| | Setona Live CD - Import Setona Discography of CDs
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Our Price: $14.99  CDFor Sale Usually ships in 1-2 days
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Personnel: Setona (vocals, percussion); Ahmed (vocals, oud); Hassan Meky (accordion, keyboards); Guma Ismail Adam, Edgar Hofmann (saxophone); Bibi Hammond (bass instrument); Jaafar Farag Ibrahim, Samir Gomaa, Hassan Mahmoud Said Halim (percussion). Setona Live Songs | 1. | Tagalimo | |
| 2. | Komssou | |
| 3. | Tarazina | |
| 4. | Ma Schufna | |
| 5. | Eye of the Hunter | |
| 6. | Manzar | |
| 7. | Mani Ini | |
| 8. | Banduluy | |
| 9. | Adjeko | |
| 10. | Intro (Eye of the Hunter) | |
| 11. | Labis Toubo | |
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Live Review
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Purchase Live CD To buy, Click on price to add to cart | Atzman Gotovac: Symphonic Poems; Tajcevic / Atzmon, Hannover Rpo CD (2001)
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| | Cheb Mami Dellali CD (2001) Digipak
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For most in the Western Hemisphere, Cheb Mami will always be that guy who sang with Sting on "Desert Rose," a song that became a surprise hit in 2000, thanks in large part to Mami's mesmerizing vocal performance. In Northern Africa, however, Mami is a star in his own right. The native of Algeria is arguably the most popular performer of rai, a percussive music built around the djembe and derbouka, as well as mixing in modern dance, reggae rhythms, and often ...
| | John Flomer Of A Stranger Light CD (2002)
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| | Jongen: String Quartets / Gong, Chen, Michallek, Hesselbein CD (2004)
$9.79  | | Congotronics 2: Buzz 'N' Rumble From The Urb 'N' Jungle CDs (2006) (Import) With DVD; Belgium
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When long-running Bazombo trance ensemble Konono No. 1 first thrilled Western ears to the sounds of amplified scrapheap percussion on the first installment of CONGOTRONICS (2005), it was a revelatory moment for audiences whose appreciation of African pop rarely ventured past the more obvious World Music platitudes. The series followup, CONGOTRONICS 2: BUZZ `N' RUMBLE FROM THE URB `N' JUNGLE, focuses on a handful of artists from the Kinsasha-based scene, all putting their individual stamp on electronically-treated percussion. From the majestic bass drones of "Koyile Nyeka Nyeka" by Kasai Allstars to the polyrhythmic concatenations of Masanka Sankayi's "Le Laboureur," a ...
| | Todd Snider Happy To Be Here CD (2000)
Live album
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Snider is amiable enough on his first album for John Prine's label, and he's taken his literal move to Nashville figuratively as well -- becoming a more conventional singer/songwriter in the process, downplaying the quirks that got him noticed initially. There are some nice things here, and the horns are a particularly welcome blast of fun. ~ Michael Gallucci
Snider is amiable enough on his first album for John Prine's label, but he's taken his literal move to Nashville figuratively as well -- becoming a more conventional singer/songwriter in the process, and downplaying the quirks that got him noticed initially. There are some nice things here (the horns are a particularly welcome blast of fun), but nice doesn't quite cut it musically. ~ Michael Gallucci
Recorded at Room & Board ...
