| | Snoop Dogg Death Row's Greatest Hits CD Snoop Dogg Discography of CDs
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Snoop Dogg is one of hip-hop's most distinctive and original voices, and DEATH ROW'S GREATEST HITS is a definitive collection of his earliest, arguably most vital work for the titular label. Aided by the funky west coast production of Dr. Dre, Snoop emerged in the early '90s as a different kind of gangsta. He didn't shy away from drugs, violence, or any of the other elements of the thug life, but his smooth, relaxed, almost jazzy delivery very nearly transcended his gritty subject matter. From the manifesto "Nuthin' But a 'G' Thang," the song that introduced him to millions of fans, to the ominous crime scenario of "Murder Was the Case," Snoop's unique, laconic style delights and intrigues, regardless of the darkness of the theme. This is a crucial document of hip-hop history.
Contains previously unreleased tracks and mixes.
Personnel includes: Snoop Doggy Dogg, Dr. Dre, Swoop G, Nate Dogg, Warren G, Kurupt, Raphael Saadiq, Daz Dillinger, Tha Dogg Pound, Threat, Mack 10, Bad Azz, Tha Original Eastsidaz, Techniec.
Producers include: Dr. Dre, "Kurt Kobane" Couthon, Daz Dillinger, Snoop Doggy Dogg, Soopafly.
Illustrator: Aman Chaudhary.
Photographer: Anna Lisa.Mixmag (1/01, p.61) - 3 out of 5 - "...Proper G funk from the coolest misogynist since Sid the Sexist..." Death Row's Greatest Hits Music | List Price | $17.98 (You save $3.73) | | Category | Rock/Pop Albums, R&B CDs, Rap, Urban Soundtrack, Gangsta, Greatest Hits Collections | | Label | Death Row | | Orig Year | 2001 | | All Time Sales Rank | 71418  | | CD Universe Part number | 7022208 | | Catalog number | 63068 | | Discs | 1 | | Release Date | Mar 21, 2006 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Personnel | Snoop Dogg Techniec
Also: Dr. Dre, Nate Dogg, Kurupt, Raphael Saadiq, Mack 10, Warren G, Tha Dogg Pound, Bad Azz, Swoop G, Threat, Korupt, Techneic, Tha Doggfather | | Additional Info | Remastered; Digipak |
Snoop Dogg Death Row's Greatest Hits Songs | 1. | Nuthin' But a "G" Thang - (featuring Dr. Dre)  | |
| 2. | Head Doctor - (featuring Swoop G) | |
| 3. | Gin and Juice  | |
| 4. | Eastside Party - (previously unreleased, featuring Nate Dogg)  | |
| 5. | Murder Was the Case - (Remix, remix)  | |
| 6. | Ain't No Fun (If the Homies Can't Have None) - (featuring Warren G/Nate Dogg/Korupt)  | |
| 7. | Doggfather - (Remix, unreleased remix)  | |
| 8. | Midnight Love - (previously unreleased, featuring Raphael Saadiq/Daz Dillinger)  | |
| 9. | Eastside - (previously unreleased, featuring The Original Eastsidaz) | |
| 10. | Who Am I (What's My Name)?  | |
| 11. | Doggy Dogg World - (featuring Tha Dogg Pound/The Dramatics)  | |
| 12. | Too High (Poly High) - (previously unreleased, featuring Daz Dillinger) | |
| 13. | Vapors - (featuring Tha Doggfather) | |
| 14. | Usual Suspects - (previously unreleased, featuring Threat) | |
| 15. | Keep It Real - (previously unreleased, featuring Mack 10/Bad Azz/Techneic/Threat/Kurupt) | |
| 16. | Snoop Bounce - (Roc N Roll Remix, Roc-N-Roll remix, featuring Rage Against the Machine)  | |
| Death Row's Greatest Hits Music Death Row's Greatest Hits Music Review Buy Death Row's Greatest Hits CD Purchase Death Row's Greatest Hits CD To buy, Click on price to add to cart | Snoop Dogg Doggystyle CD (1993)
Death Row's Greatest Hits album
$13.95 This is an enhanced audio CD which contains regular audio tracks and multimedia computer files including the video for "What's My Name."
"Gin & Juice" was nominated for a 1995 Grammy Award for Best Rap Solo Performance.
Long Beach, California's Snoop Doggy Dogg made one of the most successful debuts in rap music with DOGGYSTYLE. Introduced on the Dr. Dre single "Deep Cover," Snoop gained ...
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$25.39 Recorded between April 8, 1971 and March 18, 1975. Includes liner notes by Harry Weinger and Alan Leeds.
As the Godfather of Soul moved into the thoroughly funky days of the early '70s, his music became looser, rawer, and groovier than ever. This two-disc set is the definitive collection of Brown's work from that period, replete with Fred Wesley's punchy horn arrangements, the JBs' airtight, seamless grooves, and Mr. Dynamite's gut-pulling grunts and paint-peeling screeches. While many consider this era to be the twilight of the chart-ruling success Brown enjoyed in the '60s, there is no denying the overwhelmingly infectious power of these cuts.
"Hot Pants," "Get It On The Good Foot," "Think," "The Payback," and "Funky President" are alone worth the price of the set, but listeners get 21 slices of uncut funk to boot. The JBs' trademark sound is in full flower here--bright, steady guitar riffs, snares cracking like loud punches to the head, the horns adding accents and embellishments, the bass extending tendrils to reach your legs and get them moving. Through it all, the man himself once again claims his right to the get-down crown.
Digitally remastered by Gary N. Mayo (PolyGram Studios).
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$17.09 Seven Year Tango is not a tango band. It's just a name. I didn't come up with the name. None of the people currently in the band had anything to do with the name. Back in 1996 or so, while I was studying philosophy at the University of Portland, I started jamming with a couple of guys including drummer Dan Brown. We formed a band that went through a couple of really bad names such as Mama's Most Magnificent Madhatterhorns and the Wingflingers. During the 1996-97 school year I went to Salzburg, Austria to study the liberal arts and drink a lot of beer. When I returned to Portland and rejoined the band, Dan had renamed it Seven Year Tango. The name stuck and to this day I have yet to think of a better name--although I have come up with a long list of worse names. So what is a Seven Year Tango? I don't know. No one in the band knows. It could be construed as a kind of metaphor, or a variation on the phrase "seven year itch," but really nothing is meant by it. At least not by us. Sorry for the confusion. And, again, we do not play tango music.So what is Seven Year Tango? We are a collective of musicians united by an understanding of the power of music and by an desire to express ourselves through the improvisational ...
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