Wanted! Mason Proffitt CD

Wanted! Mason Proffitt songs A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune"). All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots of good licks and producer Kooper has some interesting tricks up his sleeve, as in the over-the-top phasing he lavishes on "You Don't Love Me." The only real disappointment here is that Stills, a far better singer than Kooper, never opens his mouth. Those familiar with the Live Adventures album these two recorded at the Fillmore West know how brilliant they could be on stage, and here's another gem, recorded at the Fillmore East this time and featuring 'One Way Out,' 'It's My Own Fault' (with Bloomfield trading licks with Johnny Winter...Johnny was signed to Columbia after this gig!). Newly remastered & now with 4 bonus tracks, 'Albert's Shuffle' (2002 Remix w/o Horns), 'Season of the Witch.' (2002 Remix w/o Horns), 'Blues For Nothing' (Studio Outtake) & 'Fat Grey Cloud' Previously Unreleased Live Track). Features 12-page booklet with unpublished photos from the recording session, new liner notes by Al Kooper & the Rolling Stone Hall Of Fame review by David Fricke. 60 scintillating minutes! 13 tracks. Colunbia/Legacy. 2003. Includes liner notes by Al Kooper, Michael Thomas. Includes liner notes by Michael Thomas. Full performer name: Mike Bloomfield/Al Kooper/Steve Stills. Personnel: Mike Bloomfield (electric guitar); Al Kooper (vocals, 12-string & electric guitars, piano, organ, ondioline); Steve Stills (electric guitar); Barry Goldberg (electric piano); Harvey Brooks (bass); Eddie Hoh (drums). Personnel: Mike Bloomfield (electric guitar); Al Kooper (piano, organ, ondioline, vocals, 12-string & electric guitars); Steve Stills (electric guitar); Barry Goldberg (electric piano); Harvey Brooks (bass); Eddie Hoh (drums). Reissue producer: Bob Irwin.

Wanted! Mason Proffitt CD music The first Deep Purple album to feature Glenn Hughes and David Coverdale, resulted in a much more bluesy effort all round. Coverdale's throaty roar, combined with Hughes' soaring vocal, made for a heartfelt, rootsy record. 'Might Just Take Your Life' was a hit single, and the album featured a series of extended jams, which worked most spectacularly with the elongated 'Mistreated', later resurrected by Coverdale as a live favourite with Whitesnake. The title track and 'Lay Down, Stay Down' gave vent to their more familiar refrains and emphasized the strength of their songwriting. Additional Tracks Recording information: 11/1973. Photographer: Fin Costello. Personnel: Glenn Hughes (vocals, bass guitar); David Coverdale (vocals); Ritchie Blackmore (guitar); Jon Lord (keyboards); Ian Paice (drums). Liner Note Author: Nigel Young.

Wanted! Mason Proffitt buy CD music Taking a page from their Capricorn Records labelmates and Southern rock contemporaries the Allman Brothers, the Marshall Tucker Band issued a self-titled debut blending the long and winding psychedelic and jam band scene with an equally languid and otherwise laid-back country-rock flavor. Into the mix they also added a comparatively sophisticated jazz element -- which is particularly prominent throughout their earliest efforts. The incipient septet featured the respective talents of Doug Gray (vocals), Toy Caldwell (guitar/vocals), his brother Tommy Caldwell (bass/vocals), George McCorkle (guitar), Paul Riddle (drums), and Jerry Eubanks (flute/sax/vocals). Their free-spirited brand of Southern rock was a direct contrast to the badass rebel image projected by the Outlaws or Lynyrd Skynyrd. This difference is reflected throughout the 1973 long-player The Marshall Tucker Band. The disc commences with one of the MTB's most revered works, the loose and limber traveling proto-jam "Take the Highway." The improvised instrumental section features some inspired interaction between Toy Caldwell and Eubanks. This also creates a unique synergy of musical styles that is most profoundly exhibited on the subsequent cut, "Can't You See." Caldwell's easygoing acoustic fretwork babbles like a brook against Eubanks lonesome airy flute lines. The remainder of the disc expounds on those themes, including the uptempo freewheelin' "Hillbilly Band." Unlike what the title suggests, the track is actually more akin to the Grateful Dead's "Eyes of the World" than anything from the traditional country or bluegrass genres. "Ramblin'" is an R&B rave-up that leans toward a Memphis style with some classy brass augmentations. The effort concludes on the opposite side of the spectrum with the tranquil gospel rocker "My Jesus Told Me So," offering up Caldwell's fluid guitar work with a sound comparable to that of Dickey Betts. "AB's Song" is an acoustic folk number that would not sound out of place being delivered by John Prine or Steve Goodman. This eponymous effort established the MTB's sound and initiated a five-year (1973-1978) and seven-title run with the definitive Southern rock label, Capricorn Records. ~ Lindsay Planer Additional Tracks Liner Note Author: Barry Alfonso. Recording information: Capicorn Sound Studios, Macon, GA (09/1973); Winterland Auditorium, San Francisco, CA (09/1973). Illustrator: James Flournoy Holmes. Arranger: The Marshall Tucker Band. Personnel: Toy Caldwell (vocals, guitar, acoustic guitar, steel guitar); Doug Gray (vocals, percussion); George McCorkle (acoustic guitar, percussion); Fred Wise (fiddle); Jerry Eubanks (flute, alto saxophone, percussion, background vocals); Oscar Jackson (tenor saxophone); Samuel Dixon (trumpet); Paul Hornsby (piano, electric piano, organ, Moog synthesizer); Tommy Caldwell (drums, percussion, background vocals); Paul Riddle (drums); Johnny Lee "Jaimoe" Johnson (congas); Ella Brown, Donna Hall, Ernestine Jones (background vocals). Audio Remasterer: Mike Thomas.

