| | Charles Lloyd Soundtrack CD
Charles Lloyd Soundtrack Songs | 1. | Sombrero Sam | |
| 2. | Voice In The Night | |
| 3. | Pre-Dawn | |
| 4. | Forest Flower '69 | |
| Soundtrack Review
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Purchase Music From CD To buy, Click on price to add to cart | The Sound of Music CD (1959) Original Broadway Cast
Soundtrack
$9.58 Music composed by Richard Rodgers. Lyrics written by Oscar Hammerstein. Principal cast includes: Mary Martin, Theodore Bikel, Elizabeth Howell, Muriel O'Malley, Patricia Neway, Karen Shepard, Theodore Bikel, John Randolph, Nan McFarland, Lauri Peters, William Snowden, Kathy Dunn, Joseph Stewart, Marilyn Rodgers. Producers: Goddard Lieberson, Enoch Light, Mitch Miller. Reissue producers: Didier C. Deutsch, Darcy M. Proper. Engineers include: Fred Plaut, Bud Graham, Frank Laico. Recorded at the Columbia 30th Street Studio, New York, New York on September 26 and November 22, 1959. Includes liner notes by Richard Rodgers and Marc Kirkeby. Digitally remastered using 20-bit technology by Darcy M. Proper and Dawn Frank. This is the 30th Anniversary edition of the classic 1965 soundtrack. The track order has been reconfigured from ...
| | Hoodwinked CD (2005) Original Soundtrack
Soundtrack
$12.79
| | Five Course Love CD (2009) Digipak
Soundtrack
$15.18
| | Waiting To Exhale CD (1995) Original Soundtrack
Soundtrack
$8.99 Personnel includes: Babyface (guitar, piano, Wurlitzer, keyboards, synthesizer, Vocoder, drum programming, background vocals); Reggie Griffin (guitar, saxophone); Michael Thompson (guitar); Bruce Dukov, Clayton Haslop (violin); Bob Becker (viola); Larry Corbett (cello); Brandon Fields (saxophone); Greg Phillinganes, Alex Alessandroni, Patrice Rushen (piano); Nathan East (bass); Larry Bunker (timpani, percussion); Luis Conte, Paulinho Da Costa (percussion); Track Masters (drum programming); Kevon Edmonds, Melvin Edmonds, Marc Nelson, Debra Killings (background vocals). All songs written by Babyface except "This Is How It Works" (Babyface/Lisa Lopes), "And I Gave My Love To You" (Babyface/Sonja Marie), "Count On Me" (Babyface/Whitney Houston/Michael Houston) and "My Funny Valentine" (Richard Rodgers/Lorenz Hart). "Exhale (Shoop Shoop)," written by Babyface, won a 1997 Grammy Award for Best R&B Song. WAITING TO EXHALE was nominated for 10 additional Grammys. The album was nominated for Album Of The Year, and "Exhale (Shoop Shoop)" was also nominated for Song Of The Year and Best Song Written Specifically For A Motion Picture Or For Television. "Sittin' Up In My Room," another Babyface composition, was also nominated for Best R&B Song. "It Hurts Like Hell," ...
| | Duets CD (2000) Original Soundtrack
Soundtrack
$11.99 Audio Mixer: Jon Gass. The original soundtrack to Bruce Paltrow's karaoke drama Duets follows up on the film's premise, collecting the actors' performances of pop favorites. Huey Lewis' "Feelin' Alright," Maria Bello's "I Can't Make You Love Me," and John Pinette's "Copacabana" may not equal the original versions, but they're still entertaining enough in the album's context. Similarly, Gwyneth Paltrow's duets with Babyface ("Just My Imagination (Running Away With Me)") and Lewis ("Cruisin'") are as interesting for their sheer novelty as for the discovery that Paltrow has a surprisingly good singing voice. However, Paul Giamatti's sweetly awkward "Hello, It's Me" and Paltrow's guileless reading of "Bette Davis Eyes" go one step farther, imbuing their performances with the desperation and vulnerability that drives their characters. As with the film, Duets is a personal and occasionally captivating -- if not always successful -- soundtrack. ~ Heather Phares WHEN ACTORS SING could be the title of a surreal reality-based TV show; instead it often turns out to be an all too real phenomenon. Luckily, the soundtrack for the Bruce Paltrow-directed movie comedy about the world of karaoke turns out to be a highly listenable collection of real-life musicians and actors picking up microphones and letting it all hang out vocally. Among the non-singers of the batch who deserve special mention ...
