| | Robert Johnson Standin' At The Crossroads CD Robert Johnson Discography of CDs
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Buy Standin' At The Crossroads CD Purchase Standin' At The Crossroads CD To buy, Click on price to add to cart | Flaco Jimenez Ay Te Dejo En San Antonio Y Mas! CD (1986)
Standin' At The Crossroads album
 $14.65   
Lyrics translated from the Spanish by Guillermo Hernandaz, Yolanda Zepeda and Jaime Nicolopulos.
Following on from his father Santiago Jimenez' own successful run as a conjunto musician in San Antonio, Flaco Jimenez put together a conjunto of his own in the '50s, eventually becoming one of the most famous figures in Tex-Mex music (also known as Musica Nortena in Mexico). Based on the polkas and waltzes Mexican performers refashioned as rancheras, the Tex-Mex conjunto style features accordion, the 12-string bajo ...
| | Phil Alvin County Fair 2000 CD (1994)
Standin' At The Crossroads CD music
$10.69
Brothers Phil and Dave Alvin were the heart of California roots-rockers the Blasters. After songwriter/guitarist Dave's departure for a solo career, Phil kept the group alive, but mostly on a local performance ...
| | Best Of Roger Miller: His Greatest Songs CD (1991)
Standin' At The Crossroads music CDs
$5.85 
| | Ramones All The Stuff (And More), Vol. 1 CD (1990)
Standin' At The Crossroads songs
$12.79
Exploding into the stale vacuum of music in 1976 were four lads from the working-class burg known as Queens, New York: The Ramones! Projecting non-image as image, the Ramones invented worlds with every new song, populating their fantasies with characters like Sheena The Punk Rocker and Suzy The Headbanger. They were successful simply because they knew how to write great rock & roll--all energy, swagger and bravado; no solos, no chops, and no classical themes sprucing up concept albums.
Though Joey Ramone's lyrical concerns often focus on horror movies, there's a song for every occasion, whether you want to sniff some glue, score some horse on "53rd & 3rd," or make out with a "Babysitter." The story goes that The Ramones were originally going to play covers, but discovered it was easier to just ...
| | Cry Baby CD (1990) Original Soundtrack
Standin' At The Crossroads album
$6.49 
John Waters' Cry-Baby goes hand in hand with Hairspray, and is a musical film that will probably appeal more to Waters' fans than fans of musical cinema. There is nothing original or exciting about the music on the soundtrack, as energetic as it is, and its bizarre nature is probably due to the scenes from the film rather than its own oddities. Waters describes it as "music that proved kids knew how to be bad before sex, drugs, and rock & roll," yet there seems to be little separation between those attributes and the concoction of lust and loudness here. Songs like "Doin' Time for Bein' ...
| | Booker T & The MG's Very Best Of Booker T. & The MG'S CD (1994)
Standin' At The Crossroads CD music
$8.89
| | Knocky Parker Complete Works Of Jelly Roll Morton CD (1995)
Standin' At The Crossroads music CDs
$24.15
| | Crooners Collection Vol. 2 CD (1999)
Standin' At The Crossroads songs
$10.65
| | Swingle Singers Four Seasons CD (2004) (Import)
Standin' At The Crossroads album
$18.39
| | Boll Weevil Here, Boll Weevil Everywhere: Field Recordings, Vol. 16 (1934-1940) CD (2004) Import
Standin' At The Crossroads CD music
$13.25
The folk song "Boll Weevil" is at least a century old, and there are countless versions in field recording archives, as well as commercial versions issued by the likes of Charley Patton, Joe Calicott, ...
| | Pet Shop Boys Megamix (2005 Mixes) CD (2005)
Standin' At The Crossroads music CDs
$10.99
| | Mike Marshall & Darol Anger Mike Marshall & Darol Anger With Vasen CD (2007)
Standin' At The Crossroads songs
$13.45
The pairing of Americans -- mandolinist Mike Marshall and violinist Darol Anger -- and Swedes -- Väsen -- is a meeting of minds and styles. Both are well grounded in their native traditions, but also versed in original acoustic music. They show their breadth here, taking in traditional tunes from Sweden ("Penknife Killer") and the U.S. ("Yew Piney Mt."), along with several original pieces and a touch of Braziliana on "Os Pintinhos." There's style and wit in the music, as you'd expect from musicians this good. More interesting is the perfectly natural way they all mesh together and complement each other, finding a middle ground that's far more than a simple compromise. There's plenty of delicacy in a piece like "Forslund," but throughout the disc there's a very strong sense of melody, the stock in trade of everyone here. There's no need for anyone to be showy, and it's only at odd moments like the sly fiddle run on "Misch Masch" that you remember these are all virtuosos. ...
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