| | Scarred No Solution CD Scarred Discography of CDs
Southern California punks the Scarred blend the sound of 1970s bands like the Clash and the Sex Pistols with 21st-century metal on their sophomore album, NO SOLUTION. Titles like "Bastards," "Rotting," and "Submission" (the latter not the Sex Pistols song) give a clue to the trio's traditional punk lyrical obsessions, while their aggressively low-tech sound should win over a lot of punk rock fans looking for something beyond the Green Day-Blink 182 axis.
Photographer: John Woods.
Personnel: Andy Lee White (background vocals).
Recording information: Soundbest Studios, Garden Grove, CA.
Scarred No Solution Songs | 1. | No Solution |
| 2. | Battlefield |
| 3. | Bastards |
| 4. | Submission |
| 5. | Repression |
| 6. | Drone |
| 7. | Rotting |
| 8. | I Don't Wanna |
| 9. | Sick City |
| 10. | Rattlesnake |
| 11. | Get Me Out |
| 12. | Nobody Cares |
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No Solution Review
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Purchase No Solution CD To buy, Click on price to add to cart | 999 CD (1978) (Import) Canada
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A truly neglected classic, 999's eponymous debut album was issued in March, 1978, on the back of three stunning 45s -- the romping "I'm Alive," the anthemic "Nasty Nasty," and the oddly ambitious "Me and My Desire." ...
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| | Doro Warrior Soul (Enhanced) CD (2006) (Import) England; Limited Edition; Digipak; Enhanced
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Limited Edition comes packaged in a Digi-book. The new Doro album Warrior Soul carries on the spirit of the old Warlock times and adapts in to the current times. Doro would not be Doro if she did not put all of her heart and energy into Warrior Soul. Once again she had to go a long way. It has leaded her from the already familiar Yellohouse Studio in Wupppertal (Germany), the Atom-H-Studios and the cooperation with ...
| | Sublime Everything Under The Sun CDs (2006) With DVD; Box Set
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Sublime's musical bouillabaisse drew on punk, folk, hip-hop, and reggae to make a soundtrack for a party attended by skaters, rastas, hippies, fratboys, and gangstas alike. It's no surprise, then, that a posthumous Sublime rarities box would result in perhaps the band's most eclectic offering yet. Composed of three CDs and a DVD of live performances and interviews, the collection follows Sublime from its origins as a band heavily influenced by the roots reggae of Bob Marley, the spiritual dub-punk of Bad Brains (a slew of covers of both artists attest to Sublime's fandom), and the righteous singalong fury of the Clash into a polished, commercially successful pop band with an infectious party-hearty vibe. The various outtakes, acoustic demos, live jams, and remixes (one of which features fellow Long Beach County brother Snoop Dogg) here bring into focus a band truly taken with the changing power of music, even if its mission was merely to ensure that everyone be allowed to follow their God-given right to an unfettered good time.
1. Don't Push (Live at ...
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| | Judy Garland The Garland Touch CD (1962)
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Having waited a year for Judy Garland to follow up her chart-topping, gold-selling, Grammy-winning album Judy at Carnegie Hall, Capitol Records gave up and cobbled together this LP out of previously released tracks and stray sessions. Two songs, "More Than You Know" and "Do I Love You?" appeared on Garland's 1958 album Judy in Love and are simply repeated here. "Comes Once in a Lifetime" and "Sweet Danger," two adequate Broadway show tunes from the 1961-1962 season, appeared together on a Garland single. (The former, by Jule Styne, Betty Comden, and Adolph Green, comes from Subways Are for Sleeping; the latter, by George Forrest and Robert Wright, was in the flop Kean.) The other six tracks were recorded in London in a series of sessions that found the singer revisiting her earlier work, such as "It's a Great Day for the Irish," a song she sang in the 1940 movie Little Nelly Kelly, and her "Judy at the Palace" medley of vaudeville favorites, assembled for her 1951 appearance at the Palace Theater in New York. She is certainly in good voice on these recordings, and even if this patchwork collection is not a worthy successor to Judy at Carnegie Hall, it contains some winning performances. ~ William Ruhlmann
Judy Garland's Capitol Records album The Garland Touch, presented here with six bonus tracks, has a curious history. In August 1960, Garland went into the EMI studios on Abbey Road in London and held a series of sessions with British conductor Norrie Paramor in which she re-recorded 20 tracks from her repertoire -- everything from "Over the Rainbow" to her "Judy at the Palace" medley of vaudeville favorites -- apparently with the intention of releasing a two-LP set. Then, in April 1961, she appeared at Carnegie Hall, singing many of the same songs, of course, and that performance was immortalized on the two-LP set Judy at Carnegie Hall, which hit number one, went gold, and won the Grammy for Album of the Year. The proposed album drawn from the London sessions was now somewhat redundant, and the material was shelved. In October 1961, Garland went into a New York studio intending to record an album of new Broadway songs, but she had a cold, and the only tracks deemed presentable were "Comes Once in a Lifetime" (a song by Jule Styne, Betty Comden, and Adolph Green from Subways Are for Sleeping) and "Sweet Danger" (from George Forrest and Robert Wright's score for Kean), and they were issued on a single. Garland's schedule of personal appearances and film work prevented her from getting back to recording, and, after a year had gone by, Capitol grew impatient for a follow-up to Judy at Carnegie Hall. So, the label went back to the London sessions and picked six songs that Garland hadn't sung at Carnegie Hall; added the two Broadway songs from the recent single; and padded the collection out with two songs ("More Than You Know" and "Do I Love You?") from Garland's 1958 album Judy in Love. These ten tracks made up The Garland Touch, released on July 30, 1962. Eventually, the London material was released in its entirety, first on an LP called Judy in London and later on a CD called The London Sessions, but until 2009, nobody thought of reissuing the patchwork collection The Garland Touch on CD. For this release, DRG Records has added five more of the London tracks as well as the rare song "It's Lovely to Be Back in London," which was pressed on a promotional single given to people ...
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