| | DJ Phynn In Trance We Trust 011 CD - Import DJ Phynn Discography of CDs
In Trance We Trust 011 Music DJ Phynn In Trance We Trust 011 Songs | 1. | Back In The Days (Intro Mix) |
| 2. | Mystique Colors |
| 3. | For The Fallen |
| 4. | Green Astronauts |
| 5. | Alone |
| 6. | Flow |
| 7. | Close Encounter |
| 8. | Q |
| 9. | Earth |
| 10. | First State |
| 11. | Shadow World |
| 12. | Till We Meet Again (Galen Behr Remix) |
| 13. | Breathe (Sander van Doorn Remix) |
| 14. | Brasilia |
| 15. | Solar Flare |
| 16. | Rush |
|
In Trance We Trust 011 Review
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Purchase In Trance We Trust 011 CD To buy, Click on price to add to cart | Trip In Trance 6 - The Rebirth CD (2006)
In Trance We Trust 011 album
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DJ: Airwave.
| | Roots Of Dubstep CD (2006)
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| | Various Artists Bargrooves - Black CD (2006) (Import)
In Trance We Trust 011 music CDs
$30.19
Black, the deeper, harder, faster shade of Bargrooves, encompasses 28 tracks of driving electro-edged Dance music mixed by Ben Sowton and Deeplay's Martin Brodin. Featuring tracks from 'Def E, Marshall Jefferson, Terry ...
| | L Pierre Dip CD (2007)
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Recording information: Seven-A.
| | DJ Johan Gielen In Trance We Trust 12 CD (2001) (Import) Germany
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| | Hardfloor Life We Choose CD (2007)
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Creators: Oliver Bondzio; Ramon Zenker.
| | Spotlite On Blast & Cheer Records CD (1996)
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| | Stereolab Dots And Loops CD (1997)
In Trance We Trust 011 songs
$9.29 
Is the sound of Stereolab's Moogs, electric keyboards, and strummed guitars starting to infiltrate mainstream pop? Or is the band itself getting continually better at its electronic bubblegum grooves? Whatever the reason, each Stereolab album is that much catchier than the one before. The music arrives sounding like it's been in your head for years. And some of it may well have been: the occasional trumpet blasts might as well have come from an old Beach Boys album.
While the Beach Boys made their mark by topping their lush pop with words of sadness and disillusionment, Stereolab graces a warm analog pulse with soft-but-icy female vocals (in French and English) that comment on stagnation, aimlessness and the pointlessness of capitalist life. "Brakhage" finds that voice repeating "We need so damn/Many things/To keep our stupid/Lives going" over what may be the happiest pop groove in history. On "The Flower Called Nowhere" Stereolab sings of "the stagnant mass" in between chipper interjections of la la las over a 6/8 pulse, while the 17-minute "Refractions in the Plastic Pulse" sounds like PET SOUNDS as remixed by Tortoise.
Recorded at Idful Music Corp., Chicago, Illinois and Academy of St. Martin In The Street, Dusseldorf, Germany.
Producers: John McEntire, Andi Toma, Stereolab.
Personnel: Mary Hansen (vocals); Rebecca McFaul, Poppy Branders, Shelly Weiss (strings); Ross Reed, Dave Crawford, Jeb Bishop, Paul Mertens (brass); Jan St. Werner (horns); Sean O'Hagan (piano, Fender Rhodes piano, Farfisa); Xaver Fischer (piano); John McEntire (synthesizer, vibraphone, marimba, percussion); ...
| | Therion Lemuria CD (2004)
In Trance We Trust 011 album
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| | City Clubbing CDs (2006) (Import) France
In Trance We Trust 011 CD music
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The dancefloor side of the "City Lounge" series presents hot clubbing music from the 4 most active club capitols ...
| | Thom Shepherd & Steve Williams Songs From The Redneck Yacht Club CD (2007)
In Trance We Trust 011 music CDs
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This CD is a compilation of songs written by Thom Shepherd and Steve Williams, the guys who wrote "Redneck Yacht Club," which was a #1 hit for country artist Craig Morgan. A lot of these songs were inspired by the times we spent out at Elm Hill Marina on good ol' G Dock at Percy Priest Lake. They have all been tested and approved and yahooed by the Redneck Yacht ...
| | Wings Over Jordan Choir Trying To Get Ready CD (2008)
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| | Gates Of Slumber Hymns Of Blood & Thunder CD (2009)
In Trance We Trust 011 album
$11.39
Indiana's the Gates of Slumber is the greatest American biker doom band not fronted by Scott "Wino" Weinrich. Guitarist/vocalist Karl Simon is very much in the Wino neighborhood, vocally, offering a hoarse shout with a surprising upper range, but as a guitarist he's much more obviously descended from Tony Iommi; a lot of the riffs on this (and every Gates album) could have come off Sabbath Bloody Sabbath and/or Sabotage. That's not a bad thing, of course; classicism and craft have long been prized in metal. Besides, the band sounds astonishing on this release. Producer Sanford Parker has given them a full, analog sound that pours from the speakers and fills the room with warm waves of distorted guitar, thundering drums that sound like tympani, and a rumbling bass sound like the world's largest Harley idling right behind you. There are a few surprises here. "The Mist in the Mourning" is an acoustic guitar-and-vocal piece with a female singer dueting and harmonizing with Simon, and the nearly 11-minute "Descent into Madness" features a psychedelic, almost Pink Floyd-esque guitar and keyboard interlude. But for the most part, the Gates M.O. remains what it's been all along: a huge churning roar, somewhere between classic Sabbath and contemporaneous work by High on Fire and similar acts. If you like your metal big, heavy, and focused on themes of war, death, and glory, without the epic cheesiness of Manowar, then you will love ...
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