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Distel, Herbert - Railnotes CD Cover Art
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Herbert Distel Railnotes CD

 Herbert Distel Discography of CDs

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Railnotes Music


Detailed Railnotes Music Information



List Price $26.99 (You save $4.90)
Category Jazz Albums, Jazz Instrument CDs, Classics (Silents / Avant Garde)
Label Hatology
Orig Year 2003
CD Universe Part number 7027205
Catalog number 654933
Discs 1
Release Date Jan 30, 2007
Mono/Stereo Stereo
Herbert Distel Railnotes Songs


Herbert Distel Railnotes Album Track Listing



1.Untitled
2.Untitled
3.Untitled
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Audio Mixer: Rudy Van Gelder.
Liner Note Author: Sid Gribetz.
Recording information: Van Gelder Studios, Englewood Cliffs, NJ (06/23/2009).
Photographer: John Abbott .
Not all mellow, Houston Person's tribute to the softer side of jazz has its moments based on the laid-back timbre of his soul rather than a program consisting of only ballads. The tenor sax he wields certainly reflects the tradition established by Ben Webster in its soul-drenched tone, but ...

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Beauty And The Beat!
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This reissue presents the original studio recording without any live audience ambience and applause overdubs.
Personnel: Peggy Lee (vocals); George Shearing (piano); Toots Thielmans (guitar); Ray Alexander (vibraphone); Carl Pruitt (bass); Ray Mosca (drums); Armando Peraza (congas, percussion).
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Personnel: Peggy Lee (vocals); George Shearing (piano); Ray Alexander (vibraphone); Ray Mosca (drums); Armando Peraza (congas, percussion).
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Liner Note Author: Will Friedwald.
Recording information: Miami Disc Jockey's Convention (05/28/1959-05/30/1959).
Upon its first release Beauty and the Beat! was billed as a live recording from a Miami convention of disc jockeys. Though Peggy Lee and George Shearing did in fact perform there (and attempts were made to record them for later release), the songs heard on the subsequent LP were recorded in the studio and overdubbed with rather obvious canned applause, announcements, and even post-production echo. Lee and Shearing, who had never recorded before, conceived a set of completely new arrangements that played to their strengths: stately blues and effervescent swing. The best of the former comes on a pair of locale-referencing quasi-blues, "I Lost My Sugar in Salt Lake City" and "You Came a Long Way From St. Louis," both of which Lee and Shearing are able to transform into languorous, respectable torch songs. The usually downcast "Blue Prelude" is actually taken at a laissez faire tempo that Lee treats well, and the original set ends with "Get Out of Town" and "Satin Doll," a pair of bemused, affectionate performances that perfectly suit the pair. Lee and Shearing's only collaboration on record -- though both would occasionally perform together thereafter -- is a supremely chilled session of late-night blues from two masters of the form. ~ John Bush
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Personnel: Bill Cosby.
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The early '70s saw comedian Bill Cosby branch out into the educational aspects of television. In 1969, he first starred as an original cast member of the Children's Television Workshop PBS series Electric Company -- which also boasted the innumerable talents of Rita Moreno and Morgan Freeman. Then Cosby developed his own Fat Albert and the Cosby Kids animated series, airing Saturday mornings on CBS affiliates from September of 1972 to August of 1984. The show was based upon the adventures of the Fat Albert character first introduced on Cosby's '60s standup albums -- most notably his 1967 release, Revenge. With the overwhelming response and acceptance garnered -- from both young and old fans -- Cosby returned to the standup nightclub stage of Harrah's in Reno, NV, to document more fables and tales. While a majority of Fat Albert centers around the exploits of Albert and the gang, the disc also includes two pieces, "My Wife and Kids" and "Fernet Branaca," dedicated to his adult life as father and husband. There is an inherent beauty in the obvious affection that Cosby relates in these yarns. Without a doubt this is why children of all ages and ethnic backgrounds are so enamored with not only the characters, but also the hilarious situations they constantly ...

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