| | Ulf Wakenius Notes From The Heart: Music Of Keith Jarrett CD Ulf Wakenius Discography of CDs
In spite of the success of pianist Keith Jarrett over his long career, his compositions generally have not been explored very frequently by other jazz musicians. Guitarist Ulf Wakenius, recognized for his work as a leader and being a member of the Oscar Peterson Quartet, explores 14 of Jarrett's works, playing acoustic guitar and occasionally overdubbing a rhythm line. He's accompanied by Lars Danielsson (who plays bass, cello, and piano) and drummer Morten Lund. The relaxing ballad "Memories of Tomorrow" is a gentle bossa nova that translates very well into a guitar-driven vehicle. "The Windup" is a playful calypso with a touch of funkiness, while Danielsson's spacious piano provides the perfect complement to Wakenius in the duo performance of the bittersweet ballad "Mon Coeur Est Rouge." Lund's drumming is consistently attentive and never overdone. For jazz fans who have never embraced Keith Jarrett's music, this brilliant tribute to his compositions may open their ears to appreciate his lyrical, often striking style of writing. ~ Ken Dryden
Personnel: Ulf Wakenius (acoustic guitar); Lars Danielsson (cello, piano, upright bass); Morten Lund (drums).
JazzTimes (p.133) - "[Wakenius's] swing oriented prowess perfectly complemented the bandleaders....Wakenius demonstrates remarkable chemistry with bassist Lars Danielsson and drummer Morten Lund." Notes From The Heart: Music Of Keith Jarrett Music Ulf Wakenius Notes From The Heart: Music Of Keith Jarrett Songs Notes From The Heart: Music Of Keith Jarrett Review
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FINE AND MELLOW contains selections from GOT MY OWN (1972) and BIG BAD JUG (1972).
During his late period -- after his release from prison in 1969 up until the time of his death from cancer in 1974 -- Gene "Jug" Ammons did the sort of things that one associates with Grover Washington, Jr. He used electric bass and electric keyboards, he incorporated funk rhythms, and he put an instrumental spin on the soul and pop hits of the day. This 2003 release focuses on two of the post-incarceration albums that Ammons recorded in 1972: Big Bad Jug and Got My Own, both of which find the tenor titan moving in a somewhat commercial direction. Like Washington, he usually did it tastefully -- and this 73-minute CD, although not perfect, is rewarding more often than not. Jug is a little too MOR on Neil Diamond's "Play Me," but he fares much better on gritty, blues-drenched, expressive performances of the Temptations' "Papa Was a Rolling Stone," the Four Tops' "I Can't Help Myself," and four classics from Billie Holiday's repertoire: "Strange Fruit," "Lady Sings the Blues," "Fine and Mellow," and "God Bless the Child." Not surprisingly, myopic jazz purists hated Got My Own and Big Bad Jug on principle -- especially Big Bad Jug -- and felt that Ammons had sold his soul to Beelzebub by embracing Motown, funk, and pop songs. But then, ...
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It's About Love, an acoustic post-bop date that pianist Bill Cunliffe co-leads with saxman Gary Foster, is subtitled The Music of Reed Kotler. Upon seeing that name, some listeners are bound to ask, "Who is Reed Kotler?" -- and the answer is that Kotler is a talented but underexposed jazz composer from the San Francisco Bay Area. Although Kotler isn't well known, Cunliffe and Foster obviously think highly of his work; It's About Love marks the second time the improvisers have devoted an entire album to his compositions. They have good taste; Kotler often writes attractive melodies, and it's nice to see some jazzmen acknowledging a lesser known composer instead of confining themselves to overdone Tin Pan Alley standards that have long since been beaten to death. (Does the jazz world really need 5,000 new recordings of "My Funny Valentine" in the 21st century?) As it turns out, Kotler's melodies are perfect for what Cunliffe and Foster wanted It's About Love to be: an often romantic, generally laid-back and relaxed post-bop ...
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