| | Kenny Burrell & John Coltrane CD Kenny Burrell Discography of CDs
Digitally remastered by Kirk Felton (1987, Fantasy Studios, Berkeley, California).
During his final months with Miles Davis' group, John Coltrane participated in a number of recording sessions for Prestige independently of Davis. This album is but one such recording. In 1958, when this recording was made, Coltrane may have been at his creative peak. During this period, his work began to transcend "bebop" and "cool," anticipating even more modern developments in jazz-changes that would affect a whole generation of musicians.
On KENNY BURRELL WITH JOHN COLTRANE, we hear the two jazz masters creating time-honored renditions of tunes such as "Why Was I Born," a duet that highlights the musicians' ability to not only savor each note, but to take a rather plaintive composition and develop it organically. Burrell, Coltrane, and company swing "Freight Trane" with great authority, thanks to the drumming acumen of Jimmy Cobb. On this tune, Coltrane uses a variety of sudden flourishes and lyrical lines, while Burrell comps chords in simpatico. Most importantly, this album represents the one-time chemistry of Burrell and Coltrane. That alone makes this CD a must.
Originally released on New Jazz (8276).
Recorded at the Van Gelder Studio, Hackensack, New Jersey on March 7, 1958. Includes liner notes by Robert Levin and Mark Gardner.
Recorded at the Van Gelder Studio, Hackensack, New Jersey on March 7, 1958.
Personnel: Kenny Burrell (guitar); John Coltrane (tenor saxophone); Tommy Flanagan (piano); Paul Chambers (upright bass); Jimmy Cobb (drums).
Personnel: Kenny Burrell (guitar); John Coltrane (tenor saxophone); Tommy Flanagan (piano); Paul Chambers (bass); Jimmy Cobb (drums).
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$12.89 CHICAGO features music composed by Chicago natives including Johnny Griffin, Jack DeJohnette, Donny Hathaway and Maurice Wright.
This is drummer Israel's third recording as a leader. He uses his Organic trio and quartet to showcase music written by Chicago natives, himself included. Guitarist Marvin Sewell and organist Larry Goldings contribute, as does saxophonist Joe Lovano who shows up on three tracks. The music ranges from modern mainstream, instrumental blues or pop, to a zinger or two not necessarily thought of as organ combo material. Sewell is generally a joy to hear, as underdocumented as he is. His soulful inflections recall several guitarists, yet he retains his own identity. He offers down-home lines during Johnny Griffin's slow and bluesy "Nice & Easy," and during the more simmering "Battery Blues" by Julian Priester. Unfortunately he fluffs the tricky melody of Grant Green's "Green's," but his good intentions remain. Goldings' corn-fed, natural sound on organ is a bit buried -- more reticent than usual, but he's a good foil. For example, Donny Hathaway's "Valdez in the Country" implies samba patterns while Israel's brushes and Sewell's guitar weave their way in and Goldings ...
| | Elvis Presley Elvis: 30 #1 Hits CDs (2002) Bonus CD; Bonus Tracks; Japan
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Commemorating the 25th anniversary of Elvis Presley's death, 30 #1 HITS presents a career-spanning serving of the King's chart-toppers.
Dating back to "Heartbreak Hotel" (which was inspired by a suicide note printed in the Miami Herald), most of these cuts have become indelibly etched into the fabric of pop culture and each has a unique story behind it. "Love Me Tender" has its origins in the Civil War ballad "Aura Lee," "It's Now Or Never" found Elvis Americanizing the Neapolitan ballad "O Sole Mio," and "Wooden Heart" likewise was converted from a German children's song.
This Memphis native's choice of artists to cover was equally intriguing and includes Hollywood legend Al Jolson ("Are You Lonesome Tonight?"), New Orleans soul shouter Smiley Lewis ("One Night"), blues great Big Mama Thornton ("Hound Dog"), and country titan Hank Snow ("[Now And Then There's] A Fool Such As I"). Further testimony of Presley's long-lasting appeal is the inclusion of the JXL Radio Edit Remix of "A Little Less Conversation," a UK #1 that not only enabled Elvis to have more chart-toppers than The Beatles, but also became a hit in a number of other countries including the United States.
RCA and the Elvis estate made no bones about their intention on replicating the blockbuster success of the Beatles' The Beatles 1 with their own single-disc collection of number one hits -- hence, the 2002 release of Elvis: 30 #1 Hits. The idea of collecting all the number one hits is simple enough, but there are problems inherent with the concept, not the least of which is that RCA did this once before. Unlike the Beatles, who went through numerous changes in just seven years of recording, Elvis had nearly three times as many years' worth of material and hits to choose from. Also, he hit on a number of different charts -- not just pop, but also R&B, country, and adult contemporary. Furthermore, where almost all of the Beatles' number one hits sampled at least part of their music, there are ...
| | Tom Harrell Sail Away CD (2003)
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