| | Jack Costanzo & His Afro Cuban Band Mr. Bongo CD (1998)
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| | Mack & Mabel CD (1974) (Import) United Kingdom
Live music CDs
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The Broadway musical Mack & Mabel, having opened on October 6, 1974, closed on November 30 after 65 performances, a flop. Three days later, on December 3, 1974, the original Broadway cast album was released. The recording is destined to become one of those prized by musical theater fans who will ponder how a show with such a good score could have failed. Certainly, the portents were good. Songwriter Jerry Herman, responsible for the hits Hello, Dolly! and Mame, re-teamed with the librettist of Hello, Dolly!, Michael Stewart, and that show's director/choreographer Gower Champion, and they cast two Broadway stars, Robert Preston (The Music Man) and Bernadette Peters (Dames at Sea) in the title roles. The "Mack" and "Mabel" of the title were Mack Sennett, the director of silent film comedies featuring the Keystone Kops in the 1910s and '20s, and Mabel Normand, whom he made into a star. The two were a romantic couple, so the scenario offered a combination of the hi-jinks of the silent screen and a love story. It was, however, a tragic love story: Sennett and Normand never married; they eventually split up professionally and personally; and Normand later died young after a scandal-ridden post-Sennett career. Thus, Mack & Mabel could only be a "musical comedy" in a formalistic sense. But that may have been what attracted Herman. He had succeeded with his frothy twin hits in the mid-'60s, then stumbled in 1969 with Dear World, a seriously intended musical adaptation of the play The Madwoman of Chaillot, and had been silent for nearly five years. In that time, the musical theater had taken a distinctly dark and serious turn in the hands of rivals like Stephen Sondheim and the team of John Kander and Fred Ebb. Sondheim, for example, won the Tony Award for best composer three years in a row for his ambitious, experimental shows Company, Follies, and A Little Night Music. These were not Jerry Herman's type of Broadway musicals, and in the character of Mack Sennett he seems to have found a vehicle for expressing his opinion. Herman and Stewart's Sennett is a man who finds the injection of artistic aspirations into entertainment pretentious. In his first song, "Movies Were Movies," he looks back on his career declaring, "No one pretended that what we were doing was art/We had some guts and some luck/But we were just making a buck." He expands on this attitude in "I Wanna Make the World Laugh." And in the show's next-to-last song, the second female lead, Lottie (Lisa Kirk), reiterates the point in the Harry Warren-like "Tap Your Troubles Away," which prescribes tap dancing for all that ails the world. Ironically, this view is presented in a musical that itself eschews the traditional form of musical comedy and instead leans toward the darkness so prevalent in Sondheim and Kander and Ebb. Sennett promises a happy ending, but he can't deliver one, except as fantasy. It's often hard to say what makes a show a failure, but this one seems to suffer from a mixed message. Nevertheless, ...
| | Freddy Quinn Die Gitarre Und Das Meer CD (1998)
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| | Video Game Soundtrack Phantom Brave CD (2004)
Live album
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MA. 2004.
| | Side Winder Mother Earth CD (2005)
Live CD music
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Genre: A 100% Melodic Heavy Metal Album, with influences comming form band like Iron Maiden, Judas Priest, Accept, Manowar ou Metallica ... A Melodic Voice + an efficient & powerfull rythm section gives an explosive1st studio album. site: http://sidewinderband.free.fr History of Side Winder (From Hard Rock to Melodic Heavy Metal): The birst of the band happends in 1991. The founders of the band were Olivier T., Philippe L. , both coming from the band EUPHORIA (90's Hard Rock), and Loic D. The band quickly start (1992) a tour in SOUTH France with a 25 songs playlist. The tour makes the band meeting a lot of people, and so having fun, but the poor logistic makes the band split for the first time ... The band start again in 1994 with a new singer : Laurent G. .But he leaves the band 1 year after to play with Caps (french rock). So the bands bend at knee again ... Then Frédéric F. (rythm guitarist) and Sébastien D. (singer) arrived in the band in 1996. The meaningless of motivation makes the split again (one more time) about 1 years after.Finaly, in year 2000, Frédéric F., Philipe L. and Olivier T. decide as motivated as ever to rebuild the band again. This time, Frédéric F. take the microphone and become the new singer ! The band welcomed during 2000 Yannick F. , a good bass player coming from the band called STYLL (progressiv metal).Then the brother of Frédéric F. - Pascal F. - , a joung keyboards player, join Side Winder in August 2001. Keyboards makes The band reach a new dimention.January 2001, the bands thanks Yannick F.In October 2002, Thibaut D., a rythm guitarist joins the band. He brings the band the power that Side Winder needs in live and alows some new arrangements ! In ...
| | Terri Allard Live From Charlottesville CD (2006)
Live music CDs
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Live From CharlottesvilleOn December 16, 2005, hometown fans braved an ice storm to hear Terri Allard and her band play at the opulently restored Paramount Theater. The gilded space and sparkling ice of that evening is captured on Live from Charlottesville, Terri's fifth CD and first live recording. Unlike typical live recordings, Terri's album features seven new songs – five fabulous originals and two wonderfully sung covers of her fan's favorites. If you were there that night, this recording takes you back on a cloud. And if you weren't there, you are now. Terri and the boys open on Wings of Love with fingers flying over the strings of their instruments, notably Jim Taggart’s soaring mandolin. But they're just setting up for the train that rumbles through on their cover of the Traveling Wilbury’s Rattled. Listening to this CD, you expect the walls to start ...
| | Animotion CD (1985) Bonus Tracks; Remastered
Live songs
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