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Byas, Don - 1952-1953 CD Cover Art CD music music CDs songs album

Don Byas 1952-1953 CD - Import

 Don Byas Discography of CDs


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This CD contains the last two tracks from a nice session with Christian Chevalier on piano and the rock-solid bass of Pierre Michelot (1928-2005). Tony Proteau had been an ubiquitous figure of French big band jazz since the mid-'40s, but never became rea

Personnel: Don Byas (tenor saxophone); Christian Chevalier, Martial Solal (piano); Pierre Lemarchand , Richard Frost, Benny Bennett (drums).
Liner Note Author: Anatol Schenker.
Recording information: Paris, France (07/18/1952-12/08/1953).
Volume nine in the complete chronological recordings of Carlos Wesley Don Byas presents 21 recordings made for the Vogue label in Paris between July 18, 1952 and December 8, 1953. U.S. jazzheads should be grateful to the producers of the Classics reissue project for making these very European recordings available on compact disc throughout the civilized world, and in North America. Opening with the remainder of a sax-and-vibes quintet session from July 1952, this portion of the chronology quickly moves into less intimate territory with two sessions featuring Byas in front of large Parisian big bands. The songs chosen for use on these dates -- Georges Auric's sunny-simple "Moulin Rouge," for example -- were all drawn from contemporary French pop culture. While these tuneful ditties with arranged backgrounds may not seem as relaxed and spontaneous as the smaller group blowing sessions, the saxophonist sounds completely relaxed and happy to be treated with the respect that was usually granted him in mainland Europe. On November 24 and December 8, 1953, Don Byas resumed making records accompanied by a sympathetic rhythm section, with Martial Solal at the piano and Pierre Michelot handling the string bass. Points of fascination include Jerome Kern's "Remember My Forgotten Man," a Depression-Era social commentary piece originally staged and filmed by Busby Berkeley; an "Unknown Original"; a revision of "Harvard Blues" here titled "Blues for Don Carlos" and a slice of verité bearing the initials "G.D.B.," a reference to the phrase "gueule de bois," which is French vernacular for a beastly hangover. ~ arwulf arwulf

1952-1953 Music


Detailed 1952-1953 Music Information



Category Rock/Pop Albums, Jazz CDs, Jazz Instrument, Tenor Sax
Label Classics Jazz
Orig Year 2006
All Time Sales Rank   241889  
CD Universe Part number 7031121
Discs 1
Release Date Mar 21, 2006
Studio/Live Studio
Mono/Stereo Stereo
Additional Info France
Don Byas 1952-1953 Songs


Don Byas 1952-1953 Album Track Listing



1.Them There Eyes
2.Linger Awhile
3.Moulin Rouge
4.Sables Chauds
5.Personne pour M'Maimer
6.Limelight
7.Sentimental
8.Si Tu Savais
9.Nauges Argentes
10.Less Boss
11.Remember My Forgotten Man
12.If I Had You
13.Lover Man
14.I Can't Give You Anything But Love
15.Gdb
16.Time on My Hands
17.Blues For Don Carlos
18.Sweet Lorriane
19.April in Paris
20.Don't Blame Me
21.Unknown Original
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Keith and Ezra say: "We're often asked what kind of music we play and it has always been a puzzle. We hope your entire family enjoys listening to this musical puzzle. "AWARDS:2003 National Parent Publications Award “Gold Award”2003 Parent’s Choice Award “Silver Award” 2003 Dr. Toy 10 Best Audio/CD of the Year CREDITS:Beans Barton - Artwork Fred Bogert - Guitar, Cornet, Keyboards, Vocals, Producer, Banjolin, Musician Bob Bowers - Saxophone, Musician Vassar Clements - Violin, Musician Hoyt Dooley - Mastering Rick Gordon - Musician, Guitar (Nylon String) Keith Grimwood - Bass, Vocals, Upright Bass, Group Member James Holland - Photography Ezra Idlet - Guitar, Percussion, Vocals, Group Member Jeneé Keener - Violin, Musician Kenny Malone - Drums, Musician Brian Nelson - Drums, Musician FAMILY FUN The folkie duo of Ezra Idlet and Keith Grimwood specialize in wondrously worded acoustic ditties that appeal to lyrics-loving parents as well as kids, largely because the pair never seem to run out of themes that tickle the fancies of both generations. They salute the creative urge with the funky acoustic 'I Get Ideas,' sympathize with kids who screw up a lot in the poppy acoustic 'Wrong Right' (which contains the marvelous ...
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