| | Keith Fullerton Whitman Lisbon CD Keith Fullerton Whitman Discography of CDs
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With all of his recent explorations into vintage analog equipment, drones, collaborations, and everything else under the sun as Hrvatski, it's amazing that Keith Fullerton Whitman has time to eat a good meal, let alone release albums and tour with such breakneck speed. But this particular recording is something special when placed in contrast to the rest of Whitman's work. This is a raw, nearly untouched recording of a performance in Lisbon on October 2005 where he picks up on some of the ideas left in 2002's excellent Playthroughs and blends them with elements of every single release he's had since, quirky synth signals, frantic digital chirps, field recordings, and other assorted sounds all harvested and filtered through his custom computer programs and processes. At times the performances are somber and gentle, progressing along with a slow grace and subtle nuances, and there are other moments when Whitman destroys that vibe with tension and dissonance. But it's this tension that leads to progress throughout the performance, and when it comes to experimental music, few do it better than Whitman. This is the embodiment of everything he's presented under his own name thus far, and the results couldn't be any more enjoyable. ~ Rob Theakston Keith Fullerton Whitman Lisbon Songs
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| Lisbon Review
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| | Jess Klein Strawberry Lover CD (2005) (Import) Bonus Tracks; Japan
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$34.15 CD contains 1 bonus track. On her third album (actually her fifth, but the first two were self-released and long out of print), singer/songwriter Jess Klein adds a dash more pop and polish to the sweetly soulful formula of her previous discs. On 2005's Strawberry Lover, producer and former Mary Lou Lord guitarist Marc Copely wisely puts Klein's voice front and center, while also letting his tight and emphatic studio band (with Copely himself on guitar) give the songs a firmer and hookier edge, putting less folk and more rock into Klein's tunes. But Copely's production also serves the material well, and Klein's voice -- at its best sounding like the youthful middle ground between Emmylou Harris and Maria McKee -- responds well to these surroundings. With melodic accents that suggest she's been listening to a lot of classic R&B and '60s pop, Klein's tales of love both good and bad hit a fine grace note between passion and craft, and she offers just enough interesting changeups (such as the sexy reggae grove of "Soda Water" and the subtle martial undertow of "Ribbons") to give the set a compelling texture. Strawberry Lover is a solid and compelling record from an artist who continues to grow with each new album. ~ Mark Deming On her third album (actually her fifth, but the first two were self-released and long out of print), singer/songwriter Jess Klein adds a dash more pop and polish to the sweetly soulful formula of her previous discs. On 2005's Strawberry Lover, producer and former Mary Lou Lord guitarist Marc Copely wisely puts Klein's voice front and center, while also letting his tight and emphatic studio band (with Copely himself on guitar) give the songs a firmer and hookier edge, putting less folk and more rock into Klein's tunes. But Copely's production also serves the material ...
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All Saints: Nicole, Melanie, Natalie, Shaznay Lewis (vocals). Additional personnel includes: K. Gee (various instruments); Karl Gordon (keyboards, drum programming); John Benson, Cyril McNammon (keyboards); Sean Cox (keyboard programming). Producers include: Cameron McVey, Magnus Fiennes, Karl Gordon, Johnny Douglas, Neville Henry. Engineers include: Marcellas Fernandes, Ruadhri Cushnan. ALL HITS is a 2001 compilation of 12 cuts from U.K. pop quartet All Saints. Among the highlights are "Pure Shores," "Never Ever," "Black Coffee," and "Under the Bridge." All Saints weren't together that long -- only two albums and a handful of singles -- but that was enough to rack up a bunch of tabloid headlines, several celebrity romances (Shaznay with Damon Albarn, Nicole with Robbie Williams and Liam Gallagher), one skin-baring movie for the sisters Appleton, and several big U.K. hits (and a few minor U.S. hits). It might not be a lot for a hits collection, but it was enough, as the 13-track collection All Hits proves. This is padded out a bit, with two 1998 remixes (one of "Lady Marmalade," one of "War of Nerves") and the original hit version of the spectacular "Pure Shores" plus its "2 da Beach U Don't Stop Remix," and it bends the rules by featuring "Twentyfourseven," a hit by Artful Dodger featuring Melanie Blatt's vocals, but that's not necessarily a bad thing (particularly in the case of "Twentyfourseven"), ...
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