| | Deathbound Doomsday Comfort CD - Import Deathbound Discography of CDs
Deathbound's second album after praised debut. On this album Deathbound really shows what it's made of. Blasting grindcore with grooving Death Metal parts. Album includes also multimedia section with two music videos, galleries and wallpapers. Blastbeats to stop your heartbeat! Finnish super group including members from The Duskfall, Rotten Sound and ...and Oceans. Band started on 1995 under the name Twilight. Deathbound Doomsday Comfort Songs | 1. | Ghost Among the Dead |
| 2. | Doomsday Comfort |
| 3. | Extinct |
| 4. | Inside the Nothingness |
| 5. | Chokehold |
| 6. | Take Left |
| 7. | For the Rats |
| 8. | I God |
| 9. | Spill the Blood |
| 10. | In the Mud |
| 11. | Hell Today - No Tomorrow |
| 12. | Remake the Improved |
| 13. | Gasmask |
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Doomsday Comfort Review
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Purchase Doomsday Comfort CD To buy, Click on price to add to cart | Toby Keith American Ride CD (2009)
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With most contemporary country artists, you could guarantee that a song called "American Ride" would be a slice of jingoism, but Toby Keith isn't like most country singers. His "American Ride" casts a cynical eye at desperate housewives and wannabe pop stars, not celebrating down-home values but wondering where we're all headed on this American Ride at the end of the 2000s, a sentiment not all that far removed from some of Keith's previous social commentary, which makes it a mild surprise that it is the only song here that doesn't come from his own pen. As superb and striking as it is, it's not necessarily a good keystone for the rest of the record, which does have a few tougher numbers that pick up on the lean, mean vibe of 2008's THAT DON'T MAKE ME A BAD GUY -- "Every Dog Has Its Day," the sly "If I Had One," and the heavy blues stomp "Loaded" -- but spends more time on the softer side, even when he kicks up a bit of dust on the dancefloor on "You Can't Read My Mind" or does a funny, respectful salute to military life on "Ballad of Balad." In other words, the real touchstone for the rest of the record is "Tender as I Wanna Be," where he lets his guard down and lets the romance flow. This doesn't turn AMERICAN RIDE into a schizophrenic jumble, as Keith has always balanced these two extremes, but after spending a little bit more time swaggering than wooing, he's back to crooning and it's amiable and appealing.
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It's hard to not be impressed by the sheer sonic onslaught that is otherwise known as Nile. Except to the most hardened death metal fanatic, the genre has a way of sounding the same after a while, but Nile is one of the few exceptions -- able to put their own unmistakable fingerprints on this heavy duty style (Egyptian-influenced lyrics and musical bits, highly impressive instrumental dexterity, etc.). And on their sixth studio effort overall, 2009's Those Whom the Gods Detest, Nile has once again proven that they are a step ahead of the rest of the pack. Although some of the sonic depth has to be attributed to producer Neil Kernon (after all, he worked with such sticklers for audio perfection as Queensr˙che in the past), it's the true metallic fury that Nile create themselves that makes it all extremely impressive. Case in point, such delicious death metal ditties as "Kafir!," while on selections such as the title track and what's sure to be top metal song title of 2009, "Yezd Desert Ghul Ritual in the Abandoned Towers of Silence," Karl Sanders shows why he is considered by many to be the finest guitarist of the extreme metal genre ...
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The album's opening track, "Sweet Leaf," a salute to one of the band's favorite smokeable substances, contains one of metal's heaviest guitar riffs, courtesy of Tony Iommi. Another eternal band favorite is the grim, post-nuclear war tale ...
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REVOLUTION is an enhanced CD which contains multimedia programs accessible with a CD-ROM drive in addition to a full audio program playable on normal CD players.
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KING OF THE GROANERS features music recorded from 1972-1977 and is a companion album to THE LION OF SOWETO.
A nice collection of recordings from 1972-1977 from Mahlathini (Simon Nkabinde), the king of groaners. He specializes in a deep bass style of singing in South African township forms. Accompanying him on this album is a plethora of backup singers and musicians. What a listener will notice is the layered vocals dousing every track -- the hallmark of South African music. Another noticeable item is the unstoppable half-soukous guitar that bounces along in the background of every song. For a fan of South African music, an album devoted to Mahlathini's hits would certainly be a pleasure. For a casual listener, or someone new to the genres encompassed by his work, one may wish ...
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Originating from Vancouver Island, British Columbia, Canada, The Flying Accusations call themselves Super Heros of Torch and Twang! Their combination of Roots, backwoods, newgrass, ...
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