| | Polar Express CD (2004) Original Soundtrack
Soundtrack
$8.79 Josh Groban/Steven Tyler/Perry Como/Bing Crosby/Andrews Sis.+
Audio Mixers: William Malina; Dennis Sands; Mick Guzauski; Scott Campbell . Arranger: Jerry Hey. The soundtrack to Robert Zemeckis' groundbreaking film adaptation of Chris Van Allsburg's popular children's book The Polar Express celebrates the season with both classic and contemporary holiday flair. Composers Glen Ballard and Alan Silvestri provide the latter, relying on swelling choral arrangements, tender ballads, and polarizing yuletide offerings from Stephen Tyler and Josh Groban. Tyler struts his stuff on the amiable but derivative "Rockin' on Top of the World," a three-chord rave-up that finds the Aerosmith mouthpiece channeling a pack of howler monkeys, but it's Groban's syrupy, future American Idol favorite "Believe" that serves as the soundtrack's commercial centerpiece. Tom Hanks does his best Gene Wilder on the whimsical and strangely unnerving title track, a wonderfully unhinged performance that will have Willy Wonka fans clamoring for more, and the winsome vocals of preteens Matthew Hall and Meagan Moore give the ballad "When Christmas Comes to Town" a real sense of wonder. Silvestri's orchestral pieces are effective in tone, yet ape Danny Elfman's Edward Scissorhands theme so shamelessly that lawyers on both sides must have had words ...
| | John Zorn Masada V.1 CD (1994) (Import) Japan
Soundtrack
$47.29 Masada: John Zorn (alto saxophone); Dave Douglas (trumpet); Greg Cohen (bass); Joey Baron (drums). Recorded at RPM Studios, New York, New York on February 20, 1994. Apparently his early Spy Vs. Spy homage with Tim Berne wasn't enough to satiate John Zorn's Ornette Coleman jones. Masada, Vol. 1: Alef is the jumping-off point for his prolific quartet, clearly modeled on Coleman's groundbreaking acoustic unit, and it's the first sighting of trumpeter Dave Douglas, too. The rhythm section is equally crucial, with Greg Cohen ably tackling the thankless task of bass anchor and Joey Baron the unsung hero for maintaining the fierce, high-energy pulse dictated by Zorn's punk sensibilities. The frenetic "Jair" sets a very Coleman-ish tone before the more measured "Bith Aneth" finds Douglas showing his range with muted squawks, growls, and broad lower-register tones that almost sound like a trombone. Douglas has to be consistently agile to handle the demands of foil for Zorn because the Masada norm doesn't call for many solos with just the rhythm section. The second lead instrument is almost always playing countermelodies behind the principal soloist, which makes for densely packed music with lots and lots of notes. Luckily, Masada is a savvy crew, not just rip-and-run raiders, so those notes create an ample spectrum of moods and flavors. "Bith Aneth" works off kind of a mutant tango rhythm and Cohen throws in a nice change of pace with a midsong switch to old-fashioned, near-slap bass on "Tahah." If the intense "Tzofeh" finds Zorn and Douglas playing tag over Baron's backbeat drive, they can also weave meandering harmonies through the lovely melody to "Kanah." "Delin" whoops exuberantly, the mysterious "Idalah-Abal" is pervasively melancholy, and the nine-and-a-half-minute "Janohah" is straight-up jazz with walking bass and Baron riding his cymbals before taking over as the lead instrument during the closing section. Hardly anyone outside of Coleman's immediate family of musicians has taken the plunge to delve deeply into his way of making music, so Masada fills quite a void. Alef is full of thrilling, varied music and just may remind some people who are put off by John Zorn's constant stream of conceptual projects how good a musician he is in a straight-ahead jazz context. ~ Don Snowden Masada is often referred to as super-experimentalist John Zorn's klezmer group. While Zorn composes all of Masada's music in one of two "Jewish scales" (either a major scale with a second note flat or a minor scale with the fourth note sharp), it otherwise becomes difficult to categorize this unique ensemble. Saxophonist Zorn, trumpeter Dave Douglas, bassist Greg Cohen, and drummer Joey Baron fuse traditional hard bop, noir-ish atmospherics, Ornette Coleman-style free-improv, beautiful, ghostly melodies, and even Latin rhythmic elements while disguising the whole in klezmer's clothes. Those ...