Wanted! Mason Proffitt album for sale Released in 1977, Carolina Dreams was a commercial breakthrough for the Marshall Tucker Band in large part due to a pair of hit singles -- "Heard It in a Love Song" and "Fly Like an Eagle." It was also the beginning of their transition from one of Southern rock's preeminent "boogie bands" to a unit that was equally versed in country, rock, blues, folk, pop, and jazz. The easy grace of Doug Gray's voice and Jerry Eubanks' reeds and woodwinds, juxtaposed with the edgy sting of Toy Caldwell's guitars, was a solid combination that is exploited here to its fullest. Paul Hornsby's production accents the ballads and midtempo rockers to fine effect. The band contributed heavily to the compositions on Carolina Dreams, and because Caldwell's singles are so transcendent, the other songs on the set are ratcheted up, as evidenced by the beautiful horn-drenched "I Should Have Never Started Lovin' You" or "Life in a Song," which successfully brought together hard country and Southern R&B in a tight, punchy, and bluesed-out mix. The remastered and expanded edition contains a smoking live version of George McCorkle's "Silverado." It's a bit thin in fidelity, but the performance more than compensates. ~ Thom Jurek Reissue W/ 1 Live Bonus Track Audio Remasterer: Keith Blake. Liner Note Author: Barry Alfonso. Recording information: Winter Garden Theater, Dallas, TX (1981). Photographer: David Alexander . The Marshall Tucker Band: Doug Gray (vocals); Toy Caldwell (electric guitar); Tommy Caldwell (bass guitar, tambourine, background vocals); Jerry Eubanks (background vocals); George McCorkle, Paul Riddle. Personnel: Toy Caldwell (guitar, acoustic guitar, steel guitar); George McCorkle (acoustic guitar, electric guitar, 12-string guitar); Charlie Daniels (fiddle); Jerry Eubanks (flute, saxophone); Dezso Lakatos (tenor saxophone); Leo Labranche (trumpet); Paul Hornsby (piano, organ); Chuck Leavell (piano); Paul Riddle (drums). Additional personnel: Jaimoe Johnson (congas); Charlie Daniels (background vocals); Chuck Leavell, Dezso Lakatos, Paul Hornsby.

Wanted! Mason Proffitt CD music First-ever domestic CD issue of the group's in-demand second album, featuring 'Ride Captain Ride' When Blues Image launched into their 1970 chart smash, 'Ride Captain Ride', the smoking lamp was always lit. But, with their subtle use of Latin Rhythms, featuring tantalizing fret-board work by Mike Pinera and the addictive conga drums of Joe Lala, this Tampa, Fla. combo proved themselves anything but a one hit wonder on their out of nowhere classic, Open. Sundazed. 2004 Recorded at American Recording Company, Studio City, California. Personnel: Mike Pinera (vocals, guitar); Manuel Bertematti (vocals, drums); Dennis Correll (vocals); Frank Conte (keyboards); Joe Lala (percussion). Liner Note Author: Efram Turchick. Recording information: American Recording Company, Studio City, CA. Photographer: Bob Jenkins. Arranger: The Blues Image. Blues Image: Mike Pinera, Malcolm Jones, Skip Conte, Joe Lala, Manuel Bertematti.

Wanted! Mason Proffitt buy CD music Perhaps the only reason that New Life isn't quite as memorable as its self-titled predecessor is that the band's debut was just so startling when it appeared. By the time New Life was issued in 1974, to the band's credit, it seemed like the Marshall Tucker Band sound had always been a part of America's rock & roll scene. New Life is earthier than the first album, and country music is less layered over by the trappings of jam-band rock. "Blue Ridge Mountain Sky" is only eclipsed by Dickey Betts' "Ramblin' Man" as the ultimate road song from the period. Likewise, the pedal steel blues of "Too Stubborn" echo an earlier era altogether, as the ghost of Bob Wills comes into Toy Caldwell's songwriting. The whining guitars and lilting woodwinds of the title track bring the jazzier elements in the band's sound to the fore and wind them seamlessly into a swirling, pastoral country music. The Muscle Shoals horns lend a hand on the Allman Brothers' Brothers and Sisters-influenced "Another Cruel Love," and guest Charlie Daniels' fiddle cooks up a bluegrass stew on "24 Hours at a Time." The sound is fantastically balanced and warm, and like its predecessor, this album has dated very well. ~ Thom Jurek Additional Tracks Liner Note Author: Barry Alfonso. Recording information: Capricorn Sound Studios, Macon (07/11/1974); Uhlein Hall Performing Arts Center, Milwaukee, WI (07/11/1974). Unknown Contributor Role: Tony Humphreys. Personnel: Toy Caldwell (vocals, acoustic guitar, electric guitar, slide guitar, steel guitar); Doug Gray (vocals, percussion); George McCorkle (acoustic guitar, electric guitar, banjo); Charlie Daniels (fiddle); Jerry Eubanks (flute, saxophone, background vocals); Oscar Jackson, Earl Ford, Todd Logan (horns); Paul Hornsby (keyboards); Tommy Caldwell (bass guitar, background vocals); Paul Riddle (drums); Jaimoe Johnson (congas). Audio Remasterer: Mike Thomas.