Back Room CD

Back Room Music

List Price	$20.98 (You save $3.93)
Category	Rock/Pop Albums, Rock CDs, R&B, Dance, Dance Collections, Oldies Collections
Label	Kinkysweet Recordings
Orig Year	2006
All Time Sales Rank	144266
CD Universe Part number	7022777
Catalog number	28
Discs	2
Release Date	Mar 21, 2006
Studio/Live	Studio
Mono/Stereo	Stereo
Producer	Chris Brann; Chris Duckenfield; Alessandro Oliviero; Chris Todd; Jean Vanesse; Thomas Sohet; Andy Compton; King Britt; Alex Moran; Marie Tweek; Maurice Fulton; Nick Holder; Andreas Saag; Si Brad; Simon Grey; Tim Motzer; Sean Dimitrie
Additional Info	Digipak

Back Room Songs

		Back Room CD DISC 1:
	1.	In Love Again - Chris Brann (King Britt's Scuba Mix)
	2.	Tonight - H-Foundation (King Britt's Sexy Mix)
	3.	Inner City Warrior - Stateless
	4.	Inside Your Soul 03 - Andraya
	5.	I Am - The Rurals
	6.	Rebel - The Rurals
	7.	Spirit in Your Soul - Weekender (Album Mix)
	8.	Love Is the Answer - Scuba
	9.	Sean - Aya (Jay's Otw Vocal mix, Jay's OTW vocal)
	10.	Light You Will See, The - The Rhythm Slaves (Trentemoller's Deep Dub Mix)
	11.	Don't Outstay Outside 2 Night - (Patchwork's Deep Remix, Patchwork's Deep remix)
	12.	So Precious - Domu
		Back Room Songs DISC 2:
	1.	Welcome - Alessandroni, Paul & Honesty (Maurice Fulton Remix, Maurice Fulton remix)
	2.	Take Me - Mono Deluxe
	3.	Remember - Vartan
	4.	Galactica Suite, The - Simon Grey (4 to the Floor Mix)
	5.	So Hot - Tim Fuller/Sean Dimitrie (Swag Remix, Swag remix)
	6.	Kicks - Crazy Penis
	7.	Something Extra - Jenna G./Maddslinky (Domu's VIP Disco Mix)
	8.	Bumcop - Crazy Penis
	9.	Can't Get Away (From Your Love) - Only Freak (Solid Groove Remix, Solid Groove remix)
	10.	Weekend - Class Action (Larry Levan Weekend Mix)

Back Room Review

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Audio Mixer: Christian Dwiggins.

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Various Artists: Electro Vibes Orchestra.
Audio Mixer: Nic Conef.
Audio Remixers: Werner Niedermeier; Kenny "Dope" Gonzalez; Louie Vega.
Liner Note Author: Joe "Not C" K.
Made for those who are looking for more sophisticated club music, Back Room, Vol. 2 is a two-disc collection of DJ-mixed tracks that highlight the more sensuous, lush, and seductive ...

East River Pipe Gasoline Age CD (1999)

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East River Pipe: F.M. Cornog.
Composer: F.M. Cornog.
Recording information: Tascam 388 Mini-Studio At Big Ed's Moon Ride, NJ.
Photographer: Jeff Brouws.
Unknown Contributor Role: F.M. Cornog.
Having unintentionally pulled off a "Great Rock 'n' Roll Swindle" that makes the (equally accidental) Sex Pistols look like rank amateurs, Fred M. Cornog finally reappears with LP number four. A few years ago, he signed to a major label that subsequently folded. So he never recorded a note for them, but got to keep most of his generous advance. Good things sometimes happen to good people: this lightning stroke of outrageous luck meant that the reclusive but affable, well-loved solo songwriter could move his home studio out of New York to a small house in the New Jersey town of his youth. The first result is The Gasoline Age, an album that revolves around Cornog's modest but buoyant charm. Not that he's lost his throbbing melancholia or overriding sense of the shy underdog having his day. But somehow, the boy seems jazzed, more contented behind even his most pointed little barbs such as "All You Little Suckers" and "Shiny, Shiny Pimpmobile." With a little more space to set up his microphones than a tiny corner of a cramped Queens living room, Cornog's self-production seems more expansive, brighter but not glossy, warmer but no less homespun than earlier efforts such as 1994's Poor Fricky and 1996's Mel. His songs still come as aural tapestries of ringing guitar chords, mood keyboards, pitter-patter drum machine, and that reassuring, vulnerable but determined voice. They just seem to glisten more now. With so long to stockpile, handsome Freddie is overflowing with tunes just waiting to be discovered, like chocolate bars in gold paper wrapping, or little jewels in tissue paper. The mini-Spector may never play a live gig in his life, still recovering from his post-high school alcoholism and homelessness nearly two decades ago, but you can bet that several of these compositions will again be performed by other bands on stages soon. A knack is a knack, and a Cornog tune comes complete with all the right nuances and playful touches behind his straightforward melodies. It's an LP like a little-'burb New Jersey lemonade stand in summer, friendly conversation with every cup sold. Like the old Ian Dury song, with a little well-earned good fortune, Cornog has reasons to be cheerful, and you can hear it. ~ Jack Rabid
F.M.Cornog brings us more shining hours in a jewel case with his fourth full-length. This terrific disc is filled with the same three-chord (OK, "four-chord") wizardry that F.M. has been conjuring for years. ...

Alex Cline Other Shore CD (2000)

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/G.E. Stinson/Jeff Gauthier.
Personnel: Alex Cline (percussion); G.E. Stinson (electric guitar, dobro); Jeff Gauthier (electric mandolin, electric violin).
Producers: Alex Cline, G.E. Stinson, Jeff Gauthier.
Recorded at Stagg Street Studio, Van Nuys, California on August 23, 1999.
Personnel: Alex Cline (percussion); G.E. Stinson (guitar, dobro); Jeff Gauthier (mandolin, violin).
Audio Mixers: G.E. Stinson; Jeff Gauthier; Alex Cline; Rich Breen .
Recording information: Stagg Street Studio, Van Nuys, CA (07/23/1999).
Photographer: Robert Levy.
Unknown Contributor Role: G.E. Stinson.
Don't let the Zen references fool you -- this is not music for meditation. On the contrary, these nine improvisations by guitarist G.E. Stinson, electric violinist Jeff Gauthier, and percussionist Alex Cline are consistently challenging and sometimes downright abrasive. What saves the music from inaccessibility is a combination of three things: First, Gauthier and Stinson tend to work in washes, generally employing effects that minimize attack and create big, floating nimbuses of sound. Second, Cline tends to use percussion as a textural (rather than a rhythmic) tool. Third, each member of the trio consciously works to subsume his individual contributions into the ensemble sound; this means that each player is constantly adding new ideas, but no one pushes to the front or plays any "look at me" licks. Only Gauthier tends to stand out, by virtue of the tone of his instrument -- on "Asunder" and "Driving to Iceland," for instance, he weaves his keening violin through clouds of heavily treated guitar and pointillistic percussion. There are some whimsical moments, such as the jaunty and clattery "Froggy's Midnight Cabaret" (which sounds kind of like a homage to Fred Frith). But, paradoxically (remember those Zen references?), the album's climax is the glacially slow "Nothing to Teach," which ends the program with ten minutes of very little sound -- a minimal violin part that sounds like something out of an Arvo Part composition, a suspended wash of guitar, an occasional gong. It's a strange, slightly eerie, but ultimately deeply moving piece, a fitting end to a stunning album. ~ Rick Anderson
It sounds like a whole orchestra masterfully interpreting compositions of ambient fusion ...