| | Tommy Boy Presents Hip-Hop Essentials Vol. 11 CD (1 Customer Review)
Liner Note Authors: Sacha Jenkins; Nelson George.
Photographer: Martha Cooper. Tommy Boy Presents Hip-Hop Essentials Vol. 11 Music | List Price | $13.97 (You save $2.38) | | Category | Rock/Pop Albums, R&B CDs, Rap, Urban Soundtrack, Old Skool, Oldies Collections | | Label | Tommy Boy | | Orig Year | 2006 | | All Time Sales Rank | 128491  | | CD Universe Part number | 7031807 | | Catalog number | 1644 | | Discs | 1 | | Release Date | Mar 07, 2006 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Peter Brown; DJ Premier; Eric B.; Joey Robinson, Jr.; Jerry Calender; Howie Tee; Kurtis Mantronik; Marley Marl; Naughty By Nature; Sir Mix-A-Lot; Bobby Robinson; Victor Lee (Compilation) |
Tommy Boy Presents Hip-Hop Essentials Vol. 11 Songs | 1. | Opp - Naughty by Nature |
| 2. | Words I Manifest - Gang Starr |
| 3. | Vapors - Biz Markie |
| 4. | I Cram 2 Understand U - MC Lyte |
| 5. | Spoonin' Rap - Spoonie Gee |
| 6. | I Know You Got Soul - Eric B./Rakim/Eric B. & Rakim |
| 7. | I Got It Made - Special Ed |
| 8. | Body Rock - Treacherous Three |
| 9. | Wild Thang - Too Much |
| 10. | Posse on Broadwayt - Sir Mix-A-Lot |
| 11. | 8th Wonder - The Sugarhill Gang |
| 12. | Fresh Is the Word - Mantronix |
| Tommy Boy Presents Hip-Hop Essentials Vol. 11 Music Review Purchase Tommy Boy Presents Hip-Hop Essentials Vol. 11 CD To buy, Click on price to add to cart | Tommy Boy Presents: Essential Hip Hop Vol. 1 CD (2005)
Tommy Boy Presents Hip-Hop Essentials Vol. 11 album
$11.69 An ambitious, admirable, and necessary undertaking, Tommy Boy rolled out a dozen-volume series focusing on rap's early years, treating "Rapper's Delight" as ground zero and cutting off at ...
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Tommy Boy Presents Hip-Hop Essentials Vol. 11 CD music
$11.65 A track listing on any volume in Tommy Boy's Hip Hop Essentials series could not possibly be met with across-the-board approval by a group of hip-hop scholars. That's part of the charm -- these discs, for better or worse, are representative, not definitive. A hip-hop fan, whether knowledgeable or relatively new to the form, will likely think that at least a couple tracks on each disc are garbage. This is more true with the sixth volume of the ...
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$6.35 NEVER SAY NEVER was nominated for a 1999 Grammy Award for Best R&B Album. "The Boy Is Mine" won the 1999 Grammy Award for Best R&B Performance By A Duo Or Group With Vocal, and was nominated for Record Of The Year and Best R&B Song. "Almost Doesn't Count" was nominated for the 2000 Grammy Award for Best Female R&B Vocal Performance.
Avoiding the dreaded sophomore slump, Brandy delivers a fresh-sounding, well- crafted second album that sounds as much like pop as it does R&B. NEVER SAY NEVER features a song, "Have You Ever?," that was written by mega-songstress Diane Warren and produced by super-producer David Foster. The lead single, "The Boy is Mine" is a duet with fellow R&B'er Monica. Keeping up with the trend of big-time collaborations, multi-platinum rapper Mase makes an appearance on "Top of the World," which seems custom made for jeep jockeys.
Although sprinkled with other contributors, most of the album was produced ...
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$11.49 Bandleader, percussionist, composer, and arranger. Born Ernesto Antonio Puente, Jr., on April 20, 1923, in New York, New York. Puente was a musical pioneer for mixing musical styles with Latin sounds and for his experiments in fusing Latin music with jazz. The son of Puerto Rican immigrants, he took piano lessons as a child and then studied percussion. After being drafted, Puente served in the U.S. Navy during World War II. Once he returned to New York in 1945, he used money from the G.I. Bill to study at the famed Juilliard School of Music. He formed a band that would later be known as the Tito Puente Orchestra in 1948. By the 1950s, crowds came to see his band play and Puente became a Latin music sensation. In 1958, his best-selling album, Dance Mania, was released. More hit records followed ...
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$16.45 Codex is named after Leonardo Da Vinci’s 14th century manuscript about future inventions. As their source of inspiration, producers Luca Hiroyuki d’Addario and Scott Keenan experimented, fusing live music with computer-based sequenced material thus creating a new form of ‘electronica’.This futuristic hybrid of trip-hop, techno and drum’n’bass has made Codex one of the most provocative acts coming from the Toronto underground music scene.1996 is the debut year both for Codex and Canadian drum’n’bass: their 12" vinyl "The Remixes" is the first drum’n’bass recording released by a Canadian artist. Since then, Codex have been working non-stop in and out the studio.1997, Codex was performing live shows at the Winter Music Conference in Miami and in at venues in New York City, experimenting the material for their first CD. Attention from record labels arrived with the live performance at the NXNE festival in Toronto. LA-based World Domination Recordings seized the opportunity and signed the band right away. By the end of 1997, their first single ‘The Age Of Day’ hits the airwaves and their video gets played on MuchMusic and MTV. In 1998 again a live performance: JVC Urban Rhythm Festival puts on its first show and requests Codex to be there, representing ...
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