| | Cheo Feliciano Cheo CD Cheo Feliciano Discography of CDs
 (1 Customer Review)
Personnel: Cheo Feliciano (vocals); Vinnie Bell (electric 6-string guitar); Charlie Rodriguez (tres); Larry Harlow (piano); Louie Ramirez (vibraphone); Bobby Valentín (bass guitar); Johnny Pacheco (conga drum, background vocals); Johnny Rodriguez (bongos); Ismael Quintana (claves, maracas, background vocals); Orestes Vilató (timbales); Justo Betancourt, Santos Colon (background vocals).Down Beat (p.75) - 4 stars out of 5 -- "Feliciano's voice fits the arrangements like a glove, imbuing a raft of soon-to-be-classics...with precise vocal shading and rhythmic finesse." Cheo Music | List Price | $11.97 (You save $1.98) | | Category | World Albums, International CDs, Latin, Tropical, Bolero, Salsa/Tropical, Charanga | | Label | Fania | | Orig Year | 1972 | | All Time Sales Rank |  47500  | | CD Universe Part number | 7039048 | | Discs | 1 | | Release Date | Mar 14, 2006 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Jerry Masucci; C. Curet Alonso | | Recording Time | 36 minutes | | Personnel | Johnny Pacheco - conga drum, background vocals
Johnny Rodriguez - bongos
Louie Ramirez - vibraphone
Cheo Feliciano - vocals
Larry Harlow - piano
Charlie Rodriguez - tres
Orestes Vilat= - timbales
Justo Betancourt
Vinnie Bell - electric 6-string guitar
Bobby Valentfn - bass guitar
Ismael Quintana - claves, maracas, background vocals
Santos Colon - background vocals
| | Additional Info | Remastered; Reissued |
Cheo Feliciano Cheo Songs | 1. | Anacaona |
| 2. | Pienso en Ti |
| 3. | Pa que Afinquen |
| 4. | Mi Triste Problema |
| 5. | Estos es el Guaguanco |
| 6. | Si Por Mi Llueve |
| 7. | Franqueza Cruel |
| 8. | Mano Caliente |
| 9. | Medianoche y Sol |
| 10. | Poema de Otono |
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Purchase Cheo CD To buy, Click on price to add to cart | Carlos "Patato" Valdez Patato & Totico CD (1967) Remastered; Digipak
Cheo album
 $9.89   
The landmark recording Patato & Totico belongs neither entirely to rhumberos nor ...
| | Hector Lavoe De Ti Depende CD (1976) Remastered; Reissued
Cheo CD music
$9.99
| | Ismael Rivera Esto Fue Que Trajo El Barco CD (1972)
Cheo music CDs
$10.39
| | Willie Colon Solo CD (1979) Remastered; Reissued
Cheo songs
$9.99
| | El Gran Combo Arroz Con Habichuela CD (2006)
Cheo album
$9.55
| | Cecil Payne Scotch And Milk CD (1996)
Cheo CD music
$12.89
When Cecil Payne turned 70 in 1992, the baritone saxophonist was showing no signs of slowing down. Payne was 73 when he recorded Scotch and Milk, a fine hard bop date employing trumpeter Marcus Belgrave, tenor saxmen Lin Halliday and Eric Alexander, pianist Harold Mabern, bassist John Ore, and drummer Joe Farnsworth. Payne's chops ...