| | Peter Erskine Sweet Soul CD (1991)
Soundtrack
$12.89 jazz drummer Erskine presents a selection of standards & originals, feat. a load of great players inc. Joe Lovano, Kenny Werner, Marc Johnson, John Scofield, Bob Mintzer & Randy Brecker
Personnel: Peter Erskine (drums); Joe Lovano (soprano & tenor saxophones); Bob Mintzer (tenor saxophone); Randy Brecker (trumpet); Kenny Werner (piano, organ, synthesizer); John Scofield (guitar); Marc Johnson (bass). Recorded at Skyline Studios, New York, New York on March 4 & 5, 1991. Includes liner notes by Peter Erskine. Personnel: Peter Erskine (drums); John Scofield (guitar); Joe Lovano (soprano saxophone, tenor saxophone); Bob Mintzer (tenor saxophone); Randy Brecker (trumpet); Kenny Werner (piano, organ, synthesizer). Liner Note Author: Peter Erskine. Recording information: Skyline Studios, New York, NY (03/04/1991-03/05/1991). Directors: Ikuyoshi Hirakawa; Steve Backer. Editor: Chris Bellman. Photographer: Shunsuke Yamamoto. Six of the 11 selections on this CD (most of which were written by drummer Peter ...
| | Herbie Mann Super Mann: The Best Of Atlantic Years CDs (2002) Deluxe Edition
Soundtrack
$122.49 The 14-CD box SUPERMANN includes: TURTLE BAY/DISCOTHEQUE; WATERBED/SURPRISES; BIRD IN A SILVER CAGE/FIRE ISLAND; RIGHT NOW/LATIN FEVER; OUR MAN FLUTE/IMPRESSIONS OF THE MIDDLE EAST; THE BEAT GOES ON/THE HERBIE MANN STRING ALBUM; MELLOW/HOLD ON, I'M COMIN'; A MANN & A WOMAN (w/ Tamiko Jones)/RECORDED IN RIO DE JANEIRO (w/ Joao Gilberto & Antonio Carlos Jobim); LIVE AT THE WHISKEY A GO-GO/MISSISSIPPI GAMBLER; and SUPERMANN/YELLOW FEVER. Personnel includes: Herbie Mann, Joao Gilberto, Antonio Carlos Jobim, Roy Ayers, Steve Marcus, Sonny Sharrock, David Newman. The Best of the Atlantic Years isn't a slim volume of hits from Memphis Underground, Push Push, and other top LPs of Herbie Mann's 25-year period at Atlantic. It's actually a 14-disc box set including all of Collectables' two-fer collections (a total of 20 original LPs), most of those being low-profile albums Atlantic had no wish to reissue properly (Memphis Underground and Push Push are two of the releases not present). Ranging from Mann's early-'60s obsession with the bossa nova all the way to his late-'70s ...
| | Sirius B Ouro Batido CD (2003) Import
Soundtrack
$7.15 Brazilian Jazz From Bristol
| | Love Tune CD (2007) (Import)
Soundtrack
$35.49 Features Alaine, DaVille and others
| | Bilk Together Again CD (2007) (Import)
Soundtrack
$20.99
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