| | Archies Sugar, Sugar... CD Single - Import Archies Discography of CDs
The two dozen songs on Sugar, Sugar... come from the first four long-players issued in conjunction with the CBS-TV animated program The Archie Show and the expanded Archie Comedy Hour. The project was spearheaded by pop music mogul Don Kirshner. Having scored notable success with early Monkees sides, he found another batch of recording studio pros to provide material and audibly animate the Archies. Among the primary contributors were Ron Dante (vocals/guitar), Andy Kim (vocals), and Jeannie Thomas (vocals), who was replaced by Toni Wine (vocals). The Archies (1968) was the prefab combo's debut and despite an appearance in the album charts, this package yields only the churning midtempo "Truck Driver," the pseudo-affective and hormone-driven ballad "Seventeen Ain't Young," and the infectious bubblegum frolic "Bang-Shang-A-Lang." Conversely, ten of the 12 cuts from the follow-up, Everything's Archie (1969), are present and accounted for. These include the mega hit "Sugar, Sugar" as well as "Feelin' So Good," "Melody Hill," "Rock & Roll Music" (not to be confused with the Chuck Berry classic), "Don't Touch My Guitar," "You Little Angel, You," "Bicycles, Roller Skates and You," "Inside Out, Upside Down," "Love Light," and the infectiously fun "Hot Dog," which fans will recall is the name of Archie Andrews' prankster pup. Jingle Jangle (1969) produced the Top Ten title tune, which sits alongside "Everything's Alright," "Justine," "Get On the Line," "Sugar and Spice," and "Archie's Party." If for no other reason, the latter is memorable for the immortal spoken line "Jughead, stop touching my body!" during the instrumental break. Perhaps the lackluster showing of Jingle Jangle instigated a more mature sound for the Archies on Sunshine. This anthology contains "Sunshine," "Who's Gonna Love Me," and "Over and Over" from the predominantly forgettable affair. That leaves the original Archies' Greatest Hits (1970) compilation, which is worth mentioning as it was the only LP to have the Top 40 side "Who's Your Baby." As an example of how far the band had come from the characters on the TV, the track features a very prominent bass vocal that could easily be equated to the likes of Isaac Hayes or Barry White. Of the numerous Archies collections available, this one is recommended as a perfect primer to the Archies' most essential entries. ~ Lindsay Planer
Digipak single from the French label Magic Records features the title track backed with 'Jingle Jingle', 'Melody Hill' & 'Justine'. 2006. Archies Sugar, Sugar... Songs | 1. | Sugar Sugar  | $0.99 | |
| Sugar, Sugar... Review
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Purchase Sugar, Sugar... CD To buy, Click on price to add to cart | Alice Cooper Love It To Death CD (1971) Gold
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$18.74 "Rocky Mountain Way," the tune that opens Joe Walsh's sophomore release (and remains one of his best-known songs), is a textbook example of Walsh's strengths. The song is driven by a slinky hard rock groove that boasts crunchy, distorted guitars, barrelhouse piano, ...
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$21.00 Comprised of 18 tracks culled from the singer/composer's first three decades, The Very Best of Enya was pieced together by the artist herself, along with longtime collaborators Nicky and Roma Ryan. Luckily, the trio seems enamored by most of the same songs that the general public is, resulting in one of those rare "greatest-hits" collections that goes deep without depriving the listener of the essentials. With tunes like "Orinoco Flow," "Caribbean Blue," and "Book of Days" in the pot and out of the way, it's easier to appreciate hidden gems like "Cursum Perficio," "Boadicea," "Trains and Winter Rains," and "Anywhere Is." Also notable is the inclusion of "May It Be" and a previously unreleased version of "Aníron ...
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$7.49 Once more releasing singles on the British lines -- meaning two at a time -- this and the other version of the single are curious in that the actual song itself doesn't appear on either them, just remixes. Thankfully, said remixes on both discs are top-notch. On this first single, the lead remix comes from one fine boardsman, Dan the Automator -- his distinctly hip-hop sensibilities get applied to the moodier trip-hop crawl of the original, finding a smart middle ground between the two. Gahan's vocals get isolated at the start, leading into a heavy, crackling break and scratching which underpins the remainder of the take, even when other elements like the song's piano line return. The other remix comes courtesy of Danny Briottet, whose "Subsonic Legacy" mix is a quicker, louder revamp of the track with a fine beat that matches Gahan's vocal quite well. Meanwhile, hardcore fans will be pleased by the inclusion of not one but two wholly new B-sides. "Headstar" is a nicely messy instrumental, in that the guitar fuzz and feedback gets produced and arranged all over the low funk crawl of the beat just right. It's like a more active version of "Painkiller," the short track which concluded Ultra. "Surrender," meanwhile, starts with a bassline similar to the mood-setting start of "In Your Room," but then shifts to a darkly beautiful late-night jazzy feel not far off from "Only When I Lose Myself" itself, with a snaky guitar line at the center. Gahan's singing, meanwhile, turns the track into a grand ballad, barbed like many of such songs by Depeche are, but his new singing abilities take all the higher. Luke Slater pops up at the disc's end to contribute his own mix of "Headstar" -- as might be expected ...
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