| | Bauhaus Fillmore - San Francisco, Ca. - 10/31/05 CD Bauhaus Discography of CDs
 (1 Customer Review)
 |
|
Our Price: $21.49  CDFor Sale Usually ships in 1-2 days
|  |
Bauhaus (UK): Peter Murphy (vocals); Daniel Ash (guitar); David J. Haskins (bass guitar); Kevin Haskins (drums).
Recording information: San Francisco, CA (10/31/2005). Fillmore - San Francisco, Ca. - 10/31/05 Music Fillmore - San Francisco, Ca. - 10/31/05 Music Review Buy Fillmore - San Francisco, Ca. - 10/31/05 CD Purchase Fillmore - San Francisco, Ca. - 10/31/05 CD To buy, Click on price to add to cart | Bauhaus Nokia Theatre - New York, Ny - 11/11/05 CDs (2006) Limited Edition
Fillmore - San Francisco, Ca. - 10/31/05
 $19.75 
| | Bauhaus SF Weekly Warfield - San Francisco, Ca. - 10/26/05 CDs (2006)
Fillmore - San Francisco, Ca. - 10/31/05
$19.75
| | Bauhaus Instant Live: Wiltern LG - Los Angeles, Ca, 10/28/05 CDs (2006)
Fillmore - San Francisco, Ca. - 10/31/05
$21.89 
| | Bauhaus Nokia Theatre - New York, Ny - 11/12/05 CDs (2006) Limited Edition
Fillmore - San Francisco, Ca. - 10/31/05
$20.49 
| | Bauhaus Orpheum Theatre - Boston, Ma. - 11/13/05 CDs (2006) Limited Edition
Fillmore - San Francisco, Ca. - 10/31/05
$21.09
| | Bauhaus Wiltern LG - Los Angeles, Ca. - 10/30/05 CDs (2006) Limited Edition
Fillmore - San Francisco, Ca. - 10/31/05
$20.39
| | Rockin From Coast To Coast CD (1996) (Import) United Kingdom
Fillmore - San Francisco, Ca. - 10/31/05
$16.99
26 track compilation captures the mood of upheaval in the late 1950's as the record business turned into a playground for would-be Elvises, Little Richards & others, this disc feat. Freddy Cannon, Roy Gaines, Sam Butera, Brenda Lee, The Raiders, Tiny Lew
Liner Note Author: Rob Finnis.
Garage rock wasn't a concept that originated in the mid-'60s. In the aftermath of the initial rock'n'roll explosion, young rockabilly and R&B singers brought their unhoned talents into tiny studios throughout the country. This is a compilation of 26 of those efforts, mostly from the late '50s (mostly from 1958, in fact), and mostly for small independent labels, although some of these were leased to major labels, and a few were even recorded for major labels directly. Only one of these was a chart hit (Freddy Cannon's "Buzz Buzz A-Diddle-It"), and it's easy to see why, from two points of view. The approaches were too uncompromisingly raw, and the production too crude. On the other side of that coin, the songs themselves were rarely anything special, usually being standard three-chord knockoffs with little to make them stand out besides the ferocious energy of the performances. It's not great art, but it's certainly entertaining. That's especially true when the energy spills over to mania, as on the legendary Tyrone Schmidling's shambling sides, the ...
| | Don Dixon Invisible Man CD (2000)
Fillmore - San Francisco, Ca. - 10/31/05
$13.85
It's going to be a little less dull out there now that Don Dixon's back. The quirky singer/songwriter starts out the new decade with a bang by releasing his first album in five years, "The Invisible Man." The 11-cut masterpiece is a thematic song-cycle tracing a man's life through songs reflecting his outlook at different ages, ranging from 18 to 83. Known to as many for his production credits as for his own releases, Dixon has been cited for his behind-the-scenes work on dozens of project, including albums by R.E.M., The Smithereens, Marshall Crenshaw, and wife Marti Jones. Dixon started out as a bass player/vocalist for the Chapel Hill, NC-based group Arrogance, which released five albums over almost a decade, including the major label (Warner Bros.) release Suddenly. His debut solo album, Most Of The Girls Like To Dance But Only Some Of the Boys Like To, established Dixon as more than just an American rock cult figure. It reflected a rather wry appraisal of life and love and was a critical favorite right out of the box. And the success of the album's hit single, "Praying Mantis," gave Dixon the credibility as an artist that he had already established as a producer. Romeo At Juilliard, displayed more of Dixon's wit and charisma. Anthony DeCurtis of Rolling Stone characterized the album as representing "significant growth," and that Dixon "brings barrel-chested R & B gusto" to the album's 11 tracks. Dixon's third solo effort EEE, contained a healthy dollop of his instinctive insight into the human condition as he took on perpetual man/woman questions in "Silent Screen," as well as more cosmic ruminations in "Roots Of Truth." Romantic Depressive (1995), garnered wonderful reviews and AAA airplay, prompting him to tour as the support act on a series of amphitheater dates for Hootie & The Blowfish. As a songwriter, Dixon landed a single on the last Joe Cocker million-seller with "I Can Hear The River" and a co-write of the song "Time and Time Again" with the Counting Crows. And while writing, Dixon also has been playing. He played bass on Mary Chapin Carpenter's #1 single "Shut Up And Kiss Me." Guest appearances: -- Mitch Easter, Marti Jones, Jamie Hoover
Personnel includes: Don Dixon (vocals, acoustic & electric guitars, trombone, piano, Hammond organ, keyboards, acoustic & electric basses, drums, bells, percussion, programming); Marti Jones (vocals); Rob Ladd, Mitch Easter (drums); Jim Brock (percussion).
Engineers include: Don Dixon, Mark Williams, Oswald Bowe.
Personnel: Don Dixon (vocals, upright bass); Mitch Easter, Rob Ladd (drums); Jim Brock (percussion).
Recording information: Compass Point; Fidelitorium; Refelction; SPA.
A superstar who took five years to follow up an album that, in turn, had been his first in six years would be matching the marketplace these days, but for a guy like Don Dixon, such a schedule indicates either a casual attitude toward his solo career or trouble interesting a record company in releasing his discs. Vermont indie Gadfly has taken on The Invisible Man, which may be the quirkiest release yet from a notably quirky artist. "This ...
| | Ekoostik Hookah Dubba Buddah CD (2002)
Fillmore - San Francisco, Ca. - 10/31/05
$12.45
| | AKA Tonbo-Yamada Kosaku Utano Sekai CD (2005) (Import)
$40.75 | | Golden Legends: Doo Wop Legends CD (2006) (Import)
Fillmore - San Francisco, Ca. - 10/31/05
$6.69
| | Inspirit Quartet Contrast To The Madness CD (2006)
Fillmore - San Francisco, Ca. - 10/31/05
$8.69
| | Stan Kenton Artistry In Rhythm CDs (2007)
Fillmore - San Francisco, Ca. - 10/31/05
$17.19
| | Joe Sample Oasis CD (2009) (Import) SHM-CD
Fillmore - San Francisco, Ca. - 10/31/05
$45.99
|
|
|
121273 
Email a Friend
