| | Annie Ross Live In London CD - Import Annie Ross Discography of CDs
With the Peter King Band, Annie socks it to 'em with a wide range of numbers referring to the Lambert-Hendricks-Ross association as well as Count Basie and Louis Jordan. Authoritative liner notes from noted 'New York Times' jazz writer James Galvin provide background details to this proudly released title...
Personnel: Annie Ross (vocals); Peter King (saxophone); Brian Lemon (piano).
Annie Ross Live In London Songs | 1. | Doodlin' |
| 2. | Lil' Darlin' |
| 3. | Love For Sale |
| 4. | Jumpin' at the Woodside |
| 5. | Soon It's Gonna Rain |
|
Live In London Review
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Purchase Live In London CD To buy, Click on price to add to cart | Beegie Adair Jazz Piano Christmas CD (1999)
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This release signals in the then 33-year old, Norwegian pianist Tord Gustavsen's debut outing for the ECM Records label. His fellow compatriots, bassist Harald Johnsen and drummer Jarle Vespestad, round out this jazz piano trio offering. Fundamentally speaking, the group seemingly works its palate into that classic "ECM Records" ...
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Here is an overlooked gem from a most unlikely source, recorded in a most unlikely genre -- commercial '70s jazz/funk -- just as the disco era was gathering steam. Tom Scott controlled the production, with Severinsen overdubbing all of the brass choruses and occasionally passing his horns through a phase shifter and wah-wah pedal. The coterie of overworked sessionmen from L.A. and NYC -- Richard Tee, Eric Gale, Lee Ritenour, Anthony Jackson, Ralph MacDonald, etc. -- work this session as you would expect, with the danceable beat always in mind. Yet they pulled off a great, thoroughly musical record because the tunes are often uncommonly good, ...
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This is a multi-channel Super Audio CD playable only on Super Audio CD players.
More than most jazz lite artists, Peter White flaunts a restless improvisational sense, which is fully evident on Glow. Aside from a few incidental fills tossed into the breeze by this or that horn player, this is entirely White's show. His performance on all these tracks, typically over a backdrop of gauzy major-seventh string pads, provides a lesson in long-form jamming against a steady, sensuous backbeat, with octave passages and a buoyant rhythm feel that echo Wes Montgomery. Despite these similarities, White displays a distinctive sound, with blues and Spanish influences perfuming his romantic phrases. The original material is unmemorable, and even such familiar titles as "Just My Imagination" and "Who's That Lady" stretch into one- or two-chord vamps that serve as broad thoroughfares for his solos; without ...
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FUSION is the beginning of Wes Montgomery's shift into the pop mode. It's noteworthy that this change began while he was still with Riverside, the jazz label that had initially signed him and released all of his small-group recordings as a leader up until that point. His later recordings with Creed Taylor included broader orchestration, woodwinds, and brass as well as strings, and made more of an effort to include more contemporary pop material to accompany this pop treatment--hence records like TEQUILA, and A DAY IN THE LIFE.
On FUSION the repertoire is still a combination of standards and jazz compositions, as well as the Montgomery original "Pretty ...
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| | Michna Magic Monday CD (2008) (Import)
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Michna's Ghostly Records debut might find a niche in the chic-meets-geek designer-type crowd, partly because of the slick Giant Robot-inspired album art and partly since this style of mellow electro-glitch background music is the type that would appeal equally to young urban professionals and stay-at-home gamers. As an added bonus for this hip demographic, the record leads off with "Triple Chrome Dipped," a track from Ghostly Swim, Ghostly's collaboration with Adult Swim. Cartoon Network's signature ADD pacing fuels the music of Magic Monday as the former member of Secret Frequency Crew dissects and chops snippets galore to make a sonic collage of electronic beats. A laid-back groove is constant for the full duration, but subtle stylistic changes from song to song keep things interesting. While the clubby "Redline Flights" doesn't sound too far off from a Detroit techno 12" pulled from Juan Atkins' crates, the addition of jazzy live horns (played ...
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