THREAD is Gov't Mule's first studio album since HIGH & MIGHTY was issued in 2006. Since that time, bassist Andy Hess has been replaced by Jorgen Carlsson, though Hess appears on two tracks at the end of the album. Carlsson's playing style is much more aggressive than Hess', and is therefore closer - in spirit anyway - to Gov't Mule's original bassist, the late Allen Woody, though he possesses an adventurous sense of time and is harmonically more colorful than either Woody or Hess. Carlsson and drummer Matt Abst are a solid match, since Abst is a drummer used to shifting time signatures and allowing the unexpected in while still driving a band. The band's keyboardist and rhythm guitarist, Danny Louis, is a shape-shifter, playing to whatever is needed in a given track. His manner of coloring sounds inside and around a particular tune's framework is a large part of what makes Gov't Mule's sound so fresh here - despite the fact that they don't stray far from what they do best. Warren Haynes and his guitar are, as usual, front and center, his guitar screaming, his big throaty growl hammering down lyrics like a Southern fire-and-brimstone preacher with earthshaking soul. The material on this set is tight; there is less jamming but Gordie Johnson's production and mixing equalize everything at ten, making it feel like the disc is recorded live.
The set opens with the pulsing bass throb of "Broke Down on the Brazos," just before Haynes and guest guitarist Billy Gibbons enter and let the tough, riff-laden blues snarl get in and slash it up a bit. The roar is wondrously deafening and the pace is fierce. Likewise, the slightly more tuneful "Steppin' Lightly" does anything but. With its funky big rock trio riff, ...
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Getting right back to where they started from, Creed reunites for Full Circle, putting all tensions to rest and cutting their first album in eight years. FULL CIRCLE is a none-too-subtle allusion to how they're getting back to their beginnings, but a cynic could say they never got much past it, toiling the same weathered ground on each of their albums, but this bears some subtle differences, particularly in how Creed sounds heavier yet more open than they did in the past. While they're still delivered with the finesse of a hammer on a railroad spike, there's more air within the ballads, more skill in their attack, a looseness to their playing that allows them to take a stab at white-boy blues on the title track. "Full Circle" is one of several songs built on prominent acoustic guitar, an indication of the greater color palette here than on, say, HUMAN CLAY, and that lack of reliance on thudding guitars ...
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The King Of Pop is showcased at his absolute best on this compilation of some of his
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Each copy of this limited edition is sequentially numbered. The packaging recreates the original double-gatefold sleeve and includes the original poster as well as the individual photos of each band member.
Additional personnel includes: Yoko Ono (vocals); Eric Clapton (electric guitar); Mal Evans (trumpet, tambourine); George Martin (piano, harmonium); Chris Thomas (harpsichord, Mellotron); Maureen Starkey, Patti Harrison (background vocals).
This reissue of THE WHITE ALBUM has been digitally re-mastered. It comes packaged with replicated original U.K. album art, an expanded booklet containing original and newly written liner notes, and rare photos. Limited quantities of the CD are embedded with a brief documentary film about the album.
THE BEATLES (generally known as "The White Album" because of its cover) was a sprawling two-record set, highlighting the distinct personalities in the group as they matured and moved further away from each other. With the four Beatles playing like session men on each other's songs, the making of the album was fraught with tension. John Lennon's songs included a bitter take on people who read too much into the Beatles' lyrics ("Glass Onion"), reflections on loneliness and alienation ("Yer Blues," "I'm So Tired"), and the avant garde sound collage "Revolution ...
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Details TBA. Col. 2005.
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The Loved Ones (Philadelphia): Michael "Spider" Cotterman (bass guitar); Mike Sneeringer (drums); Dave Hause.
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