| | Banda Machos Las Movidas De Los Machos CD (1995)
Cheo music CDs
$5.69 
Live Recording
| | Shujaat Khan Raga Bilaskhani Todi CD (2001)
Cheo songs
$12.09
| | Cocco Hinoterinagara Amenofuru CD (2006) (Import) Japan
$17.09 | | JOE Techno It's A Miracle CD (2002)
Cheo album
$12.69
"Techno JOE" is the brainchild of a prolific songwriter; a one-man-bandof sorts. From the first cut to the last of this "first" CD albumoffering from "TJ", we listen as he [a college-trained Artist] portrays"portraits of sound", and "molds lyrics like clay" into masterpieces ofmusic for all to hear and enjoy! He hopes you will truly enjoy this CD,and welcomes your "comments" and "constructive criticisms". [He loveshis craft but feels there is always "room for improvement at alllevels"!] He also wishes to "THANK" CDBABY.COM for this "priviledge"to "share" his songs with the world!"TJ's" first cut."It's A Miracle"...Truly fits here as the title ofhis CD, as it IS truly a "miracle" in that after many years as a writer,musician, and performer who has always been searching for that illusive"good deal" or "first big break", but more often than not winding up onthe recieving end of a closed or slamming door..That it shouldfinally come to pass that FATE would lend a helping hand to make this"lifelong dream" become a reality! The lyrics describe the trials andtribulations of love lost and found, and both the pain and heartache;joys and sorrows that accompany such a search for fulfillment! Althoughthe lyrics might bring a tear to your eye, in "contrast" the music isupbeat and danceable!The second cut..."I Couldn't Ever Say Good-bye" pickes up the tempo, aswe deal with the separation of two people inlove. Regardless of whatthe "weather" is doing outside, and the "distance" betweenlovers...True-love knows no boundaries! The fairytale-likesuggestion that the title brings to mind, as if to say that "neversaying Good-bye" means never having to let go...or perhaps it's love'ssecret potion that assures your lover will always return?The fourth cut available here for you to listen to...Is is more of amodern rocker!With the steady, upbeat drums; to the riff-laden, complimenting,twin-lead guitars with an over-abundance of distortion...This song showsa revealing look into the "corporate world" of big business! Whereyoung ...
| | Black Bunny CD (2008)
Cheo CD music
$16.45
Hopping along with Black Bunny.Block Magazine: Feature Article by Cameron Brindise Rest assured these boys can circle skin and bones with rope, keeping you still, resting you easy. With the likes of Radiohead, Wilco and The Flaming Lips, Brandon Wilde & Chris Foley create music for the best of us.Having already recorded their last two albums with former band THISWAY produced by David Kahne (Sublime, Paul McCartney, The Strokes) and Ken Nelson (Gomez, Coldplay), there upcoming work in progress said to be released in 2008 should be better then ever. These guys really have something here. The sweet and the tough are mixed together in a way that makes the music really get to you. Take a small second to figure out what with what makes a bunny groan. DESERT HEAT QUESTIONS:BLOCK: You name an epic list of influences. Do you feel like you are influenced by everything you've ever listened to - as in you have no chance, you are just affected? Or can you weed through, like selective listening powers? BLACK BUNNY: I think that some of Black Bunnies influences are more apparent then others. I think I'm influenced by everything in the sense that some music inspires me and some music shows me what not to do. There's plenty of music out there that I have no interest in whatsoever and I do my best to keep my ears free and clear. BLOCK: What do you think about Williamsburg? Bedford Avenue hipness? Leather jackets and cowboy boots? BLACK BUNNY: What I like about Williamsburg is that it's cheaper than living in Manhattan and yet it's still close enough to the pulse of the city. Lots of people who hang around Bedford Avenue have that bohemian vibe going on and I'm totally fine with that. Williamsburg hipsters of the male persuasion look like they're right out of Oasis or the Strokes. I'd rather see that fashion etiquette than a bunch of kaki wearing yuppies any day. I don't really have an opinion on leather jackets but I think that when people tuck their pants into cowboy boots it looks funny. INTO THE WESTERN FRONTIER:BLOCK: In two of your songs, you talk of "nowhere to hide." In Butterfly , you say, "You've got nowhere to run, nowhere to hide" and in Love Unknown , you say, "You've got nowhere to hide when you look inside." Can you explain why there is nowhere to hide these days? BLACK BUNNY: I think there are plenty of people hiding in various forms across the globe. People put on fronts all the time. A protective outer shell is something that is sometimes necessary. However, the characters that I write about are sometimes willing to take the risk and dig deeper within themselves. BLOCK: In Digital Bystander the chorus says, "Don't you get lost in all those plastic heroes," What are your 'plastic heroes?' BLACK BUNNY: Certain political leaders, some celebrities in film and TV, and various mainstream artists. People that have tremendous influence over others and appear hollow at their core. BLOCK: Also you have a song called Hero that talks of not having to be everybody's hero. "You shouldn't have to feed everybody's ego, you shouldn't have to be what you don't want to be." What drives this reaction of constantly having to please others? BLACK BUNNY: I think we're molded over time into believing that we must always try to please others, say the right thing. People will tell you that they want to hear the truth or an honest criticism and most of the time they really don't. Hero was written in reaction to how exhausting it gets always telling people what they want to hear. BLOCK: A line you repeat and get louder/more intense with is "Let's make it right" in Digital Bystander ...
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