| | Goldfrapp Supernature CD Goldfrapp Discography of CDs
(4 Customer Reviews)
Goldfrapp: Allison Goldfrapp, Will Gregory. Personnel: Allison Goldfrapp (vocals, synthesizer); Adrian Utley (guitar); Nick Batt (synthesizer, programming); Daniel Miller, Will Gregory (synthesizer); Dave Power (drums); Ewan Pearson (programming). Audio Mixers: Dave Bascombe; Mark "Spike" Stent; Jeremy Wheatley. Recording information: Angel Recording Studios Ltd. Photographer: Ross Kirton. Arguably Goldfrapp's most accessible and immediately engaging album, SUPERNATURE features the British duo mixing sensual electronica with catchy pop to wonderful effect. Sounding like the result of Ziggy Stardust crash-landing in Prince's studio during a session with Kylie Minogue, this outing sparkles with willful decadence and glamour, opening with the T. Rex-like techno-stomp of "Ooh La La." Alison Goldfrapp's voice often recalls both Minogue and Kate Bush, with the music generally veering towards the dance-floor furor of the former. Though the record does present slow and/or mid-tempo tracks, most notably the shuffling "You Never Know" and the dreamy "Let It Take You," Goldfrapp and Will Gregory's synth-soaked textures are frequently employed to a clubby, crowd-pleasing end, as on the sassy "Lovely 2 C U" and the raucous "Satin Chic." Although much of SUPERNATURE lacks the moody, overtly cinematic atmosphere of earlier Goldfrapp releases, most listeners will be too busy careening around the room to care. The 2006 U.S. edition of SUPERNATURE features the bonus track "Beautiful," a surging techno-tinged tune on a par with the album's best songs. It's something of a mystery why Mute Records waited until early 2006 to release Goldfrapp's third album, Supernature, in the U.S. After all, when it came out in the U.K. the previous summer, it made the duo into a bona fide chart success, to the point where the album's terrific lead single, "Ooh La La" -- on which Allison Goldfrapp channels Marc Bolan's dippy-cool vocals and lyrics over a shuffling, glam-tastic beat -- drew comparisons to former S Club 7 star Rachel Stevens' similarly glam-inspired hit "Some Girls." While Goldfrapp might balk at being called (or compared to) a pop act, it's undeniable that the duo has streamlined and simplified its sound since the baroque Felt Mountain days. It's also undeniable that Supernature is easily Goldfrapp's most accessible album. Coming across like the missing link between Black Cherry's sexy, sharp-edged dancefloor experiments and Felt Mountain's luxe soundscapes, Supernature sometimes combines the best elements from those two albums into something great, and at other times renders them into something surprisingly bland. Along with the aforementioned "Ooh La La," the upbeat tracks find Goldfrapp becoming the robo-glam-disco gods that Black Cherry suggested they might: the starkly catchy "Lovely 2 CU," the fabulously blasé "Ride a White Horse," and "Satin Chic," which could single-handedly make honky tonk pianos fashionable again, all use the duo's inherently theatrical style to very catchy, immediate ends. Interestingly, though, the sweeping ballads that used to be Goldfrapp's forte are the most uneven tracks on Supernature. It's not that tracks like "Time Out from the World" and "Koko" aren't pretty and ethereal enough, but they're just not that distinctive. Likewise, "Fly Me Away" is pleasant, but maybe a little too pleasant -- it almost sounds like it was commissioned for a travel commercial. However, "Let It Take You" shows that Goldfrapp can still craft gorgeous, weightless ballads, and "Number 1" nails the laid-back sexiness that many of the other slower songs attempt. It's surprisingly heartfelt, too -- is there a sweeter compliment than "you're my Saturday"? It would be unfair to say that Supernature's stripped-down pop is a dumbed-down version of what Goldfrapp has accomplished in the past, since it takes a certain kind of smarts to hone songs into instantly catchy essences like the album's best tracks. Yet, as delightfullyRolling Stone (p.63) - 3.5 stars out of 5 -- "[T]he cabaret tune 'Satin Chic' gets a twist with electric player piano and a twitchy percussive stomp so evil it makes your skin crawl. Toxic and delicious, SUPERNATURE will make you do bad things -- and like it." Rolling Stone (p.106) - Ranked #32 in Rolling Stone's "The Top 50 Albums Of 2006" -- "Goldfrapp exist beyond time and space, in a metropolitan interzone of sleek computer beats and dark melodies..." Magnet (p.99) - "Goldfrapp is the rare dance art-pop band that bleeds artistic integrity without looking back to the '80s for inspiration..." Purchase Supernature CD To buy, Click on price to add to cart | Goldfrapp Felt Mountain CD (2000)
Supernature
$9.99
| | Francoise Hardy CD (2000) (Import) Sweden
Supernature
$10.05
| | Best Tango Album In The World... Ever! CDs (2003)
Supernature
$17.49 The title of this television-advertised compilation may be arrogant, but then the tango is not a dance for the shy and retiring. Whether or not it is, as it claims, The Best Tango Album in the World, Ever!, the two-disc set, containing 30 tracks and running a little less than an hour and a half, does feature some major performers of the music, notably Carlos ...
| | Goldfrapp Black Cherry CD (2003)
Supernature
$9.95 2003 album follows their debut Felt Mountain, Black Cherry is a Moroder meets Morricone affair, sexually explicit with a dancefloor electro flavor. 10 tracks. Mute.
