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Don't let the title fool you; after listening to The Only Doo-Wop Collection You'll Ever Need, you'll definitely want more. This is a good starting point for the curious, since all the basics are ...
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Unfortunately, Atlantic's A Donny Hathaway Collection, one of the few career retrospectives available (and basically the only one in print), isn't quite definitive; it presents a version of Hathaway's career inordinately focused on his commercially successful duets with Roberta Flack, and his slowest, most dirge-like solo recordings. A few of his best up-tempo tracks are represented ("The Ghetto," his live cover of "What's Going On"), but not before haunted material like "I Love You More Than You'll Ever Know," and "Giving Up." Admittedly, his duets with Flack are ...
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Functioning as something of a replacement for the 2001 collection Their Greatest Hits: The Record, The Ultimate Bee Gees covers much of the same ground as that double-disc set, albeit in not quite so linear a fashion. The Record marched through its 40 tracks chronologically, opening with the stately baroque Beatlesque pop of the '60s and then winding through the '70s, whereas this opens with the bright, fabulous blast of "You Should Be Dancing" and remains in their late-'70s heyday for a while before fast-forwarding to such latter-day adult contemporary hits as "One." We don't get to "I've Gotta Get a Message to You" and "I Started a Joke" until halfway through the second disc, and this jumbled, almost ...
| | Isaac Hayes Shaft (Deluxe Edition) CD (1971) Bonus Track; Remastered; Deluxe Edition
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Despite its codification into our collective pop culture consciousness, Isaac Hayes' "Theme From Shaft" is a highly original composition. It's been remade by Hayes himself for the remade Shaft film, and appropriately kicks off this collection of tunes from the movie by some of R&B's New Jacks.
A diverse selection of artists encompass the collection, from lascivious soul stirrer R. Kelly to the rugged Latin hip-hop of Fulanito, along with many other noteworthy diversions that represent the many flavors of contemporary urban soul. Most of the material focuses on John Shaft's street smarts and bravado, or the film's pimps, hoes, and gangsta imagery. As expected, Southern hip-hop is well represented, with Outkast, Mystikal, and Big Gipp from Goodie Mob contributing. The tracks offer typically gritty observations on street life, over bleak, minor chords and busy percussion. T.I.P. featuring Beanie Sigel offers "2 Glock 9's," one of the soundtrack's most rugged grooves, a minimal, stripped-down drum break that stutters and skids backwards and forwards over a Notorious BIG vocal sample and is easily the eeriest track on the album. The only light relief is provided by Too $hort's "Pimp Sh*t," a humorous foray into playa politics.
The title track's perennially recognizable hi-hat and wah-wah guitar intro, ...
| | Bootsy Collins Bootsy? Player Of The Year CD (1978)
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Bootsy Collins's 1978 solo album, BOOTSY? PLAYER OF THE YEAR, has a title that shows, without bragging, just how essential the bassist/songwriter/producer/all-around creative sparkplug was to George Clinton and the P-Funk empire. For the first time since starting his own project in the P-Funk extended family, Collins seems to have focused intently on his own material, which means that these seven songs lack the occasionally meandering jams that weighed down earlier Bootsy's Rubber Band albums. The grooves here are sharper, but the tempos are also slower, with over half of the record perfecting the deep-groove ballad style that Collins had first experimented with on 1977's "Munchies for Your Love." In particular, the centerpiece track, "May the Force Be with You," makes the listener wonder if Collins and Clinton (a producer on this outing) had been listening to Lee Perry's classic mid-'70s dub sides; a similarly spaced-out feel predominates here and on its extended follow-up, "Very Yes." Although the over-extended P-Funk crew was about to crack up for good, this album features Collins, Clinton, and the rest at the peaks of their powers.
Liner Note Author: Kevin Tong.
Unknown ...
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CD Single
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| | Northwest Heritage Resources Southeastern Washington Heritage Corridor: Richlan CD (2007) (Import)
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This guide book and audio (2 CDs) tour will help to acquaint you with the local culture of the Southeastern Washington Heritage Corridor - one of several designated by the Washington State Legislature, in cooperation with the Washington State Department of Transportation's Heritage Corridor Program. The tour begins in Richland, Washington (the Tri-Cities area) and travels east to Clarkston, Washington (on the Idaho/Washington border). The heritage corridor follows US Highway 12.The audio portion of the tour guide features the "invisibile landscape" - the music, songs, stories and reminiscences of the people of southeastern Washington. They are as much a part of the landscape as its natural wonders, but are rarely acessible to the casual traveler. ...
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