Laurence Jalbert Et J'Espere CD Import

Et J'Espere Music

List Price	$34.98 (You save $7.39)
Category	World Albums, French CDs
Label	Audiogram Can / Zoom
CD Universe Part number	7026779
Discs	1
Release Date	May 01, 2008
Additional Info	Import

Laurence Jalbert Et J'Espere Songs

	1.	Tard
	2.	Jeter Un Sort
	3.	Au-Delà De L'aube
	4.	Comme Tu Me L'as Demandé
	5.	En Partant D'ici
	6.	In The Twilight
	7.	En Silence
	8.	Ton Habitude
	9.	Le Phare
	10.	Depuis
	11.	Je M'ennuie De Chez Nous
	12.	J'espère
	13.	Berceuse

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History Of The Grateful Dead Vol. 1: Bear's Choice CD (1973) Bonus Tracks

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Released in July of 1973, BEAR'S CHOICE was the third of three consecutive live releases by the Dead. Culled from two legendary (among Deadheads anyway) concerts at the fabled Fillmore East in 1970, it is perhaps their most rustic album: the Dead unplugged. The band sounds genuinely off-hand, with spontaneous stage patter adding to the low-key ambiance. They sound like a bunch of guys just hanging out and making music. The set consists of seven songs, six of them covers. The fiery blues singing of Ron "Pigpen" McKernan is the highlight here. He sings on the 18-minute workout of Howlin' Wolf's "Smokestack Lightning," as well as Otis Redding's "Hard to Handle." The earnest, country-tinged vocals of Bob Weir are featured on the Everly Brothers' "Wake Up Little Susie" and the plaintive folk number "Dark Hollow." Jerry Garcia takes an uncharacteristically low-key role here; but he does sing the spooky Appalachian ballad "All Around this World" and a moving rendition of the one Dead-penned song here, the elegiac "Black Peter." This 1973 release was the very last collection that the Grateful Dead authorized during their tenure with Warner Bros. in the late '60s and early '70s. However, this live disc was a sort of melancholy affair, as it centered on material featuring Ron "Pigpen" McKernan (guitar/vocals/mouth harp), who had left the band due to illness in June of the previous year. History of the Grateful Dead, Vol. 1 (Bear's Choice) is somewhat misleading, as a follow-up never came to pass. Band historians, however, claim that this release was optimistically titled because the label had hoped to issue a series of live recordings (à la Dick's Picks) containing highlights from a variety of vintage Dead performances. Alas, with the formation of the group's own label, it was not to be. The single disc includes performances from a highly touted series of shows held over two nights (February 13-14, 1970) at the Fillmore East in New York City. While most assuredly not the finest example of the Dead's formidable acoustic sets, the platter opens with a quartet of cover tunes -- many of which had been entries in Jerry Garcia (guitar/vocals) and McKernan's folky jug band repertoire prior to ultimately forming the electric, psychedelic Grateful Dead. McKernan's playful cover of Lightnin' Hopkins' "Katie Mae" is a somewhat lightweight affair. He counterbalances ad-libbed lyrics with his own very sparse solo guitar picking, which is in perfect keeping with the lonesome nature of this blues. Garcia and Bob Weir (guitar/vocals) join in on the remaining "unplugged" tracks. Both the affective and noir "Dark Hollow" and "I've ...

Wailers Wailers Everywhere/Out Of Our Tree CD (2003) (Import) United Kingdom

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In 2003, Big Beat UK released Wailers Wailers Everywhere/Out of Our Tree, which contained two complete albums -- Wailers Wailers Everywhere (originally released in 1965 on Etiquette) and Out of Our Tree (1966, also originally on Etiquette) -- by the Wailers on one compact disc. ~ Gregory McIntosh This is the definitive retrospective of the Wailers' mid-'60s output for Etiquette, including not just the two albums that comprise the title of this single-disc CD reissue, but also five non-LP bonus tracks. This was a time that found the Wailers adjusting awkwardly to the changes wrought by the British Invasion, placing far more emphasis on vocal numbers and original material, with mixed results. For Wailers Wailers Everywhere, their first LP recorded after the onset of the British Invasion, the group members wrote most of the songs themselves. It was a change from previous Wailers efforts, as the sound usually reflected the influences of the Beatles and other early British Invasion stars like the Dave Clark Five, as well as some of the harmony rock of the Beach Boys and the Four Seasons. This was a farsighted strategy as far as career survival went, but fell down on its shortage of good original songs. For the most part it had tepid British Invasion-like harmony rockers, sounding very much like strained attempts to adapt their R&B-frat rock sound to the new wave, yet without the full chunky power of their early-'60s records. Out of Our Tree, the Wailers' final album for Etiquette, was a somewhat confused effort. It was torn between covers of mid-'60s hits and original material, usually in their R&B-soaked raunchy style, though with touches of influences from British Invasion groups and the emerging American garage rock scene. Certainly its highlight was the title track (eventually included on the Nuggets box set), with its grinding sub-"Satisfaction" riff. But other original numbers on the record were frenetic yet undistinguished rewrites of '50s-style rock & roll numbers, though "Hang Up" was a pretty fair tough garage rocker. And there were too many covers of well-known hits -- "Hang on Sloopy," the Beatles' "I'm Down," ...