| | Dinah Washington Through The Night With Dinah CD - Import Dinah Washington Discography of CDs
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Our Price: $19.85  CDFor Sale Usually ships in 1-2 days
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(2-CD set) Here are 48 tracks which showcase Dinah's interpretation of standards and lesser known tunes. As on almost everything she recorded, Dinah can lay claim to being one of the major vocalists of her time, and probably the most versatile of all the Through The Night With Dinah Music Through The Night With Dinah Review
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Personnel: Hugh Masekela (vocals, trumpet, flugelhorn); Hugh Masekela; Nat Leepuma Hammond (vocals, flute, congas); Stanley Kwesi Todd (vocals, electric bass); Bishop James Morton (vocals, congas); Isaak Asante (vocals, talking drum, percussion); Samuel Nortey (vocals, shekere, percussion); Richard Neesai Botchway, Arthur Adams , Bruce Langhorne (guitar); Al Albreu, Alexander Abreu (soprano saxophone, tenor saxophone); Wayne Henderson (trombone); Cecil Barnard, William Henderson , Cecil Bernard (piano); Joe Sample (electric piano); Henry Franklin, John Cartwright (bass instrument); Acheampong Welbeck (drums, bass drum, bells); Stix Hooper (drums); Wilton Felder (tenor saxophone); Bill Henderson , Charlie Smalls (piano); Chuck ...
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| | Andrew Hill Judgement! CD (1964) Bonus Track; Remastered
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Personnel: Andrew Hill (piano); Bobby Hutcherson (vibraphone); Richard Davis (bass); Elvin Jones (drums).
Producer: Alfred Lion.
Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on January 8, 1964.
Personnel: Andrew Hill (piano); Andrew Hill; Richard Davis (bass instrument); Bobby Hutcherson (vibraphone); Elvin Jones (drums).
Audio Remasterer: Rudy Van Gelder.
Liner Note Authors: Leonard Feather; Bob Blumenthal.
Recording information: Van Gelder Studios, Englewood Cliffs, NJ (01/08/1964).
Photographer: Francis Wolff.
Andrew Hill's previous 1964 outing on Blue Note, the trio-only SMOKE STACK, had drummer Roy Haynes sounding so much like Elvin Jones that Hill brought in the real thing for next quartet session, JUDGEMENT! True to form, the always fiery Jones gets things off to an explosive start on "Siete Ocho," with Hill and vibraphonist Bobby Hutcherson keeping up as best they can. The warmly inventive Hutcherson remained an ideal musical partner for the abstract-minded pianist-composer, ...
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A beautifully constructed collection of tightly coiled pop/rock from one of America's better-kept musical secrets -- Merrill's spangled past as a member of Vodka Collins and Arrows really never leaked out of Japan and Europe, respectively, but that hasn't prevented the New York native from undertaking a steady stream of solo albums, each of which proves that the ears that envisioned "I Love Rock 'n Roll" have not lost an iota of sparkle or passion across the intervening years. Aleecat was recorded in the U.K. in early 2004 with a backing band highlighted by Glitter Band mainstay Pete Phipps; from start to (almost) finish, it was cut in just 12 hours, a red-hot session that allows each song to stand on its barest attributes. The gorgeously Beatlesque "Illusion," the motorvatin' "No Speed Limit," the glam-stomping "Lost in Lust," and the mellow acoustics of "Phoenix and the Renegade" all sparkle with a sparseness that is all the more beautiful for the brittle bareness that gives the album a timelessness that a "fuller" sound would have stripped away altogether. That is reserved for the four bonus tracks, the distinctly late-'70s-shaded demos for a projected second album by Merrill's post-Arrows band, Runner. The highlight is the original demo of "When the Night Comes," a song later covered by Lou Rawls and Catherine Howe, and a prototype of "Feet (All Around the World)," which Merrill subsequently cut with the re-formed Vodka Collins. ~ Dave Thompson
The basic tracks of this album were recorded in London England, at Stone Room Studios in February 2004.On a trip to London from his home in New York, former Arrows lead singer-guitarist Alan Merrill was given a couple of free days studio time by his old friend, the Stone Room studio owner Rob Cox.He immediately called in his UK all-star rhythm section, Pete Phipps (Gary Glitter Band / XTC / Eurythmics) on drums, and Dave Glover (Slade / Brian Connolly's Sweet ) on bass. The trio recorded 9 basic tracks over the two days.Then Alan Merrill returned to New York's Studio 900 with the tapes and brought in Joel Diamond for some keyboard flourishes. Diamond did his typically melodic and lyrical overdubs on piano and Hammond B-3 organ.The album was then mixed by Frank Garfi, former live soundman at the famous New York club "Max's Kansas City".Merrill realized there wasn't enough material for a full album, ...
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