| | Bauhaus SF Weekly Warfield - San Francisco, Ca. - 10/26/05 CD Bauhaus Discography of CDs
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Recording information: San Francisco, CA (10/26/2005). SF Weekly Warfield - San Francisco, Ca. - 10/26/05 Music SF Weekly Warfield - San Francisco, Ca. - 10/26/05 Review
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SF Weekly Warfield - San Francisco, Ca. - 10/26/05 album
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| | Bauhaus Fillmore - San Francisco, Ca. - 10/31/05 CDs (2006) Limited Edition
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| | Bauhaus Instant Live: Wiltern LG - Los Angeles, Ca, 10/28/05 CDs (2006)
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| | Bauhaus Nokia Theatre - New York, Ny - 11/12/05 CDs (2006) Limited Edition
SF Weekly Warfield - San Francisco, Ca. - 10/26/05 songs
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| | Bauhaus Orpheum Theatre - Boston, Ma. - 11/13/05 CDs (2006) Limited Edition
SF Weekly Warfield - San Francisco, Ca. - 10/26/05 album
$21.09
| | Bauhaus Wiltern LG - Los Angeles, Ca. - 10/30/05 CDs (2006) Limited Edition
SF Weekly Warfield - San Francisco, Ca. - 10/26/05 CD music
$20.39
| | Seldom Scene Act 1 CD (1972)
SF Weekly Warfield - San Francisco, Ca. - 10/26/05 music CDs
$14.05
The Seldom Scene's first three studio albums for Rebel are impeccable. Along with performers like John Hartford and the New Grass Revival, the Seldom Scene created quite a stir in the early '70s. While Act 1 included traditional pieces like "Will There Be Any Stars in My Crown" and "Summertime Is Past and Gone," it also drew material from folk and a new breed of singer/songwriters. And although many bluegrass fans would not have objected to "Darling Corey" or "500 Miles," they were less comfortable with "Sweet Baby James" and "City of New Orleans." Amazingly, all of the Seldom Scene's trademark elements are on full display on their first album. John Starling's folkie lead contrasts beautifully with John Duffey's high tenor, while dobroist Mike ...
| | Bjork Telegram CD (1997)
SF Weekly Warfield - San Francisco, Ca. - 10/26/05 songs
$6.25 
TELEGRAM is a remix album, with altered versions of nine songs from POST and one new song.
TELEGRAM finds Bjork and her comrades polishing the rusty surfaces of pop music, creating new musical formations that glimmer and shine. These songs have been redecorated with the gracious elan that we have come to expect from this charismatic chanteuse. New installations of drum-and-bass textures, orchestral arrangements, trip-hop beats and hip-hop samples are overlaid on the songs from POST, building upon their subtle post-modern beauty.
The Brodksy ...
| | Tom Petty Wildflowers CD (1994)
SF Weekly Warfield - San Francisco, Ca. - 10/26/05 album
$9.99
"You Don't Know How It Feels" won a 1996 Grammy Award for Best Male Rock Vocal Performance. WILDFLOWERS won a 1996 Grammy for Best Engineered Album, Non-Classical. WILDFLOWERS was also nominated for Best Rock Album.
It is hard to believe that Tom Petty first stepped onto the rock & roll carousel eighteen years ago. Hard to believe because the best moments of his sizable catalog--the perfect guitar pop of "American Girl," the faux-psychedelia of "Don't Come Around Here No More," the sharp-tongued putdowns like "Century City" and "Zombie Zoo"--have all developed a rare timeless quality. A quality that few, if any, of his contemporaries (Eddie Money, the Cars, etc.) were able to achieve. Harder, still, because in the course of his long career we've never noticed Petty gettin' on in years or becoming an anachronism.
So it is somehow appropriate that on WILDFLOWERS, his second "solo" ride without the full complement of the Heartbreakers, Petty's musings fall predominantly toward his current role in the world. Throughout these reflections Tom Petty plays the kid's game he's been good at for years ("but let me get to the point, let's roll another joint" he sneers knowingly in "You Don't Know How It Feels"). More often than not, the future the songwriter envisions for himself is full of doubts ("Time To Move On") and soon-to-be-dull memories ("Don't Fade On Me"). This makes WILDFLOWERS speak in a far more subdued and wistful tone than most Petty records, creating a darker self-conscious persona.
Tom Petty understands that he's far too established to keep playing a rebellious, one-dimensional rock & roll singer. On WILDFLOWERS he attempts to ground this understanding in a purposeful existence.
1994 album produced by Rick Rubin. Warner Bros.
Recorded at Sound City and Ocean Way Recording, Los Angeles, California.
Engineers: Jim Scott, David Bianco, Richard Dodd.
Personnel: Tom Petty (vocals, ...
| | Kodo Mondo Head CD (2002)
SF Weekly Warfield - San Francisco, Ca. - 10/26/05 CD music
$12.59
Anyone who has seen Kodo perform in concert will recall their spectacular onstage presence, massive taiko drums, and a singularly Japanese aesthetic that draws upon centuries of tradition. More than merely a bunch of guys with drums (at last count, they had four women members), Kodo is a performing arts collective that has helped reinvigorate the cultural forms of Sado Island, where they are based.
On MONDO HEAD, the troupe gets together with half the crew from the classic worldbeat combo PLANET DRUM, including Zakir Hussain and Vikku Vinayakram of India, Brazilian Airto Moreira, and of course, the Grateful Dead's Mickey Hart, who also produced the album. "Okesa Prayer" features the primal, multiphonic rumblings of the Gyuto Tantric Choir, while Azam Ali, formerly of Vas, provides haunting vocals on the final track, "Ektal." A wide-ranging album, if perhaps less geared to Kodo purists than to fans of contemporary world music.
Additional personnel includes: Airto Moreira (vocals, berimbau, drums, caxixis, bells); Zakir Hussain (tar, tabla, duggies); Mickey Hart (wooden flute, jegog, drums, ...
| | John Hughes Rive CD (2003)
SF Weekly Warfield - San Francisco, Ca. - 10/26/05 music CDs
$11.39
| | Pappa Henny Compilation Vol. 1 CD (2006)
SF Weekly Warfield - San Francisco, Ca. - 10/26/05 songs
$16.45
| | Slim & The Supreme Angels Stay Under The Blood: Expanded Edition CD (1995)
SF Weekly Warfield - San Francisco, Ca. - 10/26/05 album
$13.69
| | Melissa Pace Tanner Calm And Carefree CD (2009)
SF Weekly Warfield - San Francisco, Ca. - 10/26/05 CD music
$13.15
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