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Our Price: $7.89  CDFor Sale Usually ships in 1-2 days
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Recorded in California.
Personnel: Lita Ford (vocals, guitar); Glen Burtnick (acoustic guitar, background vocals); Joe Taylor (electric guitar, background vocals); David Ezrin (keyboards, background vocals); Tommy Caradona (bass, background vocals); Phil Chen (bass); Jimmy DeGrasso, Rodger Carter (drums).
Lita Live Music | Category | Rock/Pop Albums, Heavy Metal CDs, Pop, Live Performances, Hard Rock, Rock | | Label | Intercontinental | | Orig Year | 2000 | | All Time Sales Rank |  49895  | | CD Universe Part number | 7031516 | | Catalog number | 4103 | | Discs | 1 | | Release Date | Feb 07, 2006 | | Studio/Live | Live | | Mono/Stereo | Stereo | | Producer | Lita Ford | | Engineer | Biff Dawes; Ryan Greene | | Personnel | Lita Ford - vocals, guitar
Jimmy DeGrasso
Glen Burtnik - acoustic guitar, background vocals
Joe Taylor - electric guitar, background vocals
Phil Chen - bass
David Ezrin - keyboards, background vocals
Roger Carter - drums
Roger Carter - drums
Tommy Caradona - bass, background vocals
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Lita Live Review
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Purchase Lita Live CD To buy, Click on price to add to cart | Foghat Decades Live CDs (2003) Remastered
Lita Live album
 $17.19  
Recorded in 1977, 1980, 1996 and 1999. Includes liner notes by Colin Escott.
While the album's title is deceiving -- all but five of the 18 tracks on this double disc originate from the '90s, and 11 of those are from the same show -- this is an adequate, well-recorded document of both the original and re-formed versions of Foghat running through their established repertoire. It also works as a tribute to Lonesome Dave Peverett, the group's lead singer and primary songwriter, who died of cancer in February 2000, about a year after the most recent recording here. Since the band hit their peak in 1977 with their first live recording (a 1977 version of "I Ain't Got You" is this disc's oldest, tightest, and most succinct performance and might even be an outtake from that album), this can't help ...
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Survival sans Michael Schenker will forever be the plight of English hard rock heavyweights UFO. Indeed, for many ardent fans, the validity of the group's existence appears to hinge on the presence of the irascible German within its ranks. But with all due respect to the incomparable mad axeman, even his formidable talents ...
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Small Change was the last album that Prism recorded before the band's demise (reorganizing with weaker personnel in 1988 and without the late Ron Tabak). Prism substituted its vigorous rock & roll sound for a more refined blend of soft rock amiability, which paid off to some extent. The vocals are toned down, the extravagance of the ...
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| | Rhythms Del Mundo: Cuba CD (2006)
Lita Live songs
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Turning the covers album concept on its head, Rhythms del Mundo: Cuba doesn't set a varied group of northern artists loose on the music made famous by the Buena Vista Social Club, but instead sets the Club's members lose on the northerners' own songs. Now that's an inspired idea, and all to aid charities assisting the victims of natural disasters and raising awareness of climate change. However, to call this a covers album is a bit misleading, as most of the songs feature the original vocals, and occasionally some of the original instrumentation, but it's not a remix project either, as the Social Club add their own music to the original recordings. So, it's a grand fusion of Cuban and northern sounds. And eclectic to boot, with songs contributed by such international artists as Quincy Jones, Sting and U2, as well as the likes of Radiohead and Coldplay. But to give the set a real frisson, the Social Club also took on such younger, feted artists as Franz Ferdinand, Maroon 5, the Kaiser Chiefs, and the so hot they're actually sizzling Arctic Monkeys. Reaching back into the past, Ibrahim Ferrer and the Club also deliver up a lush cover of "As Time Goes By," Omara Portunondo joins Ferrer for an equally lavish "Casablanca," and in another (and one of her final recordings) the late singer offers up a heartrending "Killing Me Softly." These numbers give the set its timeless quality; the rest its up-to-date feel. Not every song works perfectly, Jack Johnson's vocals are a bit uncomfortable rhythmically on his version, but Coldplay's is superb, the Arctic Monkeys are absolutely lethal, U2's track is stunning, and Dido and Faithless' is sublime. The Club brings out the sweetness and glow of Maroon 5's song, give the Kaiser Chiefs a wonderful Latin kick, totally reinvent Radiohead, then give Quincy Jones a lesson in authentic ...
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