| | Don Redman Shakin' The African CD Don Redman Discography of CDs
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Our Price: $14.69 CDFor Sale Usually ships in 1-2 days (Only 1 available)
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Although the pair of Don Redman Hep LPs have since been superceded by the Classics CDs, the inclusion of liner notes and a few alternate takes might make this release superior in some collector's minds. The first of two Redman LPs covers the pre-swing big band's first five sessions, featuring either Red Allen or Sidney DeParis on trumpets, the underrated (and now forgotten) tenor of Robert Carroll, and several vocalists including Harlan Lattimore and the cheerful leader. Of the 16 numbers on this fine LP from Scotland, the most memorable tracks include "Chant of the Weed," "I Heard," "How'm I Doin'," "Hot and Anxious" and "I Got Rhythm." ~ Scott Yanow
Recorded in 1931.
Contains 22 tracks. Shakin' The African Music Don Redman Shakin' The African Songs Shakin' The African Review
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Purchase Shakin' The African CD To buy, Click on price to add to cart | Peisha McPhee Out Of The Blue CD (1997)
Shakin' The African album
$12.05 When one applies for a job, sometimes the response is that you're overqualified. The same may be the case for Peisha McPhee. Her classically trained, strong, clear voice of operatic proportions doesn't always fit well with the songs on the play list, songs that require somewhat more vocal dynamics than McPhee gives. Trying hard as she can to restrain her powerful voice, she comes on too strong for such pop material as "Ill Wind" and "Little Girl Blue," which require greater subtlety than McPhee provides. At the same time, her voice and demeanor go well with songs that have a strong emotional tug, such as "Who Can I Turn To?" There's also a cleverly contrived dubbed a cappella duet on "Isn't It Romantic." But her forte is in the Gershwin material. "The Man I Love" and the Gershwin medley require the dramatic reading that a formidable voice like McPhee's can give them. Her sole accompaniment for this session is pianist, composer, and voice teacherMel Dangcil. Usually the concern is that the piano player may overwhelm the singer. Not the case here. Dangcil has to work hard not be swamped by the strong voice of McPhee. The result is that matters sometimes get a bit busy. ...
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$8.69 BEUNINVENTO was nominated for the 2001 Latin Grammy Award for Best Rock Solo Vocal Album. "Hoy No Quiero" was nominated for the 2001 Latin Grammy Award for Best Rock Song.
Julieta Venegas made a remarkable debut in 1998 with Aquí, an album of enormous breadth and boldness. Her follow-up, Bueninvento, is no less bold, though it is more stylistically consistent from beginning to end. The piano songs that characterized the second half of Aquí are nowhere to be found on Bueninvento, as Venegas instead delves headlong into the style of driving rock en español exemplified by "De Mis Pasos," one of the two singles from Aquí. Like "De Mis Pasos," the songs of Bueninvento are driven by drums (often programmed), accordion accents, electric guitar, and compelling choruses. There's also a lot of keyboard, which becomes evident immediately, on the album-opener, "Fé," which sounds like an amped-up rewrite of "Cómo Sé," the other single from Aquí. The second song on Bueninvento, "Hoy No Quiero," makes evident the degree to which guitars play a large role in driving these songs with aggressive forward momentum. In fact, the entire opening stretch of songs showcases the qualities of Bueninvento; for instance, "Casa Abandonada," the third song, opens with a minute-long solo accordion riff, while "Enero y Abril," the fourth song, is richly layered with programmed beats. As Bueninvento progresses, the variations in mood and intensity from song to song become the most noticeable aspect of the album: downbeat songs often follow upbeat ones, and loud choruses often cut through the calm opening verses, with a chaotic finale capping off most songs. A few songs toward the end of the album stand tall: "Bueninvento," which rattles along on a nervy beatscape and erupts with strings toward its close; "Sería Feliz," the successive song, which mesmerizingly seems to sway back and forth; and then "Instantánea," which opens with a couple minutes of ...
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$21.45 Jim has worked internationally with a wide variety of artists, both jazz and otherwise.He is currently working primarily with singer songwriter Katie Melua, and has recorded an album of originals with Marti Pellow(wet,wet,wet) He is also working with the BBC Big band and the Guy Barker International Septet. In total, he has performed/collaborated with the following ...
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$9.85 Dan has been leading the music at weekend worship services for the past 11 years. In the last 3 1/2 years Dan has resided in Spokane, ...
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