Goldfrapp: Alison Goldfrapp, Will Gregory. Additional personnel: Adrian Utley (guitar, bass); Andy Davis (guitar); Mark Linkous (synthesizer); Charlie Jones (bass); Rowen Oliver (drums, percussion); Damon Reece (drums); Nick Batt, Rowan Oliver (programming). This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Personnel: Allison Goldfrapp (vocals, ...
| | Imogen Heap Speak For Yourself CD (2005)
Supernature
$6.75 The U.S. debut solo album by Frou Frou vocalist Imogen Heap is a captivating record that fuses innovative electronic soundscapes with a strong female voice. If "Goodnight and Go" -- a lilting, pulsating, and hit-ready concoction -- and the alluring, synthesized pop of "Hide and Seek" are the most direct numbers, experimental numbers like ...
| | Loose Fur Born Again In The U.S.A. CD (2006)
Supernature
$12.69 Recording information: Sear Sound Studios, New York, NY; Wilco Loft. The eponymous first album from Loose Fur, the Wilco side project that includes Jeff Tweedy, Glenn Kotche, and uber-producer/art-rocker Jim O'Rourke, was seen by many as a safe house for further indulging the sonic experiments found on Wilco's YANKEE HOTEL FOXTROT. This time out, the band switches from arty side-project to ragged super-group, and cuts loose to play some rock & roll. As the album's title suggests, there's a satirical, irreligious tendency at work here, but the focus is on crunchy riffs and tight, well-crafted songs that run the gamut from lilting alt-country ...
| | Kenny Rogers Biography CD (1999)
Supernature
$5.85
| | Sunday's Best Poised To Break CD (2000)
Supernature
$9.55 Sunday's Best: Edward Reyes (vocals, bass); Pedro Benito, Ian Moreno (guitar, keyboards); Tom Ackerman (drums, background vocals). Recorded at Loyola Marymount and Downtown Rehearsal Studios, Los Angeles, California. Personnel: Tom Ackerman (vocals, drums); Edward Nolan Reyes (vocals); Ian Moreno, Pedro Benito (guitar, keyboards). Audio Mixer: Tony Lash. Recording information: Downtown Rehearsal, Los Angeles, CA; Downtown Rehersal, Los Angeles, CA; Loyola Maramount's Studio "L"; Loyola Marymont's Studio "L". Photographers: Ian Moreno; Melissa Chamberlain. Unknown Contributor Role: Blair Shehan. Like a number of the bands on Polyvinyl Records, Sunday's Best play a type of indie pop/rock with prevalent punk roots and elements of emocore, particularly the naked emotion and tough-guy angst. And like the majority of those peers, they generally make a pretty competent racket. Unfortunately, Poised to Break ultimately isn't very interesting in any particular way. At this late stage in the game, it's difficult to bring anything new to the pop-punk template, considering literally hundreds of bands long ago strip-mined that particular vein until it was bled dry. With that particular cross to bear, Sunday's Best nevertheless try to climb the mountain once again. The results are expectedly tepid for most of the album, and surprisingly the band doesn't even manage to generate a whole lot of sonic excitement to cover for the lack of interesting ideas. They do manage a few fairly nice ...
| | Headpins Turn It Loud CD (1982) Import
Supernature
$11.55
| | Status Quo Piledriver CD (1973) (Import) Bonus Track; England; Remastered; United Kingdom
Supernature
$17.09 Though Status Quo is best known for fast and undistinguished boogie rock, they ...
| | Tom Ovans Honest Abe CD (2005) (Import) United Kingdom
Supernature
$26.29
| | Reim Unverwundbar CD (2005) (Import)
Supernature
$55.19
| | String Quartet Tribute To Guns N' Roses CD (2004)
Supernature
$13.29 Tributee: Guns N' Roses. Various Artists: Claire Stancarone (cello); Michael Goetz (double bass); Doug Munro (percussion); David Keen. Personnel: David Keen (violin, viola); Deborah Assael (cello). Audio Mixer: Eric Helmuth. Recording information: Eric H Sound, Port Chester, NY. Arranger: Doug Munro. Many of these songs also appeared on Vitamin's 2004 string tribute to Guns N' Roses, so this release makes very little sense. Even if they've been re-recorded, the arrangements for violin, viola, cello, double bass, and percussion on "Mr. Brownstone," "Sweet Child O' Mine," and "Paradise City" are nearly identical. A previously unavailable version of "Used to Love Her" is tasteful ...
| | Renato Vargas Interprete Do Barzinho CD (2003) (Import)
Supernature
$15.75
| | Broken Angel CD (2004)
Supernature
$14.79 Broken Angel was formed early in 2004 when multi-instrumentalist and producer Karl Clews auditioned singer/songwriter Joseph Yianna for a one-off studio project. Once in the studio, the two realized they shared many views and opinions on what constituted real 'soul music' and on the state of the modern music industry. Their shared respect for the 'classic' soul artists, people like Stevie Wonder, Marvin Gaye, Bill Withers, Otis Redding and Aaron Neville, and their disillusionment with the sterile, soulless nature of much contemporary R&B, forged a strong bond between them and what had started off as a short-term project quickly blossomed into a full-blown album, which is scheduled for release on 12 November 2004.The pair's simple philosophy is, although it's an overused cliché today, to 'keep it real' - to Karl and Joseph, this meant recording real performances by real musicians, and avoiding the common pitfall of processing the life and soul out of the music. This is where they found the band's name: 'Broken Angel' seemed to encompass neatly the idea of beauty in imperfection - both agreed that what brought real 'soul' to their musical heroes' performances were those moments where the singer's voice breaks, the tempo slips, where the musicians behind the music are revealed as fragile and vulnerable. And these moments have all but been eradicated from modern music in these days of auto-tuners and beat quantisation.Don't get them wrong, ...
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